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  1. Sammlung/
  2. National Gallery/
  3. Cornard Wood
Cornard Wood, Thomas Gainsborough, 1748
Thomas Gainsborough, PorträtThomas GainsboroughVereinigtes Königreich, 1727–1788

Cornard Wood

1748 · Painting · 122 × 155 cm

Darf man es sehen?

Unbekannt

National Gallery

London, Vereinigtes Königreich

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
29. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Über das Gemälde

Cornard Wood, near Sudbury, Suffolk is an oil on canvas landscape painting by English artist Thomas Gainsborough, from 1748. It is held in the National Gallery, in London, which bought it in 1875.

Wikipedia · CC BY-SA

Angaben

1748 · mit 21 Jahren
17271788
Inventarnummer
NG925

Im Katalog

GemäldeBritische MalereiRokoko18. Jahrhundert

Quellen

  • Wikidata
  • Bild: National Gallery — Thomas Gainsborough · Public domain · Wikimedia Commons

Derweil im Leben von Thomas Gainsborough

Das ganze Leben
  1. 1740s

    Making a living in London: landscapes, restoration, prints

    Landscapes interest the young man most — plant sketches from the 1740s survive. He earns his living with landscapes on commission, touches up old paintings, assists the engraver John Boydell, and helps Francis Hayman decorate the supper boxes in Vauxhall Gardens.

  2. 15 July 1746

    Marriage to Margaret Burr

    On 15 July 1746 Gainsborough marries Margaret Burr, an illegitimate daughter of the Duke of Beaufort.

  3. 1748

    His father dies; back to Sudbury

    Gainsborough's father, John, dies in 1748. With no new commissions coming in London, the painter returns to Sudbury, to the house of his childhood.

  4. c. 1749

    Landscapes do not pay: a turn to portraiture

    Gainsborough has always thought of himself as a landscape painter, but landscapes bring no income: in the England of the day they count as a “low genre”. Around 1749 he unites portrait and landscape in one composition for the first time, in “Mr and Mrs Andrews”.

  5. 31. Januar 1750

    Daughter born: Mary Gainsborough Fischer

  6. 1750s

    Portraits pay the bills: the example of Hogarth

    Gainsborough's main income comes from portraits; in this genre he tries to follow Hogarth, caring more about likeness than about conveying the sitter's social standing. Around 1753, probably, he receives a flattering commission for a portrait of Admiral Vernon, and he paints many members of his own family — for example a self-portrait of 1754 in a tricorn hat.

Mehr von Thomas Gainsborough

Alle Werke
Cottage Children (The Wood Gatherers), Thomas Gainsborough, 1787

Cottage Children (The Wood Gatherers)

1787 · Metropolitan Museum of Art

Queen Charlotte, Thomas Gainsborough

Queen Charlotte

Metropolitan Museum of Art

The Fallen Tree, Thomas Gainsborough, c. 1750–53

The Fallen Tree

c. 1750–53 · Minneapolis Institute of Art

Master John Heathcote, Thomas Gainsborough, c. 1771/1772

Master John Heathcote

c. 1771/1772 · National Gallery of Art

Portrait de Miss Elizabeth Ann Gosset, Gainsborough, Thomas, 3e tiers du XVIIIe siècle (avant 1772)

Portrait de Miss Elizabeth Ann Gosset

3e tiers du XVIIIe siècle (avant 1772) · Louvre

The Hon. Mrs. Thomas Graham, Thomas Gainsborough, c. 1775/1777

The Hon. Mrs. Thomas Graham

c. 1775/1777 · National Gallery of Art

Portrait of Anne, Countess of Chesterfield, Thomas Gainsborough, 1777–1778

Portrait of Anne, Countess of Chesterfield

1777–1778 · J. Paul Getty Museum

Mrs. Grace Dalrymple Elliott (1754?–1823), Thomas Gainsborough, 1778

Mrs. Grace Dalrymple Elliott (1754?–1823)

1778 · Metropolitan Museum of Art