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  3. At Anchor
At Anchor, Alfred Stieglitz, 1894, printed 1895/1896
Alfred Stieglitz, PorträtAlfred StieglitzVereinigte Staaten, 1864–1946

At Anchor

1894, printed 1895/1896 · Photograph

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vorgestern
Unverändert seit
19. Aug. 2026
Quelle
Sammlungsdaten des Museums selbst
Auf der KarteMuseumsseite

Angaben

1894, printed 1895/1896
18641946
Inventarnummer
2006.3.1.25

Was es zeigt

NiederlandeSea

Im Katalog

FotografienPlatindruckImpressionismus19. JahrhundertAmerican

Quellen

  • National Gallery of Art: die offenen Daten des Museums · abgerufen vor 8 Tagen
  • Bild: National Gallery of Art — © the artist or rights holder

Derweil im Leben von Alfred Stieglitz

Das ganze Leben
  1. spring 1893

    Co-editor of The American Amateur Photographer

    In the spring of 1893 Stieglitz became co-editor of The American Amateur Photographer but refused a salary: his Photochrome company was now printing the magazine's photogravures, and he wanted to avoid any appearance of bias.

  2. c. 16.11.1893

    Married: Emmeline Stieglitz

  3. May 1896

    Vice-president of the new Camera Club

    In May 1896 two organisations merged to form the Camera Club of New York; offered the presidency, Stieglitz became vice-president instead and was involved in every aspect of the club. Late that year he hand-pulled the photogravures for the first portfolio of his own work, Picturesque Bits of New York and Other Studies.

  4. July 1897

    First issue of Camera Notes

    Stieglitz turned the Camera Club's newsletter into a magazine, Camera Notes, with full control over it; the first issue appeared in July 1897, and it was soon considered the finest photographic magazine in the world. The critic Sadakichi Hartmann wrote that artistic photography, the Camera Club and Alfred Stieglitz seemed to him three names for one and the same thing.

  5. 27. September 1898

    Daughter born: Katherine Stieglitz

Mehr von Alfred Stieglitz

Alle Werke
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: National Gallery of Art

Museumsseite
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888