ART WIKI 32.963 ausgestellt

Karte Sammlung Künstler Museen Ausstellungen Journal

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

Karte
Suche
Sammlung
Meisterwerke
Jetzt ausgestellt
Künstler

Mehr

Museen & Galerien
Ausstellungen
Journal
Woher die Daten stammen
Datenschutz & Cookies

Startseite Karte Katalog

Sammlung
National Gallery of Art
Amphitrite

Amphitrite, Raoul Dufy, 1930

Raoul Dufy, Porträt

Raoul DufyFrankreich, 1877–1953

Amphitrite

1930 · Print

Angaben

1930 · mit 53 Jahren

18771953

Inventarnummer: 2011.60.18

Mehr von Raoul Dufy

Nachbarn im Haus: National Gallery of Art

Zum selben Thema · Full figure

Alle Werke zum Thema

Darf man es sehen?

Empfängt derzeit nicht

National Gallery of Art

Washington, D.C., Vereinigte Staaten

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft: vor 3 Tagen
Unverändert seit: 19. Aug. 2026
Quelle: Das Museum

Auf der Karte Museumsseite

Was es zeigt

Im Katalog

Druckgrafik Radierung Moderne 20. Jahrhundert French

Quellen

National Gallery of Art
Bild: National Gallery of Art — © the artist or rights holder

The Beach at Sainte-Adresse, Raoul Dufy, 1906

The Beach at Sainte-Adresse

1906 · National Gallery of Art

July 14 in Le Havre, Raoul Dufy, 1906

July 14 in Le Havre

1906 · National Gallery of Art

Regatta at Cowes, Raoul Dufy, 1934

Regatta at Cowes

1934 · National Gallery of Art

Sailing-Boats in Trouville, Raoul Dufy, c. 1936

Sailing-Boats in Trouville

c. 1936 · Eremitage

La Mediterranee, Raoul Dufy

La Mediterranee

Nicht ausgestellt · National Gallery of Art

L'Ete (La Moisson), Raoul Dufy

L'Ete (La Moisson)

Nicht ausgestellt · National Gallery of Art

La Mer (The Sea), Raoul Dufy

La Mer (The Sea)

Nicht ausgestellt · National Gallery of Art

L'Ete (La Moisson), Raoul Dufy

L'Ete (La Moisson)

Nicht ausgestellt · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Bildnis der Ginevra de’ Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Junges Mädchen, vor einem Weizenfeld stehend, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Bauernhof in der Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Lafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank., Allen Ginsberg, 1956, printed 1995

Allen Ginsberg

Lafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank., 1956, printed 1995

Nicht ausgestellt · National Gallery of Art

Dorothy Norman recovering from broken leg, her house Easthampton July 7, 1985 - we'd met in late 1950s, I'd known her as editor of Civil-libertarian 1930s _Twice a Year_ journal - same decade she'd been Alfred Stieglitz’s love, he'd photographed her hands in this mudra 1932., Allen Ginsberg, 1985

Allen Ginsberg

Dorothy Norman recovering from broken leg, her house Easthampton July 7, 1985 - we'd met in late 1950s, I'd known her as editor of Civil-libertarian 1930s _Twice a Year_ journal - same decade she'd been Alfred Stieglitz’s love, he'd photographed her hands in this mudra 1932., 1985

Nicht ausgestellt · National Gallery of Art

Summer 1965, 8 day backpack climbing in wilderness area of Northern Cascades, Glacier Park, Washington State, Gary Snyder back from a near-decade in Kyoto studying & practicing Zazen. My first mountain walk., Allen Ginsberg, 1965, printed later

Allen Ginsberg

Summer 1965, 8 day backpack climbing in wilderness area of Northern Cascades, Glacier Park, Washington State, Gary Snyder back from a near-decade in Kyoto studying & practicing Zazen. My first mountain walk., 1965, printed later

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg (b. 1926-) & Gregory Corso (b. 1930-), modest & immodest self-portraits, we weren't lovers but poets & jackanapes smiling and serious in turn, candid facing Kodak-Retina lens delayed-action snap, camera propped on chair other end of small white-washed room top-floor little Hotel Armor a block downhill Calle Cook from 1 Rue Magellan Burroughs' Villa Muneria, Tangier, Morocco August 1961, Allen Ginsberg, 1961, printed 1995

Allen Ginsberg

Allen Ginsberg (b. 1926-) & Gregory Corso (b. 1930-), modest & immodest self-portraits, we weren't lovers but poets & jackanapes smiling and serious in turn, candid facing Kodak-Retina lens delayed-action snap, camera propped on chair other end of small white-washed room top-floor little Hotel Armor a block downhill Calle Cook from 1 Rue Magellan Burroughs' Villa Muneria, Tangier, Morocco August 1961, 1961, printed 1995

Nicht ausgestellt · National Gallery of Art

William Seward Burroughs and Alan Ansen, two elegant gentlemen at entrance to defunct San Remo Café , N.W. corner Bleeker looking north up MacDougal Street, then the heart of Greenwich Village. Before vogue of the Cedar Bar, poets painters Kerouac's "subterraneans" Gregory Corso Carl Solomon myself Frank O'Hara Larry Rivers Maxwell Bodenheim drunk even Dylan Thomas ate drank and talked till 3 AM at this central café - superb inexpensive veal parmigiana and spaghetti a la vongole in rear restaurant, wooden tables - At that season W.S.B.'d published _Junkie_ and we were assembling _Yage Letters_ and _Queer_, Burroughs improvising earliest routines for _Naked Lunch_. Alan Ansen had been Polymath secretary to W.H. Auden a decade before, helping type "_Age of Anxiety_." One mid-afternoon, Fall 1953, fixed with trembling hand., Allen Ginsberg, 1953, printed 1993

Allen Ginsberg

William Seward Burroughs and Alan Ansen, two elegant gentlemen at entrance to defunct San Remo Café , N.W. corner Bleeker looking north up MacDougal Street, then the heart of Greenwich Village. Before vogue of the Cedar Bar, poets painters Kerouac's "subterraneans" Gregory Corso Carl Solomon myself Frank O'Hara Larry Rivers Maxwell Bodenheim drunk even Dylan Thomas ate drank and talked till 3 AM at this central café - superb inexpensive veal parmigiana and spaghetti a la vongole in rear restaurant, wooden tables - At that season W.S.B.'d published _Junkie_ and we were assembling _Yage Letters_ and _Queer_, Burroughs improvising earliest routines for _Naked Lunch_. Alan Ansen had been Polymath secretary to W.H. Auden a decade before, helping type "_Age of Anxiety_." One mid-afternoon, Fall 1953, fixed with trembling hand., 1953, printed 1993

Nicht ausgestellt · National Gallery of Art

Paul Bowles preparing mint tea on our arrival at the market area souk center of the medina, we took train from Tangier, stayed a week in his travel friend Christopher Wanklyn's household, Marrakech, Morocco, July 20, 1961, Allen Ginsberg, 1961, printed 1989

Allen Ginsberg

Paul Bowles preparing mint tea on our arrival at the market area souk center of the medina, we took train from Tangier, stayed a week in his travel friend Christopher Wanklyn's household, Marrakech, Morocco, July 20, 1961, 1961, printed 1989

Nicht ausgestellt · National Gallery of Art

Allen Ginsberg & Jack Kerouac practicing Mystical Alchemy in preparation for "New Vision" Consciousness alterations in Literature & American Heart Land, camera in W.S. Burroughs' hands, Lower East Side New York, Fall 1953., Allen Ginsberg, 1953, printed later

Allen Ginsberg

Allen Ginsberg & Jack Kerouac practicing Mystical Alchemy in preparation for "New Vision" Consciousness alterations in Literature & American Heart Land, camera in W.S. Burroughs' hands, Lower East Side New York, Fall 1953., 1953, printed later

Nicht ausgestellt · National Gallery of Art

W.S. Burroughs leaving my photo show Holly Solomon Gallery 57th Street & 5th Avenue, New York January 1985., Allen Ginsberg, 1985

Allen Ginsberg

W.S. Burroughs leaving my photo show Holly Solomon Gallery 57th Street & 5th Avenue, New York January 1985., 1985

Nicht ausgestellt · National Gallery of Art