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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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880.909 værker fra 254 museer639 udstillet nuRyd

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  • Radering130.252
  • Litografi89.179
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  • Akvatinte7.452
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Plate 5 from "Los Caprichos": Two of a kind (Tal para qual), Goya, 1799Francisco de GoyaPlate 5 from "Los Caprichos": Two of a kind (Tal para qual)1799Metropolitan Museum of Art
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas), Goya, 1810Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)1810Metropolitan Museum of Art
Plate 78  from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya, 1799Francisco de GoyaPlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)1799Metropolitan Museum of Art
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya, 1816Francisco de GoyaPlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring1816Metropolitan Museum of Art
Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen), Goya, 1799Francisco de GoyaPlate 51 from "Los Caprichos": They spruce themselves up (Se repulen)1799Metropolitan Museum of Art
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya, 1816Francisco de GoyaPlate 11 from "La Tauromaquia": The Cid campeador spearing another bull1816Metropolitan Museum of Art
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor), Goya, 1810 (published 1863)Francisco de GoyaPlate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)1810 (published 1863)Metropolitan Museum of Art
Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto), Goya, 1810 (published 1863)Francisco de GoyaPlate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)1810 (published 1863)Metropolitan Museum of Art
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya, ca. 1815 (published after 1867)Francisco de Goya'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)ca. 1815 (published after 1867)Metropolitan Museum of Art
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya, 1800–1804 (published 1828–67)Francisco de Goya'Barbarous Entertainment', a blind guitarist on the horns of a bull1800–1804 (published 1828–67)Metropolitan Museum of Art
Portrait of a Young Man, Goya, ca. 1820Francisco de GoyaPortrait of a Young Manca. 1820Metropolitan Museum of Art
Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso), Goya, 1799Francisco de GoyaPlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)1799Metropolitan Museum of Art
Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?), Goya, 1810 (published 1863)Francisco de GoyaPlate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)1810 (published 1863)Metropolitan Museum of Art
A picador caught by a bull, from the "Bulls of Bordeaux", Goya, 1825Francisco de GoyaA picador caught by a bull, from the "Bulls of Bordeaux"1825Metropolitan Museum of Art
Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento), Goya, 1799Francisco de GoyaPlate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)1799Metropolitan Museum of Art
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!), Goya, 1810 (published 1863)Francisco de GoyaPlate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)1810 (published 1863)Metropolitan Museum of Art
Plate 13 from "Los Caprichos": They are hot (Estan calientes), Goya, 1799Francisco de GoyaPlate 13 from "Los Caprichos": They are hot (Estan calientes)1799Metropolitan Museum of Art
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible), Goya, 1799Francisco de GoyaPlate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)1799Metropolitan Museum of Art
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)1811–12 (published 1863)Metropolitan Museum of Art
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar), Goya, 1810–20, published 1863Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)1810–20, published 1863Metropolitan Museum of Art
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), Goya, ca. 1810Francisco de GoyaPlate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)ca. 1810Metropolitan Museum of Art
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue), Goya, 1799Francisco de GoyaPlate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)1799Metropolitan Museum of Art
Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro), Goya, 1799Francisco de GoyaPlate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)1799Metropolitan Museum of Art
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)1811–12 (published 1863)Metropolitan Museum of Art
Men Spitting at a Fire, Goya, ca. 1820–50Francisco de GoyaMen Spitting at a Fireca. 1820–50Metropolitan Museum of Art
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), Goya, 1810Francisco de GoyaPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)1810Metropolitan Museum of Art
Cruel Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCruel Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas), Goya, 1810 (published 1863)Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)1810 (published 1863)Metropolitan Museum of Art
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)1810 (published 1863)Metropolitan Museum of Art
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, Goya, 1816Francisco de GoyaPlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body1816Metropolitan Museum of Art
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaRidiculous Folly, from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido), Goya, 1810Francisco de GoyaPlate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)1810Metropolitan Museum of Art
Plate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro), Goya, 1799Francisco de GoyaPlate 47 from "Los Caprichos": A gift for the master (Obsequio á el maestro)1799Metropolitan Museum of Art
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), Goya, 1810 (published 1863)Francisco de GoyaPlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810 (published 1863)Metropolitan Museum of Art
Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)1814–15 (published 1863)Metropolitan Museum of Art
Baltasar Carlos on horseback, Goya, 1778Francisco de GoyaBaltasar Carlos on horseback1778Metropolitan Museum of Art
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull, Goya, 1816Francisco de GoyaPlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull1816Metropolitan Museum of Art
A bad night (Mala noche), plate 36 from "Los Caprichos", Goya, 1799Francisco de GoyaA bad night (Mala noche), plate 36 from "Los Caprichos"1799Metropolitan Museum of Art
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDisorderly Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 64  from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)1811–12 (published 1863)Metropolitan Museum of Art
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)1811–12 (published 1863)Metropolitan Museum of Art
Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra), Goya, 1810Francisco de GoyaNot [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)1810Metropolitan Museum of Art
Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), Goya, 1810 (published 1863)Francisco de GoyaPlate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)1810 (published 1863)Metropolitan Museum of Art
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