Edward RuschaVereinigte Staaten, 1937Conoco, Shamrock, Texas
Darf man es sehen?
Empfängt derzeit nicht
Whitney Museum of American Art
New York City, Vereinigte Staaten
Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.
- Geprüft
- Quelle
- Sammlungsdaten des Museums selbst
Angaben
- Inventarnummer
- 2004.473
Im Katalog
Quellen
- Whitney Museum of American Art: the museum's own open data · abgerufen vor 11 Tagen
- Bild: Whitney Museum of American Art — © the artist or rights holder
Derweil im Leben von Edward Ruscha
Das ganze Leben1956–1960
Chouinard: Irwin, Woelffer and the journal Orb
At the Chouinard Art Institute (now the California Institute of the Arts) he studies under Robert Irwin and Emerson Woelffer; in 1959–1960, together with Joe Goode, Woelffer, Stephan von Huene, Jerry McMillan and others, he edits and produces the journal Orb, one of the first recorded alternative newspapers in the US.
1961
Seven months in Europe with his mother and brother
He travels through Europe for seven months with his mother and brother, coming upon more works by Johns and Rauschenberg, R. A. Bertelli's “Head of Mussolini” and “Ophelia” by Sir John Everett Millais. The photographs from this trip mark the start of his photography.
1962
“New Painting of Common Objects” in Pasadena
Ruscha takes part, with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Jim Dine and Wayne Thiebaud, in “New Painting of Common Objects” at the Pasadena Art Museum, curated by Walter Hopps. It is regarded as one of the first Pop Art exhibitions in America.
1963
“Twentysix Gasoline Stations” is published
The first of sixteen small artist's books produced between 1962 and 1978; the photographic books present precisely what their titles describe.
1963
First solo exhibition at Ferus Gallery
His first solo exhibition takes place at the Ferus Gallery in Los Angeles, around which a group of artists has gathered, among them Robert Irwin, John Altoon, John McCracken, Larry Bell, Ken Price and Edward Kienholz.
