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  2. National Gallery of Art/
  3. At the Circus
At the Circus, Margaret Bourke-White, 1930–1932
Margaret Bourke-White, PorträtMargaret Bourke-WhiteVereinigte Staaten, 1904–1971

At the Circus

1930–1932 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 3 Tagen
Unverändert seit
19. Aug. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1930–1932
19041971
Inventarnummer
2023.36.1.1

Was es zeigt

PorträtCircusCrowdSoviet Union

Im Katalog

FotografienModerne20. JahrhundertAmerican

Quellen

  • National Gallery of Art
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Margaret Bourke-White

Das ganze Leben
  1. 1928

    Moves to Cleveland: an industrial photography studio

    A year after graduating she moves from Ithaca to Cleveland, where she opens a commercial photography studio and concentrates on architectural and industrial work. Among her clients is the Otis Steel Company (other accounts say she went to work for it straight away as an industrial photographer).

  2. summer 1929

    Joins Fortune magazine

    She accepts a post as associate editor and staff photographer at the new business magazine Henry Luce is launching in the fall. She holds it until 1935.

  3. 1930

    First Western photographer admitted to the USSR

    She is granted official access to document the industrial sites of the Soviet Union during the first five-year plan, the first Western professional photographer to be admitted. She returns in each of the next two summers, until 1932.

  4. 1930–1932

    Photographs Stalin, his mother, Radek and Eisenstein

    On her trips she photographs Joseph Stalin and, in Georgia, his mother and great-aunt; she also portrays Karl Radek, Sergei Eisenstein and Hugh Cooper. The work in the USSR demanded great patience, and her impressions remained mixed but on the whole positive.

  5. 1931

    “Eyes on Russia” in Fortune

    Her Soviet photographs first appear in Fortune under the title “Eyes on Russia”; a book of the same name follows from Simon and Schuster.

  6. 1934

    Photographs Dust Bowl drought victims for Fortune

    Like Dorothea Lange, she photographs the victims of the Dust Bowl drought. This Depression-era work marks the beginning of her shift from corporate photography to photojournalism.

Mehr von Margaret Bourke-White

Alle Werke
Garden of Mrs. F. F. Prentis, Cleveland, Margaret Bourke-White, 1920s

Garden of Mrs. F. F. Prentis, Cleveland

1920s · Nicht ausgestellt · Museum of Modern Art

The Towering Smokestacks of the Otis Steel Co., Cleveland, Margaret Bourke-White, 1927-28

The Towering Smokestacks of the Otis Steel Co., Cleveland

1927-28 · Nicht ausgestellt · Museum of Modern Art

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co., Margaret Bourke-White, 1928

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co.

1928 · Nicht ausgestellt · National Gallery of Art

From The Terminal Tower, Cleveland, Margaret Bourke-White, c. 1928

From The Terminal Tower, Cleveland

c. 1928 · Nicht ausgestellt · Museum of Modern Art

Untitled, Margaret Bourke-White, 1929

Untitled

1929 · Nicht ausgestellt · Museum of Modern Art

The Steppe: Ukraine, Margaret Bourke-White, 1930

The Steppe: Ukraine

1930 · Nicht ausgestellt · National Gallery of Art

Mtskhet in the Caucasus: Ancient Capital of Georgia, Margaret Bourke-White, 1930–1932

Mtskhet in the Caucasus: Ancient Capital of Georgia

1930–1932 · Nicht ausgestellt · National Gallery of Art

For the Iron Mine Foundations: Magnet Mountain, Margaret Bourke-White, 1930–1932

For the Iron Mine Foundations: Magnet Mountain

1930–1932 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Zum selben Thema · Porträt

Alle Werke zum Thema
Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Metropolitan Museum of Art

Mäda Primavesi (1903–2000), Gustav Klimt, 1912–13

Gustav Klimt

Mäda Primavesi (1903–2000), 1912–13

Metropolitan Museum of Art

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67

Rembrandt van Rijn

Portrait of Gerard de Lairesse, 1665–67

Metropolitan Museum of Art

Aristotle with a Bust of Homer, Rembrandt, 1653

Rembrandt van Rijn

Aristoteles mit der Büste Homers, 1653

Metropolitan Museum of Art

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Rijksmuseum Amsterdam

Portrait of Ephraim Bueno, Rembrandt van Rijn, 1645 - 1647

Rembrandt van Rijn

Portrait of Ephraim Bueno, 1645 - 1647

Rijksmuseum Amsterdam

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Porträt von Maria Trip, 1639

Rijksmuseum Amsterdam

Portrait of Marten Soolmans, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Marten Soolmans, 1634

Rijksmuseum Amsterdam