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Equivalent, Alfred Stieglitz, 1930
Alfred Stieglitz, PorträtAlfred StieglitzVereinigte Staaten, 1864–1946

Equivalent

1930 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1930 · mit 66 Jahren
18641946
Inventarnummer
1949.3.1068

Was es zeigt

BaumCloudsSkyscapeNew YorkHimmelLake George

Im Katalog

FotografienSilbergelatineabzugModerne20. JahrhundertAmerican

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Alfred Stieglitz

Das ganze Leben
  1. 1929

    O'Keeffe leaves for New Mexico

    In 1929 O'Keeffe moved to New Mexico, where she created her famous series of desert landscapes and gained recognition and financial security. When she returned to New York, Stieglitz's affair with his pupil Dorothy Norman was over, but they could not restore their former relationship.

  2. May 1929

    His gallery to be demolished: depression at Lake George

    In early 1929 Stieglitz was told that the building housing his gallery would be torn down. After a final show of Demuth's work in May he retreated to Lake George exhausted and depressed, and when the Strands raised nearly sixteen thousand dollars for a new gallery he reacted harshly, saying it was time for the “young ones” to do some of the work.

  3. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

  4. 1932

    A forty-year retrospective of 127 works

    In 1932 Stieglitz mounted a forty-year retrospective of 127 of his works at An American Place. Next to his portraits of his young lover Dorothy Norman he deliberately hung recent photographs of O'Keeffe, who looked older than her forty-five years, one of the few times he acted spitefully towards her in public, perhaps a result of their arguments about his control over her art.

  5. 1932

    Break with Paul Strand

    Later in 1932 Stieglitz showed O'Keeffe's works next to amateurish paintings on glass by Rebecca Salsbury and published no catalogue, which the Strands took as an insult. Paul Strand never forgave him: the day he walked out of An American Place in 1932, he said, was no less good than the day he walked into 291 in 1907.

Mehr von Alfred Stieglitz

Alle Werke
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Baum

Alle Werke zum Thema
From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Nicht ausgestellt · National Gallery of Art

Young Oaks, Winter, Yosemite National Park, California, Ansel Adams, 1938, printed later

Ansel Adams

Young Oaks, Winter, Yosemite National Park, California, 1938, printed later

Nicht ausgestellt · National Gallery of Art

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86

Paul Cézanne

Trees and Houses Near the Jas de Bouffan, 1885–86

Metropolitan Museum of Art

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Ein Sonntagnachmittag auf der Insel La Grande Jatte, 1884–86, border added 1888–89

Art Institute of Chicago

The Flowering Orchard, Vincent van Gogh, 1888

Vincent van Gogh

The Flowering Orchard, 1888

Metropolitan Museum of Art

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Nicht ausgestellt · National Gallery of Art

L'atelier de Cannes (The Studio in Cannes), Pablo Picasso, 1955

Pablo Picasso

L'atelier de Cannes (The Studio in Cannes), 1955

Nicht ausgestellt · National Gallery of Art

The Acrobats (Les saltimbanques), Pablo Picasso, 1905, published 1913

Pablo Picasso

The Acrobats (Les saltimbanques), 1905, published 1913

Nicht ausgestellt · National Gallery of Art