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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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National Portrait Gallery
Edwin Vose Sumner

Edwin Vose Sumner, Charles DeForest Fredricks, c. 1861

CCharles DeForest FredricksVereinigte Staaten

Edwin Vose Sumner

c. 1861 · Photograph

Darf man es sehen?

Unbekannt

National Portrait Gallery

Washington, D.C., Vereinigte Staaten

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit: 5. Okt. 2026
Quelle: Das Museum

Auf der Karte Museumsseite

Angaben

Inventarnummer: S/NPG.83.284.15

Was es zeigt

American Civil War (1861-1865)Mustaches Dress accessories Porträt Facial Hair Carte-de-visite Civil War, 1861-1865 Costume

Im Katalog

Fotografien Albuminabzug Realismus Impressionismus 19. Jahrhundert

Quellen

National Portrait Gallery
Bild: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)

Mehr von Charles DeForest Fredricks

Erastus Brooks, Charles DeForest Fredricks

Erastus Brooks

National Portrait Gallery

Mary I. Palmer, Charles DeForest Fredricks, n.d.a.

Mary I. Palmer

n.d.a. · National Portrait Gallery

Harriet Elizabeth Beecher Stowe, Charles DeForest Fredricks, mid-late 19th century

Harriet Elizabeth Beecher Stowe

mid-late 19th century · National Portrait Gallery

Brigham Young, Charles DeForest Fredricks, c. 1857 (after c. 1847 daguerreotype)

Brigham Young

c. 1857 (after c. 1847 daguerreotype) · National Portrait Gallery

[Fredricks' Photographic Temple of Art], Charles DeForest Fredricks, about 1856

[Fredricks' Photographic Temple of Art]

about 1856 · Nicht ausgestellt · J. Paul Getty Museum

Asher Brown Durand, Charles DeForest Fredricks, c. 1858

Asher Brown Durand

c. 1858 · National Portrait Gallery

George Barnard, Charles DeForest Fredricks, about 1858–1865

George Barnard

about 1858–1865 · Nicht ausgestellt · J. Paul Getty Museum

[Portrait of a Man], Charles DeForest Fredricks, about 1858–1868

[Portrait of a Man]

about 1858–1868 · Nicht ausgestellt · J. Paul Getty Museum

Nachbarn im Haus: National Portrait Gallery

Robert F. Kennedy, Gardner Cox, 1968

Gardner Cox

Robert F. Kennedy, 1968

Babe Ruth, Paolo Garretto, 1929

Paolo Garretto

Babe Ruth, 1929

Alice Dunbar Nelson, Laura Wheeler Waring, 1927

Laura Wheeler Waring

Alice Dunbar Nelson, 1927

Pauline Morton Sabin, Philip Alexius de László, 1926

Philip Alexius de László

Pauline Morton Sabin, 1926

Adolph Ochs, Philip Alexius de László, 1926

Philip Alexius de László

Adolph Ochs, 1926

Samuel Gompers, Moses Wainer Dykaar, 1924

Moses Wainer Dykaar

Samuel Gompers, 1924

Alexander Graham Bell, Moses Wainer Dykaar, 1922

Moses Wainer Dykaar

Alexander Graham Bell, 1922

Lillian D. Wald, William Valentine Schevill, 1919

William Valentine Schevill

Lillian D. Wald, 1919

Zum selben Thema · American Civil War (1861-1865)

Alle Werke zum Thema

Lee Surrendering to Grant at Appomattox, Alonzo Chappel, ca. 1870

Alonzo Chappel

Lee Surrendering to Grant at Appomattox, ca. 1870

Smithsonian American Art Museum

Private Adolph Zirsse, Successful Intermediate Excision of the Head and two and a half inches of the Shaft of the Right Humerus, from the Photographic Catalogue of the Surgical Section, William Bell, 1865

William Bell

Private Adolph Zirsse, Successful Intermediate Excision of the Head and two and a half inches of the Shaft of the Right Humerus, from the Photographic Catalogue of the Surgical Section, 1865

Smithsonian American Art Museum

Reclining Civil War Soldier, Hines Portrait Company, ca. 1863

Hines Portrait Company

Reclining Civil War Soldier, ca. 1863

Smithsonian American Art Museum

The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, Winslow Homer, 1863

Winslow Homer

The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, 1863

Smithsonian American Art Museum

News from the War, from Harper's Weekly, June 14, 1862, Winslow Homer, 1862

Winslow Homer

News from the War, from Harper's Weekly, June 14, 1862, 1862

Smithsonian American Art Museum

Rebels Outside Their Works at Yorktown Reconnoitring (sic) with Dark Lanterns, from Harper's Weekly, May 17, 1862, Winslow Homer, 1862

Winslow Homer

Rebels Outside Their Works at Yorktown Reconnoitring (sic) with Dark Lanterns, from Harper's Weekly, May 17, 1862, 1862

Smithsonian American Art Museum

Winter-quarters in Camp--The inside of a Hut, from Harper's Weekly, January 24, 1863, Winslow Homer, 1863

Winslow Homer

Winter-quarters in Camp--The inside of a Hut, from Harper's Weekly, January 24, 1863, 1863

Smithsonian American Art Museum

Battle of Antietam--Burnside's Division, Left Wing--Brilliant and Decisive Bayonet Charge of Hawkins's Zouaves, Colonel Kimball on the Rebel Battery on the Hill, Right Bank of the Antietam Creek near Sharpsburg, on the Afternoon of September 17--Utter Rout of the Rebels. From a Sketch by Our Special Artist, Mr. Edwin Forbes., Edwin Forbes, 1862

Edwin Forbes

Battle of Antietam--Burnside's Division, Left Wing--Brilliant and Decisive Bayonet Charge of Hawkins's Zouaves, Colonel Kimball on the Rebel Battery on the Hill, Right Bank of the Antietam Creek near Sharpsburg, on the Afternoon of September 17--Utter Rout of the Rebels. From a Sketch by Our Special Artist, Mr. Edwin Forbes., 1862

Smithsonian American Art Museum