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Danger, Winslow Homer, 1883/1887
Winslow Homer, PorträtWinslow HomerVereinigte Staaten, 1836–1910

Danger

1883/1887 · Drawing

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National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1883/1887
18361910
Inventarnummer
1984.58.2

Im Katalog

Zeichnungen & AquarelleAquarellImpressionismus19. JahrhundertAmericanRealist

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — Museum open access

Derweil im Leben von Winslow Homer

Das ganze Leben
  1. spring 1881 – November 1882

    England: the village of Cullercoats

    In 1881 Homer set off on his second and last trip abroad, to England, and from the spring of 1881 to November 1882 lived in the village of Cullercoats on the North Sea, depicting the courage of fishermen and above all of women: gutting fish, mending nets, waiting for the men at the water's edge. The period profoundly changed his later work: his palette grew sober and his pictures larger. Of the local women he wrote: “The women are the working bees.”

  2. November 1882

    Return: “a very different Homer”

    In November 1882 Homer returned to the United States and showed his English watercolours in New York. Critics noticed the change at once: “He is a very different Homer from the one we knew”, his pictures were “works of High Art”, and his women were no longer “dolls who flaunt their millinery” but sturdy, fearless wives and mothers.

  3. summer 1883

    Moves to Prouts Neck

    In the summer of 1883 Homer moved from New York to Prouts Neck, a peninsula ten miles south of Portland, Maine, and lived there for the rest of his life, using solitude to work. He settled on the family estate, in a remodelled carriage house seventy-five feet from the ocean.

  4. 1884

    Death of his mother

    In 1884 Homer's mother died: his first teacher and the strongest influence on him. After her death he became a “parent” to his ageing but domineering father, and his sister-in-law Martha (“Mattie”) became his closest female intimate.

  5. winter 1884 – 1885

    Florida, Cuba and the Bahamas

    In the winter of 1884–1885 Homer travelled to Florida, Cuba and the Bahamas, painting a series of watercolours commissioned by Century Magazine: the storm-tossed green sea of Prouts Neck gave way to the sparkling blue skies of the Caribbean, and for Edith Blake, wife of the governor of the Bahamas, he painted “Children Under a Palm Tree”. “A Garden in Nassau” (1885) is one of the best of these watercolours, but they proved too advanced for traditional buyers.

  6. 1888–1903

    Trips to Key West

    Between 1888 and 1903 Homer frequently visited Key West, Florida; some of his best-known works, “A Norther, Key West”, “The Gulf Stream”, “Taking on Wet Provisions” and “Palms in the Storm”, are said to have been produced there.

Mehr von Winslow Homer

Alle Werke
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · Metropolitan Museum of Art

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · Metropolitan Museum of Art

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · National Gallery of Art

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · Metropolitan Museum of Art

The Studio, Winslow Homer, 1867

The Studio

1867 · Metropolitan Museum of Art

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · Metropolitan Museum of Art

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · National Gallery of Art

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · Metropolitan Museum of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888