A Barge
Über das Gemälde
François Bocion (1828-1890) was born in Lausanne. He first trained with Christian Gottlieb Steinlen (1779-1847) in Vevey and subsequently with François Bonnet (1811-1894) in Lausanne. In Paris in 1845, Bocion entered the atelier of Louis-Aimé Grosclaude (1784-1869) and later that of Charles Gleyre (1806-1874) and befriended Gustave Courbet (1819-1877) and other important exponents of the Realist movement. Back in Lausanne in 1849 he became a teacher at the Ecole moyenne et industrielle of Lausane, a position he held until his death. At the same time, he had an extensive output with several travels abroad. He exhibited in Paris, Vienna, Anvers, London and was a founder member of the Swiss society of watercolorists (1884).
Weiterlesen
This painting was executed shortly after Bocion's return to Lausanne and inaugurates one of the main thematic of the artist: lake views here combined with a genre scene in the foreground. Bocion focused here on the rendering of a bright sunlight in a broad albeit restrained brushwork. The attention on atmospheric effect and the direct observation of nature were characteristic of the Realist movement emerged in France in the 1840s. His oeuvre is however marked by peaceful scenes such as the present one.
Victoria and Albert Museum
