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  3. Crucifixion
Crucifixion, María Josefa Sánchez, 1646

Crucifixion

1646 · Painting

Über das Gemälde

This fine example of a small cross made for individual worship is also exceptional because it is signed by a woman artist, María Josefa Sánchez. Sánchez was active from 1639 to 1649, probably in Castile, but little else is known about her. Women rarely worked as professional artists in 17th-century Spain; those few who did usually trained in the workshops of their fathers. Some women artists of the period, Sánchez included, may have been nuns who produced devotional works for monastic communities.

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Here the body of Jesus is gracefully posed in contrast to his agonized expression, with carefully depicted drops of blood spilling from his hands and feet. The glowing orbs near his hands represent the sun and the moon, a reference to the darkness of the eclipse at the moment of his death. Unusually for Crucifixion scenes, Sánchez included the Virgin of the Immaculate Conception, identified by the celestial symbols that surround her, at Christ’s feet.

Art Institute of Chicago · CC BY 4.0

Angaben

Inventarnummer
2018.52

Im selben Saal · Gallery 212, Art Institute of Chicago

Museumsseite

Zum selben Thema · Crucifixions

Alle Werke zum Thema
MMaría Josefa Sánchez

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Art Institute of Chicago

Chicago, Vereinigte Staaten

Saal212

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Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

CrucifixionsCrossJesusChristian subjectsChristianityReligionReligiousReligious figuresBiblicalWorshipDevotionBloodSunMoonMannFrau

Im Katalog

GemäldeÖlBarock17. JahrhundertEuropeanSpanien

Quellen

  • Art Institute of Chicago
  • Bild: Art Institute of Chicago — CC0
The Family Concert, Jan Steen, 1666

Jan Steen

The Family Concert, 1666

The Music Lesson, Gerard ter Borch, c. 1670

Gerard ter Borch

The Music Lesson, c. 1670

Calvary, Guatemalan, c. 1765–1800

Guatemalan

Calvary, c. 1765–1800

Bouquet of Flowers and Fruit with Blue Ribbon, Maria van Oosterwijck, c. 1680

Maria van Oosterwijck

Bouquet of Flowers and Fruit with Blue Ribbon, c. 1680

The Music Lesson, Jacob Ochtervelt, 1671

Jacob Ochtervelt

The Music Lesson, 1671

Girl Standing before a Mirror, Caspar Netscher, 1668

Caspar Netscher

Girl Standing before a Mirror, 1668

Resurrection of Christ, Samuel van Hoogstraten, c. 1665

Samuel van Hoogstraten

Resurrection of Christ, c. 1665

A Vanitas Still Life with a Flag, Candlestick, Musical Instruments, Books, Writing Paraphernalia, Globes and Hourglass, Edwaert Collier, 1662

Edwaert Collier

A Vanitas Still Life with a Flag, Candlestick, Musical Instruments, Books, Writing Paraphernalia, Globes and Hourglass, 1662

White Crucifixion, Marc Chagall, 1938

Marc Chagall

White Crucifixion, 1938

Nicht ausgestellt · Art Institute of Chicago

The Crucifixion, Francisco de Zurbarán, 1627

Francisco de Zurbarán

Christus am Kreuz, 1627

Nicht ausgestellt · Art Institute of Chicago

Portrait of a Noblewoman Dressed in Mourning, Jacopo da Empoli, c. 1600

Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning, c. 1600

Art Institute of Chicago

Saint Francis Kneeling in Meditation, Domenico Theotokópoulos, called El Greco, c. 1595–c. 1600

Domenico Theotokópoulos, called El Greco

Saint Francis Kneeling in Meditation, c. 1595–c. 1600

Art Institute of Chicago

Crucifix, Master of the Bigallo Crucifix, 1230/40

Master of the Bigallo Crucifix

Crucifix, 1230/40

Art Institute of Chicago

Retable and Frontal of the Life of Christ and the Virgin, Spanish, 1396

Spanish

Retable and Frontal of the Life of Christ and the Virgin, 1396

Art Institute of Chicago

Triptych with Scenes from the Life of Christ, German, 1350/75

German

Triptych with Scenes from the Life of Christ, 1350/75

Art Institute of Chicago

Processional Cross with Saint Mary Magdalene and a Blessed Hermit, Lorenzo Monaco, 1392/95

Lorenzo Monaco

Processional Cross with Saint Mary Magdalene and a Blessed Hermit, 1392/95

Art Institute of Chicago