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Darkness and Light, Reynold Weidenaar, 1952
Reynold WeidenaarVereinigte Staaten, 1915–1985

Darkness and Light

1952 · Print

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Derzeit nicht ausgestellt

Wo ist „Darkness and Light“ heute? Sammlung: National Gallery of Art, Washington, D.C. Derzeit nicht ausgestellt. Geprüft 29. September 2026.

National Gallery of Art

Washington, D.C., Vereinigte Staaten

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Das Museum
Auf der KarteMuseumsseite

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Inventarnummer
2015.19.1455

Was es zeigt

MexicoCathedral

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DruckgrafikSchabkunstNachkriegskunst20. JahrhundertAmerican

Quellen

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Locomotive Shops

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Six Ways to Draw on Copper II, Reynold Weidenaar, 1948

Six Ways to Draw on Copper II

1948 · Nicht ausgestellt · National Gallery of Art

Auch ausgestellt: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

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Green Wheat Fields, Auvers, Vincent van Gogh, 1890

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Zum selben Thema · Mexico

Alle Werke zum Thema
Viva Zapata, Diego Rivera, 1932

Diego Rivera

Viva Zapata, 1932

Nicht ausgestellt · National Gallery of Art

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Allen Ginsberg, 1954, printed later

Allen Ginsberg

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., 1954, printed later

Nicht ausgestellt · National Gallery of Art

Neal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip., Allen Ginsberg, 1948/1954/1956, printed 1990

Allen Ginsberg

Neal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip., 1948/1954/1956, printed 1990

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Scene at the Secretariat of Education with Rivera Murals, Tina Modotti, c. 1928

Tina Modotti

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Sally Mann

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Nicht ausgestellt · National Gallery of Art

Sian Ka'an, Sally Mann, 1999

Sally Mann

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Nicht ausgestellt · National Gallery of Art

Sian Ka'an, Sally Mann, 1999

Sally Mann

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