ART WIKI32.963 ausgestellt
KarteSammlungKünstlerMuseenAusstellungenJournal
Anmelden

ART WIKI

Wo das Meisterwerk hängt und wann man vorgelassen wird.

Sammlungen: Art Institute of Chicago, Cleveland Museum of Art, Eremitage, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Puschkin-Museum, Rijksmuseum Amsterdam, Russisches Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakow-Galerie, Victoria and Albert Museum, Whitney Museum of American Art, Staatskatalog des Museumsfonds Russlands (274 Museen), Europeana (19 Museen), Wikidata (6 Museen), Paris Musées (12 Museen) und Joconde, die Museumsdatenbank des französischen Kulturministeriums (495 Museen). Die Bilder gehören ihren Rechteinhabern.

Rubriken

  • Karte
  • Suche
  • Sammlung
  • Meisterwerke
  • Jetzt ausgestellt
  • Künstler

Mehr

  • Museen & Galerien
  • Ausstellungen
  • Journal
  • Woher die Daten stammen
  • Datenschutz & Cookies
StartseiteKarteKatalog
  1. Sammlung/
  2. Victoria and Albert Museum/
  3. A Prisoner
A Prisoner, Michelangelo Buonarroti, ca. 1519

A Prisoner

ca. 1519 · Model · 23.9 × 5 cm

Über die Skulptur

The small wax figure is a sketch model for the unfinished marble of the Young Prisoner in the Accademia in Florence, designed for the tomb of Pope Julius II, who died in 1513. When the tomb was commissioned in 1505, it was planned as a large free-standing structure with more than 40 life-size or larger statues, and was intended for St Peter's in Rome. The existing, greatly reduced tomb was finally erected in San Pietro in Vincoli, Rome, in 1545.

Weiterlesen

Michelangelo made a large number of drawings and models in wax, clay and terracotta in connection with both his painting and his sculpture. He destroyed many of his preparatory works, but the growing interest in the creative process and his extraordinary celebrity led several of his contemporaries to collect his drawings and models. One such collector was the painter and biographer Giorgio Vasari, a great admirer and friend of the artist. In his Life of Michelangelo he described what he claimed to be the sculptor's working method: a small model of wax or other firm material was immersed in water and gradually raised to reveal more of the figure as the carving of the marble progressed.

Victoria and Albert Museum

Angaben

ca. 1519
14751564
Inventarnummer
4117-1854

Derweil im Leben von Michelangelo

Das ganze Leben
  1. 1516–1519

    Journeys for marble to Carrara and Pietrasanta

    For the façade of San Lorenzo Michelangelo made many journeys for marble to Carrara and Pietrasanta.

  2. 1516–1534 · Wirkungsort

    Florence

  3. 1518

    Burns his early poems

    According to Romain Rolland, Michelangelo had written poetry since childhood, but in 1518 he burned most of his early poems, destroying more shortly before his death. About three hundred of his poems survive.

  4. 1520

    The San Lorenzo façade is cancelled

    Three years went on drawings and models for the façade and an attempt to open a new quarry at Pietrasanta, but in 1520 his cash-strapped patrons abruptly cancelled the work before any real progress had been made. The basilica still has no façade.

Mehr von Michelangelo

Alle Werke

Nachbarn im Haus: Victoria and Albert Museum

Museumsseite

Zum selben Thema · Slavery

Alle Werke zum Thema
Michelangelo, PorträtMichelangeloItalien, 1475–1564

Darf man es sehen?

Empfängt derzeit nicht

Victoria and Albert Museum

London, Vereinigtes Königreich

Es gehört zur Sammlung, ist derzeit aber nicht ausgestellt.

Geprüft
vor 12 Tagen
Unverändert seit
25. Sept. 2026
Quelle
Das Museum
Auf der KarteMuseumsseite

Was es zeigt

SlaverySlave

Im Katalog

SkulpturRenaissance16. JahrhundertFlorenz

Quellen

  • Victoria and Albert Museum
  • Bild: Victoria and Albert Museum — © Victoria and Albert Museum, London
Esclave mourant, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Sterbender Sklave

1513 - 1515 · Louvre

Esclave rebelle, Buonarroti, Michelangelo dit Michel-Ange, 1513 - 1515

Rebellischer Sklave

1513 - 1515 · Louvre

Christ and the Two Thieves Crucified, Michelangelo Buonarroti, ca. 1560–70

Christ and the Two Thieves Crucified

ca. 1560–70 · Metropolitan Museum of Art

Bruges Madonna, Michelangelo, 1504-6

Bruges Madonna

1504-6 · Victoria and Albert Museum

Design for an Equestrian Statue of Henry II of France, Michelangelo, 1559 - 1564

Design for an Equestrian Statue of Henry II of France

1559 - 1564 · Rijksmuseum Amsterdam

The Prophet Ezekiel, Giorgio Ghisi after Michelangelo, early 1570s

The Prophet Ezekiel

early 1570s · Nicht ausgestellt · National Gallery of Art

The Eritrean Sibyl, Giorgio Ghisi after Michelangelo, early 1570s

The Eritrean Sibyl

early 1570s · Nicht ausgestellt · National Gallery of Art

Two Nude Men, Marcantonio Raimondi after Michelangelo

Two Nude Men

Nicht ausgestellt · National Gallery of Art

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Formerly enslaved woman, Alabama, Dorothea Lange, 1938, printed c. 1955

Dorothea Lange

Formerly enslaved woman, Alabama, 1938, printed c. 1955

Nicht ausgestellt · National Gallery of Art

Formerly enslaved woman, Alabama, Dorothea Lange, 1938, printed 1950s

Dorothea Lange

Formerly enslaved woman, Alabama, 1938, printed 1950s

Nicht ausgestellt · National Gallery of Art

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757

Giovanni Battista Piranesi

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, c. 1756 - c. 1757

Rijksmuseum Amsterdam

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757

Giovanni Battista Piranesi

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, c. 1756 - c. 1757

Rijksmuseum Amsterdam

Inscripties en sarcofagen uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757

Giovanni Battista Piranesi

Inscripties en sarcofagen uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, c. 1756 - c. 1757

Rijksmuseum Amsterdam

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757

Giovanni Battista Piranesi

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, c. 1756 - c. 1757

Rijksmuseum Amsterdam

Plattegrond met grafkamers van de vrijgelatenen en slaafgemaakten van Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757

Giovanni Battista Piranesi

Plattegrond met grafkamers van de vrijgelatenen en slaafgemaakten van Augustus, c. 1756 - c. 1757

Rijksmuseum Amsterdam

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, Giovanni Battista Piranesi, c. 1756 - c. 1757

Giovanni Battista Piranesi

Inscripties uit de graftombe van de vrijgelatenen en slaafgemaakten van de familie van Augustus, c. 1756 - c. 1757

Rijksmuseum Amsterdam