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  1. Sammlung/
  2. National Gallery of Art/
  3. Edouard Delessert
Edouard Delessert, Jean-Léon Gérôme, 1864

Edouard Delessert

1864 · Painting

Angaben

1864 · mit 40 Jahren
18241904
Inventarnummer
2025.85.1

Derweil im Leben von Jean-Léon Gérôme

Das ganze Leben
  1. 1861–1863

    A year in Egypt, Syria and Palestine

    Right after the duel Gérôme left France for a year-long journey through Egypt, Syria and Palestine, described in detail in his autobiography: for 17 days he crossed the Syrian desert and spent Easter in the Church of the Holy Sepulchre in Jerusalem. He returned to Paris in January 1863.

  2. 1863

    Marries the daughter of the art dealer Goupil

    In 1863 Gérôme married Marie Goupil (1842–1912), daughter of the international art dealer Adolphe Goupil; they had four daughters and a son. He moved to a house in rue de Bruxelles, close to the Folies Bergère, and enlarged it into a grand house with stables, a sculpture studio below and a painting studio on the top floor.

  3. 25 January 1863

    An open letter to the emperor about the Salon rules

    On 15 January 1863 new rules for admission to the Salon were announced: no more than three works per artist and a competitive selection. On 25 January a group of artists, Gérôme and Édouard Manet among them, addressed an open letter to the emperor against the new rules; it was in vain, but the scandal that followed led, among other things, to the opening of the “Salon des Refusés”.

  4. 13 November 1863

    Professor at the École des Beaux-Arts

    An imperial decree of 13 November 1863 stripped the Academy of the right to run the École des Beaux-Arts: three new studios and three professorships were created, one of which went to Gérôme. Starting with sixteen students, he went on in 1864–1904 to give more than two thousand students at least part of their art education.

Mehr von Jean-Léon Gérôme

Alle Werke

Nachbarn im Haus: National Gallery of Art

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Zum selben Thema · Gun

Alle Werke zum Thema
  • 1864–1904

    The studio everyone wanted to join

    Places in Gérôme’s atelier were limited and keenly sought: only the best students were admitted. Students progressed from drawing after antique works and casts to drawing from the live model and only then were allowed to paint in oils; he attended every Wednesday and Saturday and was known as a severe critic, but helped his students outside the school too, inviting them to his own studio and recommending them to the Salon.

  • 1865

    Elected to the Institut de France at the fifth attempt

    Gérôme was elected to the Institut de France on his fifth attempt; in these years his influence became extensive and he was a regular guest of Empress Eugénie at the court in Compiègne.

  • Jean-Léon Gérôme, PorträtJean-Léon GérômeFrankreich, 1824–1904

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    National Gallery of Art

    Washington, D.C., Vereinigte Staaten

    Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    19. Aug. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Was es zeigt

    GunWoodsPorträtFull figure standingMale

    Im Katalog

    GemäldeÖlFranzösische MalereiRealismusImpressionismus19. JahrhundertAcademic

    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — Museum open access
    Bashi-Bazouk, Jean-Léon Gérôme, 1868–69

    Bashi-Bazouk

    1868–69 · Metropolitan Museum of Art

    Study of Palm Trees, Jean-Léon Gérôme, 1855/56

    Study of Palm Trees

    1855/56 · Metropolitan Museum of Art

    Young Greeks in the Mosque, Jean-Léon Gérôme, 1865

    Young Greeks in the Mosque

    1865 · Minneapolis Institute of Art

    View of Medinet El-Fayoum, Jean-Léon Gérôme, c. 1868/1870

    View of Medinet El-Fayoum

    c. 1868/1870 · National Gallery of Art

    Bashi-Bazouk, Jean-Léon Gérôme, ca. 1868–69

    Bashi-Bazouk

    ca. 1868–69 · Metropolitan Museum of Art

    Prayer in the Mosque, Jean-Léon Gérôme, by 1874

    Prayer in the Mosque

    by 1874 · Metropolitan Museum of Art

    The Carpet Merchant, Jean-Léon Gérôme, c. 1887

    The Carpet Merchant

    c. 1887 · Minneapolis Institute of Art

    Chariot Race, Jean Léon Gérôme, 1876

    Chariot Race

    1876 · Art Institute of Chicago

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Bauernhof in der Provence, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Y son fieras (And They Are Like Wild Beasts), Francisco Goya, published 1863

    Francisco de Goya

    Y son fieras (And They Are Like Wild Beasts), published 1863

    Nicht ausgestellt · National Gallery of Art

    Que valor! (What Courage!), Francisco Goya, published 1863

    Francisco de Goya

    Que valor! (What Courage!), published 1863

    Nicht ausgestellt · National Gallery of Art

    The Stag and the Vine, Marc Chagall, 1927/1930

    Marc Chagall

    The Stag and the Vine, 1927/1930

    Nicht ausgestellt · National Gallery of Art

    A private Marine of Col. Fourgeoud's Corps, William Blake after John Gabriel Stedman, 1793

    William Blake

    A private Marine of Col. Fourgeoud's Corps, 1793

    Nicht ausgestellt · National Gallery of Art

    A Coromantyn Free Negro, or Ranger, armed, William Blake after John Gabriel Stedman, 1793

    William Blake

    A Coromantyn Free Negro, or Ranger, armed, 1793

    Nicht ausgestellt · National Gallery of Art

    The Sculls of Lieut Leppar, & Six of his Men, William Blake after John Gabriel Stedman, 1793

    William Blake

    The Sculls of Lieut Leppar, & Six of his Men, 1793

    Nicht ausgestellt · National Gallery of Art

    March thro' a swamp or Marsh in Terra-firma, William Blake after John Gabriel Stedman, 1793

    William Blake

    March thro' a swamp or Marsh in Terra-firma, 1793

    Nicht ausgestellt · National Gallery of Art

    Death of Maximilian at Queretaro (L'executionde Maximilien), Edouard Manet, 1867

    Édouard Manet

    Death of Maximilian at Queretaro (L'executionde Maximilien), 1867

    Nicht ausgestellt · National Gallery of Art