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  1. Sammlung/
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  3. Apollo and Daphne
Apollo and Daphne, Carlo Maratti, late 17th century

Apollo and Daphne

late 17th century · Oil painting · 49.5 × 64.5 cm

Über das Gemälde

Carlo Maratti or Maratta (1625-1713) was the pupil of Andrea Sacchi in Rome in 1637 and with whom he stayed until Sacchi's death in 1661. I became the leader painter in Rome receiving commissions from the most eminent family such as the Barberini, Chigi, Spada, Rospigliosi, Pallavicini and Altieri. He executed mainly history paintings in a grandiose and decorative style but also produced a series of portraits. He may have fallen ill at the end of his life, which would explain the diminution of his output. He was buried in the church of Santa Naria degli Angeli in Rome and his funeral was attended by all the members of the Accademia and of the Comapgnia dei Virtuosi del Pantheon.

Weiterlesen

The present painting belongs most likely to the circle of the Roman painter Carla Maratta. It shows a popular mythological subject at that time: the ancient story of Apollo and Daphne. Apollo, struck by Cupid's arrow fell in love with the nymph Daphne and pursued her but she asked for help and was eventually changed into a laurel tree. The painting shows the moment when Apollo is about to reach Daphne who is simultaneously changed into a tree.

Victoria and Albert Museum

Angaben

late 17th century

Mehr von Carlo Maratta

Alle Werke

Im selben Saal · Europe 1600-1815, Room 6, The Lisa and Bernard Selz Gallery, Victoria and Albert Museum

Museumsseite

Zum selben Thema · Putto

Alle Werke zum Thema
16251713
Inventarnummer
567-1882

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Carlo Maratta, PorträtCarlo MarattaItalien, 1625–1713

Darf man es sehen?

Ja, es empfängt Besucher

Victoria and Albert Museum

London, Vereinigtes Königreich

SaalEurope 1600-1815, Room 6, The Lisa and Bernard Selz Gallery

Öffentlich ausgestellt. Wer dafür bürgt, steht unten.

Geprüft
vor 13 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite
The Flight into Egypt, Carlo Maratti, ca. 1664

The Flight into Egypt

ca. 1664 · Metropolitan Museum of Art

Portrait of Pope Clement IX (1600-1669), Carlo Maratta, c. 1669

Portrait of Pope Clement IX (1600-1669)

c. 1669 · Eremitage

Saint John the Baptist Pointing to Christ in a Landscape, Carlo Maratti, c. 1656

Saint John the Baptist Pointing to Christ in a Landscape

c. 1656 · Harvard Art Museums

Portrait of Francesca Gommi Maratti, Carlo Maratti, c. 1701

Portrait of Francesca Gommi Maratti

c. 1701 · Cleveland Museum of Art

David and Bathsehba, Robert van Audenaerd, after Carlo Maratta

David and Bathsehba

Nicht ausgestellt · National Gallery of Art

The Annunciation, Carlo Maratta

The Annunciation

Nicht ausgestellt · National Gallery of Art

Martyrdom of Saint Andrew, Carlo Maratta after Domenichino

Martyrdom of Saint Andrew

Nicht ausgestellt · National Gallery of Art

A Seated Man Holding a Tablet, Carlo Maratta

A Seated Man Holding a Tablet

Nicht ausgestellt · National Gallery of Art

Orpheus and Eurydice, Johann Leonhard Baur, 1716

Johann Leonhard Baur

Orpheus and Eurydice, 1716

The Blessed Ambrogio Sansedoni Visited by the Devil, Massimiliano Soldani, ca. 1700

Massimiliano Soldani

The Blessed Ambrogio Sansedoni Visited by the Devil, ca. 1700

An Allegory of Triumph, Francesco Bertos, ca. 1700

Francesco Bertos

An Allegory of Triumph, ca. 1700

The Blessed Ambrogio Sansedoni Feeding the Pilgrims, Massimiliano Soldani Benzi, ca. 1692-1700

Massimiliano Soldani Benzi

The Blessed Ambrogio Sansedoni Feeding the Pilgrims, ca. 1692-1700

The Judgement of Paris, Christoph Maucher, 1690-1700

Christoph Maucher

The Judgement of Paris, 1690-1700

Cosimo III de' Medici, Giuseppe Antonio Torricelli, ca. 1680-1694

Giuseppe Antonio Torricelli

Cosimo III de' Medici, ca. 1680-1694

David and Goliath, Francis van Bossuit, ca. 1675 - ca. 1692

Francis van Bossuit

David and Goliath, ca. 1675 - ca. 1692

Parade of the Sons of Shah Jahan on Composite Horses and Elephants, Willem Schellinks, late 17th century

Willem Schellinks

Parade of the Sons of Shah Jahan on Composite Horses and Elephants, late 17th century

Die Heilige Sippe mit zwei musizierenden Engelknaben, Albrecht Dürer, 1511

Albrecht Dürer

Die Heilige Sippe mit zwei musizierenden Engelknaben, 1511

Herzog Anton Ulrich-Museum

Die Eifersucht, Albrecht Dürer, 1498–1499

Albrecht Dürer

Die Eifersucht, 1498–1499

Herzog Anton Ulrich-Museum

Meleagar und Atalanta, Peter Paul Rubens, 1674–1684

Peter Paul Rubens

Meleagar und Atalanta, 1674–1684

Herzog Anton Ulrich-Museum

Thetis in der Schmiede des Vulkan, Anthony van Dyck, 1686

Anthony van Dyck

Thetis in der Schmiede des Vulkan, 1686

Herzog Anton Ulrich-Museum

Christus wird von Engeln betrauert, Jusepe de Ribera, 17th century

Jusepe de Ribera

Christus wird von Engeln betrauert, 17th century

Herzog Anton Ulrich-Museum

[Ausschnitt aus dem Fresko der Himmelfahrt Maria], Antonio da Correggio, 1697

Antonio da Correggio

[Ausschnitt aus dem Fresko der Himmelfahrt Maria], 1697

Herzog Anton Ulrich-Museum

Die Madonna des heiligen Georg, Antonio da Correggio

Antonio da Correggio

Die Madonna des heiligen Georg

Gemäldegalerie Alte Meister

Apotheose der Bildenden Künste, Charles Le Brun, 1639–1690

Charles Le Brun

Apotheose der Bildenden Künste, 1639–1690

Herzog Anton Ulrich-Museum

Was es zeigt

PuttoApolloDaphnePeneusCupid

Im Katalog

GemäldeÖlItalienische MalereiBarock17. JahrhundertRoman School