Sadie BenningVereinigte Staaten, 1973Bess
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Minneapolis Institute of Art
Minneapolis, Vereinigte Staaten
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Über das Werk
Sadie Benning has worked primarily in video, exploring aspects of identity, memory, and loss that reflect the artist’s experiences as a gay youth. More recently, Benning has explored “construction” or “jigsaw” paintings and mixed-media works made from wood pieces individually cut and then reassembled into a relief. In Bess, Benning’s prominent use of crosses and circles reference the self-taught American painter Forrest Bess (1911–1977), who created a complex visual language to communicate his controversial ideas about transgender identity. In particular, Benning’s work appears to directly reference Bess’s painting Untitled #42 (1950), which depicts male and female genders as symbols of life and death. For Benning, Forrest Bess undoubtedly represents a pioneering figure for transgender identity and experimentation, making this work very much an homage to the late painter.
Minneapolis Institute of Art
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- Inventarnummer
- 2017.38
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Quellen
- Minneapolis Institute of Art: the museum's own open data · abgerufen vor 6 Tagen
- Bild: Minneapolis Institute of Art — © Sadie Benning
