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Autumn, Winslow Homer, 1877

Autumn

1877 · Painting

Angaben

1877 · mit 41 Jahren
18361910
Inventarnummer
1985.64.22

Derweil im Leben von Winslow Homer

Das ganze Leben
  1. 1875

    Gives up illustration for painting

    In 1875 Homer, after nearly twenty years as an illustrator, quit commercial illustration and vowed to live on his paintings and watercolours alone. Despite his excellent critical reputation, his finances remained precarious.

  2. 1876

    The Centennial Exposition in Philadelphia

    “Snap the Whip” and “Breezing Up” were shown at the Centennial Exposition; the New York Tribune wrote that it could not remember a picture in any exhibition that could be named alongside “Breezing Up”. Henry James confessed that he detested Homer's subjects of the time, yet “to reward his audacity, he has incontestably succeeded”.

  3. c. 1876

    Visits to Virginia

    Around 1876 Homer visited Petersburg, Virginia (apparently to see what had become of the lives of former slaves), and painted rural African American life, the most unaffected views of it at the time, such as “Dressing for the Carnival” (1877).

  4. 1877

    First show at the Boston Art Club

    In 1877 Homer exhibited at the Boston Art Club for the first time, with the oil painting “An Afternoon Sun”; from then until 1909 he showed there often.

  5. late 1870s

    A recluse in Gloucester

    In the late 1870s, whether from disappointments with women or some other emotional turmoil, Homer became reclusive, abandoned urban social life and lived instead in Gloucester, for a while even in the secluded Eastern Point Lighthouse with the keeper's family. Watching the fishermen, the sea and the marine weather, he rediscovered his love of the sea and found a rich source of themes in it.

Mehr von Winslow Homer

Alle Werke

Im selben Saal · M-068, National Gallery of Art

Museumsseite

Zum selben Thema · Female

Alle Werke zum Thema
  • 1878

    A productive year at Valentine's farm

    Homer spent 1878 as the guest of the industrialist Lawson Valentine at Houghton Farm, his property in the Adirondack Mountains, and it proved a particularly productive year. Valentine, whose paint company employed the artist's brother Charles as a chemist, was an early and important collector of Homer's work and later gave him a studio at the farm.

  • Winslow Homer, PorträtWinslow HomerVereinigte Staaten, 1836–1910

    Darf man es sehen?

    Ja, es empfängt Besucher

    National Gallery of Art

    Washington, D.C., Vereinigte Staaten

    Saal68 · Westgebäude, Hauptgeschoss

    Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

    Geprüft
    vor 3 Tagen
    Unverändert seit
    19. Aug. 2026
    Quelle
    Das Museum
    Auf der KarteMuseumsseite

    Was es zeigt

    FemaleStanding

    Im Katalog

    GemäldeÖlAmerikanische MalereiRealismusImpressionismus19. JahrhundertAmericanRealist

    Quellen

    • National Gallery of Art
    • Bild: National Gallery of Art — Museum open access
    The Veteran in a New Field, Winslow Homer, 1865

    The Veteran in a New Field

    1865 · Metropolitan Museum of Art

    The Gulf Stream, Winslow Homer, 1899; reworked by 1906

    The Gulf Stream

    1899; reworked by 1906 · Metropolitan Museum of Art

    Home, Sweet Home, Winslow Homer, c. 1863

    Home, Sweet Home

    c. 1863 · National Gallery of Art

    Prisoners from the Front, Winslow Homer, 1866

    Prisoners from the Front

    1866 · Metropolitan Museum of Art

    The Studio, Winslow Homer, 1867

    The Studio

    1867 · Metropolitan Museum of Art

    Coming through the Rye, Winslow Homer, 1867

    Coming through the Rye

    1867 · Metropolitan Museum of Art

    The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

    The Dinner Horn (Blowing the Horn at Seaside)

    1870 · National Gallery of Art

    Rainy Day in Camp, Winslow Homer, 1871

    Rainy Day in Camp

    1871 · Metropolitan Museum of Art

    Battersea Reach, James McNeill Whistler, c. 1863

    James Abbott McNeill Whistler

    Battersea Reach, c. 1863

    Right and Left, Winslow Homer, 1909

    Winslow Homer

    Right and Left, 1909

    Hound and Hunter, Winslow Homer, 1892

    Winslow Homer

    Hound and Hunter, 1892

    Sparrow Hall, Winslow Homer, c. 1881-1882

    Winslow Homer

    Sparrow Hall, c. 1881-1882

    Sketch of a Cottage Yard, Winslow Homer, c. 1876

    Winslow Homer

    Sketch of a Cottage Yard, c. 1876

    School Time, Winslow Homer, c. 1874

    Winslow Homer

    School Time, c. 1874

    The Flirt, Winslow Homer, 1874

    Winslow Homer

    The Flirt, 1874

    The Red School House, Winslow Homer, 1873

    Winslow Homer

    The Red School House, 1873

    Mrs. Gunn on Porch, Independence, California, Ansel Adams, 1944, printed 1981

    Ansel Adams

    Mrs. Gunn on Porch, Independence, California, 1944, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Spanish American Woman, near Chimayo, New Mexico, Ansel Adams, 1937, printed 1981

    Ansel Adams

    Spanish American Woman, near Chimayo, New Mexico, 1937, printed 1981

    Nicht ausgestellt · National Gallery of Art

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Bildnis der Ginevra de’ Benci, c. 1474/1478

    National Gallery of Art

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Junges Mädchen, vor einem Weizenfeld stehend, 1890

    National Gallery of Art

    Nude in the Studio, Pablo Picasso, 1936/1937

    Pablo Picasso

    Nude in the Studio, 1936/1937

    Nicht ausgestellt · National Gallery of Art

    Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

    Pablo Picasso

    Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

    Nicht ausgestellt · National Gallery of Art

    Variation on Delacroix's "Women of Algiers": IX, Pablo Picasso, 1955

    Pablo Picasso

    Variation on Delacroix's "Women of Algiers": IX, 1955

    Nicht ausgestellt · National Gallery of Art

    Variation on Delacroix's "Women of Algiers": IV, Pablo Picasso, 1955

    Pablo Picasso

    Variation on Delacroix's "Women of Algiers": IV, 1955

    Nicht ausgestellt · National Gallery of Art