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  3. Den lyrespillende Amor
Den lyrespillende Amor, Bertel Thorvaldsen, 1817-1821

Den lyrespillende Amor

1817-1821 · Statuette

Angaben

1817-1821
17701844
Inventarnummer
KMS5680

Derweil im Leben von Bertel Thorvaldsen

Das ganze Leben
  1. 1797–1838

    “Restores” the Aegina marbles for Prince Ludwig

    In his Roman workshop in the Palazzo Barberini Thorvaldsen “restored” the recently discovered Aegina marbles, adding lost arms and heads. On his recommendation the fragments were bought by Prince Ludwig of Bavaria, the future King Ludwig I; the reconstructed pediment groups of the Aegina temple can now be seen in Munich’s Glyptothek.

  2. 1797–1838

    The Roman years: a home, a workshop and a mentor

    In Rome Thorvaldsen lived at the Casa Buti on the Via Sistina, in front of the Spanish Steps, and had his workshop in the stables of the Palazzo Barberini. He also studied with another Dane, Asmus Jacob Carstens, whose handling of classical themes became a source of inspiration.

  3. 1819

    A triumphal visit to Copenhagen

    In 1819 Thorvaldsen visited his native Denmark, and the visit to Copenhagen turned into a genuine triumphal procession. He was also received with enthusiasm in Vienna, Berlin and Warsaw.

  4. 1819

    Commission for statues of Christ and the Twelve Apostles

    In Denmark Thorvaldsen was commissioned to make a colossal series of statues of Christ and the Twelve Apostles for the rebuilding of the Church of Our Lady, destroyed in the British bombardment of Copenhagen in 1807. The statues were executed after his return to Rome and completed only in 1838.

  5. 29 March 1819

    Proposes to Frances Mackenzie; the engagement is broken

Mehr von Bertel Thorvaldsen

Alle Werke

Im selben Saal · Sal 217D, Statens Museum for Kunst

Museumsseite

On 29 March 1819 Thorvaldsen proposed to Miss Mackenzie, but a month later the engagement was cancelled: he had fallen in love with another woman, Fanny Caspers. Torn between Mackenzie and Anna Maria von Uhden, the mother of his daughter, he never succeeded in making Caspers his wife.

  • 1822

    The foremost sculptor after Canova’s death

    Thorvaldsen’s work was often compared with Canova’s; after Canova’s death in 1822 he became the foremost artist in neoclassical sculpture.

  • Bertel Thorvaldsen, PorträtBertel ThorvaldsenDänemark, 1770–1844

    Darf man es sehen?

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    Statens Museum for Kunst

    Kopenhagen, Dänemark

    Saal217D

    Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

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    Unverändert seit
    28. Sept. 2026
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    SkulpturMarmorKlassizismusRomantik19. Jahrhundert

    Kommen und Gehen

    1. Ausgestellt · Saal 217D

      Statens Museum for Kunst · 28. Sept. 2026 — jetzt · Geprüft

    2. Ausgestellt

      Statens Museum for Kunst · 19. Aug. 2026 — 28. Sept. 2026 · Geprüft

    Quellen

    • Statens Museum for Kunst
    • Bild: Statens Museum for Kunst — public domain
    La Charité chrétienne, Pays Scandinaves, 1810
Date de création/fabrication : vers 1810 (Proposition d'Isabelle Lemaistre in Musée du Louvre. Nouvelles acquisitions du département des Sculptures (1984-1987). Paris, 1988. p. 110-113.) (bibliographie/travail de référence)

    La Charité chrétienne

    1810 Date de création/fabrication : vers 1810 (Proposition d'Isabelle Lemaistre in Musée du Louvre. Nouvelles acquisitions du département des Sculptures (1984-1987). Paris, 1988. p. 110-113.) (bibliographie/travail de référence) · Louvre

    Vénus à la pomme, Thorvaldsen, Bertel, 1805
Date de création/fabrication : vers 1805 - 1831

    Vénus à la pomme

    1805 Date de création/fabrication : vers 1805 - 1831 · Louvre

    Nessus Abducting Dejanira, Bertel Thorvaldsen, modeled 1814–15, carved 1821–23 or 1826

    Nessus Abducting Dejanira

    modeled 1814–15, carved 1821–23 or 1826 · Metropolitan Museum of Art

    Possibly Lady Louisa Bingham, Bertel Thorvaldsen, model 1816 and/or 1817/1818, carved c. 1821/1824

    Possibly Lady Louisa Bingham

    model 1816 and/or 1817/1818, carved c. 1821/1824 · National Gallery of Art

    Possibly Lady Georgiana Bingham, Bertel Thorvaldsen, model 1816 and/or 1817/1818, carved c. 1821/1824

    Possibly Lady Georgiana Bingham

    model 1816 and/or 1817/1818, carved c. 1821/1824 · National Gallery of Art

    Lady Elizabeth Vernon, née Bingham, Bertel Thorvaldsen, model 1816 and/or 1817/1818, carved c. 1821

    Lady Elizabeth Vernon, née Bingham

    model 1816 and/or 1817/1818, carved c. 1821 · National Gallery of Art

    Ganymede and the Eagle, Bertel Thorvaldsen, 1817–29

    Ganymede and the Eagle

    1817–29 · Minneapolis Institute of Art

    Venus med æblet, Bertel Thorvaldsen, 1809

    Venus med æblet

    1809 · Statens Museum for Kunst

    Parti af Østerbro i morgenbelysning, Christen Købke, 1836

    Christen Schjellerup Kobke

    Parti af Østerbro i morgenbelysning, 1836

    Udsigt fra Dosseringen ved Sortedamssøen mod Nørrebro, Christen Købke, 1838

    Christen Schjellerup Kobke

    Udsigt fra Dosseringen ved Sortedamssøen mod Nørrebro, 1838

    Motiv fra Capri, kort efter solens opgang, Christen Købke, 1841-1843

    Christen Schjellerup Kobke

    Motiv fra Capri, kort efter solens opgang, 1841-1843

    Havetrappen ved kunstnerens malestue på Blegdammen, Christen Købke, 1841-1844

    Christen Schjellerup Kobke

    Havetrappen ved kunstnerens malestue på Blegdammen, 1841-1844

    Parti fra Dosseringen mod Nørrebro, Christen Købke, 1841-1845

    Christen Schjellerup Kobke

    Parti fra Dosseringen mod Nørrebro, 1841-1845

    Studie af brænding ved Marina Piccola, Capri, Christen Købke, 1839

    Christen Schjellerup Kobke

    Studie af brænding ved Marina Piccola, Capri, 1839

    Klipper og oprørt sø. Capri, Christen Købke, 1839

    Christen Schjellerup Kobke

    Klipper og oprørt sø. Capri, 1839

    Castel dell'Ovo i Napoli, Christen Købke, 1839-1840

    Christen Schjellerup Kobke

    Castel dell'Ovo i Napoli, 1839-1840