Diana und Kallisto, Titian, 1550s
Titian, PorträtTitianItalien, 1490–1576

Diana und Kallisto

Diana and Callisto

1550s · Painting · 187.5 × 205.5 cm

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National Gallery

London, Vereinigtes Königreich

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Quelle
Das Museum

Über das Gemälde

Diana and Callisto is a painting completed between 1556 and 1559 by the Italian late Renaissance artist Titian. It portrays the moment in which the goddess Diana discovers that her maid Callisto has become pregnant by Jupiter. The painting was jointly purchased by the National Gallery and the Scottish National Gallery for £45 million in March 2012. Along with its companion painting Diana and Actaeon it is displayed on an alternating basis between London and Edinburgh. There is a later version by Titian and his workshop in the Kunsthistorisches Museum, in Vienna.

WikipediaCC BY-SA

Angaben

Inventarnummer
NG 6616

Im Katalog

Quellen

  • Wikidata
  • Bild: National Gallery — Titian · Public domain · Wikimedia Commons

Derweil im Leben von Titian

Das ganze Leben
  1. 1547–1548

    Augsburg: the “Equestrian Portrait of Charles V”

    In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.

  2. 1548 · Wirkungsort

    Augsburg

  3. 1550–1551 · Wirkungsort

    Augsburg

  4. 1550s

    An assembly-line workshop for Charles V and Philip II

    From the 1550s commissions from the emperor and then from Philip II monopolised the artist's output. To meet the demand he reorganised his workshop and began to produce variants and replicas of his works almost in assembly-line fashion: “specialised collaborators” made copies, which he then retouched to impart his spirit to them.

  5. 1555

    His daughter Lavinia's wedding

    In 1555 Titian married off his daughter Lavinia to Cornelio Sarcinelli, a member of the local nobility of Serravalle, with a noble dowry of 1,400 ducats.

Alle Werke

Aus der Sammlung: National Gallery

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