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Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

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  3. Corn Husking at Nantucket
Corn Husking at Nantucket, Eastman Johnson, ca. 1875

Corn Husking at Nantucket

ca. 1875 · Painting

Angaben

ca. 1875
18331909
Inventarnummer
07.68

Mehr von James David Smillie

Alle Werke

Im selben Saal · Gallery 763, Metropolitan Museum of Art

Museumsseite

Zum selben Thema · Crowd

Alle Werke zum Thema
JJames David SmillieVereinigte Staaten, 1833–1909

Darf man es sehen?

Ja, es empfängt Besucher

Metropolitan Museum of Art

New York City, Vereinigte Staaten

Saal763

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 9 Tagen
Unverändert seit
26. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

CrowdGenre Scene

Im Katalog

GemäldeÖlAmerikanische MalereiRealismusImpressionismus19. JahrhundertVereinigte Staaten

Quellen

  • Metropolitan Museum of Art
  • Bild: Metropolitan Museum of Art — Open Access (CC0)
Christmas-Time, The Blodgett Family, Eastman Johnson, 1864

Christmas-Time, The Blodgett Family

1864 · Metropolitan Museum of Art

Gathering Lilies, Eastman Johnson, 1865

Gathering Lilies

1865 · National Gallery of Art

The Brown Family, Eastman Johnson, 1869

The Brown Family

1869 · National Gallery of Art

The Hatch Family, Eastman Johnson, 1870–71

The Hatch Family

1870–71 · Metropolitan Museum of Art

Feeding the Turkey, Eastman Johnson, ca. 1872–80

Feeding the Turkey

ca. 1872–80 · Metropolitan Museum of Art

On Their Way to Camp, Eastman Johnson, 1873

On Their Way to Camp

1873 · National Gallery of Art

Lambs, Nantucket, Eastman Johnson, 1874

Lambs, Nantucket

1874 · National Gallery of Art

The New Bonnet, Eastman Johnson, 1876

The New Bonnet

1876 · Metropolitan Museum of Art

The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871

Thomas Eakins

Max Schmitt im Einer, 1871

Snap the Whip, Winslow Homer, 1872

Winslow Homer

Snap the Whip, 1872

Coming through the Rye, Winslow Homer, 1867

Winslow Homer

Coming through the Rye, 1867

Still Life—Violin and Music, William Michael Harnett, 1888

William Michael Harnett

Still Life—Violin and Music, 1888

A Street Scene in Seville, Thomas Eakins, 1870

Thomas Eakins

A Street Scene in Seville, 1870

Carmelita Requena, Thomas Eakins, 1869

Thomas Eakins

Carmelita Requena, 1869

William Maxwell Evarts, Augustus Saint-Gaudens, 1872–73; carved 1874

Augustus Saint-Gaudens

William Maxwell Evarts, 1872–73; carved 1874

The New Bonnet, Eastman Johnson, 1876

James David Smillie

The New Bonnet, 1876

Boat, Andy Warhol, n.d.

Andy Warhol

Boat, n.d.

Nicht ausgestellt · National Gallery of Art

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Allen Ginsberg, 1954, printed later

Allen Ginsberg

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., 1954, printed later

Nicht ausgestellt · National Gallery of Art

Vegetable Market at Pontoise (Marché aux légumes á Pontoise), Camille Pissarro, 1891

Camille Jacob Pissarro

Vegetable Market at Pontoise (Marché aux légumes á Pontoise), 1891

Nicht ausgestellt · National Gallery of Art

Market at Pontoise (Marché à Pontoise), Camille Pissarro, c. 1895

Camille Jacob Pissarro

Market at Pontoise (Marché à Pontoise), c. 1895

Nicht ausgestellt · National Gallery of Art

Place du Havre à Paris, Camille Pissarro, c. 1897

Camille Jacob Pissarro

Place du Havre à Paris, c. 1897

Nicht ausgestellt · National Gallery of Art

Shanghai, Henri Cartier-Bresson, 1948

Henri Cartier-Bresson

Shanghai, 1948

Nicht ausgestellt · National Gallery of Art

Church Gate Station, Bombay, India, 1995, Sebastião Salgado, 1995

Sebastião Salgado

Church Gate Station, Bombay, India, 1995, 1995

Nicht ausgestellt · National Gallery of Art

Residents of Japanese ancestry awaiting the bus at the Wartime Civil Control station, San Francisco, California, Dorothea Lange, April 1942

Dorothea Lange

Residents of Japanese ancestry awaiting the bus at the Wartime Civil Control station, San Francisco, California, 1942

Nicht ausgestellt · National Gallery of Art