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  3. Edwin Forrest as Virginius
Edwin Forrest as Virginius, Mathew B. Brady, 1861

Edwin Forrest as Virginius

1861 · Photographic Negative

Angaben

1861 · mit 38 Jahren
18231896
Inventarnummer
NPG.88.104

Derweil im Leben von Mathew B. Brady

Das ganze Leben
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Mehr von Mathew B. Brady

Alle Werke

Nachbarn im Haus: National Portrait Gallery

Museumsseite

Zum selben Thema · Theater manager

Alle Werke zum Thema

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, PorträtMathew B. BradyVereinigte Staaten, 1823–1896

    Darf man es sehen?

    Unbekannt

    NPG
    National Portrait Gallery

    Washington, D.C., Vereinigte Staaten

    Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

    Unverändert seit
    5. Okt. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Was es zeigt

    Theater managerWallArts and CultureArchitekturInterior decorationOuterwearPorträtDesign

    Im Katalog

    FotografienRealismusImpressionismus19. Jahrhundert

    Quellen

    • National Portrait Gallery
    • Bild: National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Nicht ausgestellt · Museum of Modern Art

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Nicht ausgestellt · Museum of Modern Art

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Nicht ausgestellt · Museum of Modern Art

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Nicht ausgestellt · Museum of Modern Art

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Nicht ausgestellt · Museum of Modern Art

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Nicht ausgestellt · Museum of Modern Art

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Nicht ausgestellt · Museum of Modern Art

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    1865 · Nicht ausgestellt · Museum of Modern Art

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    John McCullough, c. 1860-70

    John McCullough, c. 1860-70

    National Portrait Gallery

    Edwin Booth, c. 1860-70

    Edwin Booth, c. 1860-70

    National Portrait Gallery

    Minnie Maddern Fiske, Unidentified Artist, 1917

    Unidentified Artist

    Minnie Maddern Fiske, 1917

    National Portrait Gallery

    Edwin Forrest in the Role of Metamora, Frederick Styles Agate, c. 1832

    Frederick Styles Agate

    Edwin Forrest in the Role of Metamora, c. 1832

    National Portrait Gallery

    Dion Boucicault, Sir Leslie Mathew Ward, 1882

    Sir Leslie Mathew Ward

    Dion Boucicault, 1882

    National Portrait Gallery

    Edward L. Davenport, c. 1860-70

    Edward L. Davenport, c. 1860-70

    National Portrait Gallery

    Edwin Forrest as Coriolanus, Mathew B. Brady, c. 1861

    Mathew B. Brady

    Edwin Forrest as Coriolanus, c. 1861

    National Portrait Gallery

    Hamlet Galop, J. H. Bufford Lithography Company, c. 1866

    J. H. Bufford Lithography Company

    Hamlet Galop, c. 1866

    National Portrait Gallery