Berufung des Apostels Matthäus, Mattia Preti, 1635-1640
Mattia Preti, PorträtMattia PretiItalien, 1613–1699

Berufung des Apostels Matthäus

1635-1640 · Painting

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Ja, derzeit ausgestellt

Wo ist „Berufung des Apostels Matthäus“ heute? Kunsthistorisches Museum Wien, Gemäldegalerie, Saal V, Wien. Ja, derzeit ausgestellt. Geprüft 9. Oktober 2026.

Kunsthistorisches Museum Wien

Wien, Österreich

SaalGemäldegalerie, Saal V

Geschlossen· öffnet um 10:00

Öffentlich ausgestellt.

Geprüft
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Ausstellungen

  1. Ausgestellt · Gemäldegalerie, Saal V

    Kunsthistorisches Museum Wien · 9. Okt. 2026 — jetzt · Geprüft

  2. Ob es ausgestellt war, ist unbekannt

    Kunsthistorisches Museum Wien · 27. Sept. 2026 — 9. Okt. 2026 · Unbestätigt

Quellen

Im Leben von Mattia Preti

Das ganze Leben
  1. 1630–1653

    Frequent journeys: Italy, Spain and Flanders

    Although he remained in Rome for nearly twenty-five years, he travelled frequently throughout Italy and abroad, particularly to Spain and Flanders, and established contacts with Emilian painters of the preceding generation, Guercino and Giovanni Lanfranco, who further influenced his style.

  2. 1636

    The brothers’ home at San Biagio; the Accademia di San Luca

    By 1636 Mattia and Gregorio Preti were recorded as residing at the Church of San Biagio a Montecitorio, and their names had already appeared on lists of artists associated with the Accademia di San Luca, although they did not formally join the institution.

  3. early 1640s

    The Preti brothers’ success in Roman circles

    By the early 1640s the brothers were enjoying considerable success in Roman circles: numerous works by Mattia were catalogued in important private collections belonging to the local nobility, alongside significant public commissions.

  4. 31 October 1642

    Admitted to the Order of St John of Jerusalem

    He was admitted to the Order of St John of Jerusalem. The large canvas of Empress Faustina visiting Saint Catherine of Alexandria in prison (Dayton Art Institute, Dayton, Ohio) dates from this period: its original frame bore the Barberini coat of arms, and the work was most likely created to celebrate his knighthood.

Alle Werke

Im selben Saal · Gemäldegalerie, Saal V, Kunsthistorisches Museum Wien

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