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  1. Sammlung/
  2. Smithsonian American Art Museum/
  3. Amatitlán, Guatemala
Amatitlán, Guatemala, Eadweard Muybridge, 1875, published 1877
Eadweard Muybridge, PorträtEadweard MuybridgeEngland, 1830–1904

Amatitlán, Guatemala

1875, published 1877 · Photography-Photoprint · 13.7 × 23.2 cm

Darf man es sehen?

Unbekannt

Smithsonian American Art Museum

Washington, D.C., Vereinigte Staaten

Der Besitzer ist bekannt; ob das Werk derzeit ausgestellt ist, nicht.

Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Angaben

1875, published 1877
18301904
Inventarnummer
1999.97.25

Was es zeigt

MountainsLandscapeAmatitlanLakesBird's eye viewLake Amatitlan

Im Katalog

FotografienAlbuminabzugRealismusImpressionismus19. Jahrhundert

Quellen

  • Smithsonian American Art Museum
  • Bild: Smithsonian American Art Museum — CC0

Derweil im Leben von Eadweard Muybridge

Das ganze Leben
  1. 17 October 1874

    Shoots Harry Larkyns at Calistoga

    On 17 October 1874 Muybridge went to Calistoga and shot Larkyns at point-blank range, saying he had a message for him from his wife; Larkyns died that night, and Muybridge was arrested without protest and put in the Napa jail.

  2. February 1875

    The murder trial: Muybridge is acquitted

    Muybridge was tried for murder in February 1875; Stanford had arranged his defence, and the attorney W. W. Pendegast pleaded insanity because of the head injury of 1860, although the defendant himself indicated that his actions had been deliberate. The jury acquitted him as having committed justifiable homicide, explaining that if the verdict was not in accordance with the law, it was in accordance with the law of human nature.

  3. after February 1875

    Central America: nine months of “working exile”

    Shortly after his acquittal Muybridge left on a previously planned nine-month photography trip to Central America, now acting as a “working exile”; in Guatemala he advertised his works under the name “Eduardo Santiago Muybridge”. It is believed that shooting aboard a constantly rolling ship helped him develop his ability to take pictures more rapidly.

  4. June 1878

    It is revealed when a galloping horse leaves the ground

    The pictures showed that a running horse has all four hooves in the air at regular intervals, not with its legs extended to front and back, as illustrators imagined, but when its legs are collected beneath its body as it switches from “pulling” with the front legs to “pushing” with the back legs.

  5. 15 June 1878

    A demonstration for the press: a snapping strap caught in frame

    For the session of 15 June 1878 the press and a selection of turf men were invited; an accident with a snapping strap was captured on the negatives and shown to the attendees, convincing even the most skeptical witnesses. The news of this success was reported worldwide.

  6. 8 July 1878

    First projection of his photographs at the San Francisco Art Association

    The Daily Alta California reported that Muybridge first exhibited magic-lantern projections of his photographs at the San Francisco Art Association on 8 July 1878. Newspapers could not yet reproduce detailed photographs, so the images were widely printed as woodcut engravings, and six series were soon published as cabinet cards titled “The Horse in Motion”.

Mehr von Eadweard Muybridge

Alle Werke
Crater of Volcano, Quetzaltenango-Guatemala, Eadweard Muybridge, 1875

Crater of Volcano, Quetzaltenango-Guatemala

1875 · Metropolitan Museum of Art

Jockey Riding, Eadweard Muybridge, 1887

Jockey Riding

1887 · Harvard Art Museums

Gallop; Thoroughbred Bay Horse Bouquet, Eadweard Muybridge, 1887

Gallop; Thoroughbred Bay Horse Bouquet

1887 · Rijksmuseum Amsterdam

"Yosemite Hotel", Eadweard Muybridge, 1867

"Yosemite Hotel"

1867 · Nicht ausgestellt · National Gallery of Art

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California, Eadweard Muybridge, 1867

Pi-wy-ack (Cataract of Diamonds), Vernal Falls, Yosemite Valley, California

1867 · Nicht ausgestellt · National Gallery of Art

Yo-Sem-i-te Valley, California. The Valley from Pohono Meadows, Eadweard J. Muybridge, negative 1867 or 1872; print later

Yo-Sem-i-te Valley, California. The Valley from Pohono Meadows

negative 1867 or 1872; print later · Nicht ausgestellt · J. Paul Getty Museum

Cathedral Spires, Valley of the Yosemite, Eadweard Muybridge, 1872

Cathedral Spires, Valley of the Yosemite

1872 · Nicht ausgestellt · National Gallery of Art

Clark & Moore, Merced River, Yosemite, Eadweard Muybridge, 1872

Clark & Moore, Merced River, Yosemite

1872 · Nicht ausgestellt · National Gallery of Art

Nachbarn im Haus: Smithsonian American Art Museum

Museumsseite
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934