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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country, Goya, 1816Francisco de GoyaPlate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country1816Metropolitan Museum of Art
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir), Goya, 1810 (published 1863)Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): They can still be of use (Aun podrán servir)1810 (published 1863)Metropolitan Museum of Art
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799Metropolitan Museum of Art
Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir), Goya, 1810 (published 1863)Francisco de GoyaPlate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)1810 (published 1863)Metropolitan Museum of Art
Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos", Goya, ca. 1797–98Francisco de GoyaPlate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"ca. 1797–98Metropolitan Museum of Art
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series, Goya, 1863Francisco de GoyaTitle page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series1863Metropolitan Museum of Art
Plate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?), Goya, 1799Francisco de GoyaPlate 40 from "Los Caprichos": Of what ill will he die? (De que mal morira?)1799Metropolitan Museum of Art
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback, Goya, ca. 1830–50 (?)Francisco de GoyaReproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchbackca. 1830–50 (?)Metropolitan Museum of Art
Plate 69 from "Los Caprichos": Blow (Sopla), Goya, 1799Francisco de GoyaPlate 69 from "Los Caprichos": Blow (Sopla)1799Metropolitan Museum of Art
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Flying Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)1814–15 (published 1863)Metropolitan Museum of Art
Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms, Goya, 1816Francisco de GoyaPlate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms1816Metropolitan Museum of Art
Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja), Goya, 1810 (published 1863)Francisco de GoyaPlate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)1810 (published 1863)Metropolitan Museum of Art
An old woman spinning, spindle in her right hand, distaff in her left, Goya, 1819Francisco de GoyaAn old woman spinning, spindle in her right hand, distaff in her left1819Metropolitan Museum of Art
Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)1814–15 (published 1863)Metropolitan Museum of Art
Little Bulls' Folly, from "The Disparates" (Disparates, Plate D), Goya, ca. 1815–19 (published 1877)Francisco de GoyaLittle Bulls' Folly, from "The Disparates" (Disparates, Plate D)ca. 1815–19 (published 1877)Metropolitan Museum of Art
Blind Guitarist, Goya, ca. 1778Francisco de GoyaBlind Guitaristca. 1778Metropolitan Museum of Art
Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa), Goya, 1799Francisco de GoyaPlate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)1799Metropolitan Museum of Art
'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)ca. 1815–19 (published before 1877)Metropolitan Museum of Art
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya, 1816Francisco de GoyaA Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"1816Metropolitan Museum of Art
Funereal Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaFunereal Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra), Goya, ca. 1810Francisco de GoyaPlate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)ca. 1810Metropolitan Museum of Art
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya, 1799Francisco de GoyaIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"1799Metropolitan Museum of Art
Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta), Goya, 1799Francisco de GoyaPlate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)1799Metropolitan Museum of Art
Clear Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaClear Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes), Goya, 1799Francisco de GoyaPlate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)1799Metropolitan Museum of Art
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya, 1816Francisco de GoyaPlate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon1816Metropolitan Museum of Art
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo), Goya, 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): 'There isn't time now' (Ya no hay tiempo)1810 (published 1863)Metropolitan Museum of Art
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados), Goya, 1799Francisco de GoyaPlate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)1799Metropolitan Museum of Art
Aesop, after Velázquez, Goya, 1778Francisco de GoyaAesop, after Velázquez1778Metropolitan Museum of Art
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo), Goya, ca. 1810Francisco de GoyaPlate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)ca. 1810Metropolitan Museum of Art
Plate 31 of  "La Tauromaquia": Banderillas with firecrackers, Goya, 1816Francisco de GoyaPlate 31 of "La Tauromaquia": Banderillas with firecrackers1816Metropolitan Museum of Art
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid1816Metropolitan Museum of Art
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published ca. 1848)Francisco de Goya'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published ca. 1848)Metropolitan Museum of Art
Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)ca. 1810 (published 1863)Metropolitan Museum of Art
Spanish Entertainment from the 'Bulls of Bordeaux', Goya, 1825Francisco de GoyaSpanish Entertainment from the 'Bulls of Bordeaux'1825Metropolitan Museum of Art
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, Goya, 1816Francisco de GoyaPlate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules1816Metropolitan Museum of Art
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas), Goya, 1810 (published 1863)Francisco de GoyaPlate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)1810 (published 1863)Metropolitan Museum of Art
Plate 24 from  "Los Caprichos": Nothing could be done about It (Nohubo remedio), Goya, 1799Francisco de GoyaPlate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)1799Metropolitan Museum of Art
Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto), Goya, 1810 (published 1863)Francisco de GoyaPlate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)1810 (published 1863)Metropolitan Museum of Art
Plate 38 from "Los Caprichos": Bravo! (Brabisimo!), Goya, 1799Francisco de GoyaPlate 38 from "Los Caprichos": Bravo! (Brabisimo!)1799Metropolitan Museum of Art
Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)ca. 1810 (published 1863)Metropolitan Museum of Art
Pllate 60 from "Los Caprichos": Trials (Ensayos), Goya, 1799Francisco de GoyaPllate 60 from "Los Caprichos": Trials (Ensayos)1799Metropolitan Museum of Art
Plate 13 of  "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants, Goya, 1816Francisco de GoyaPlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants1816Metropolitan Museum of Art
Plate 16  from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya, 1797–98Francisco de GoyaPlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)1797–98Metropolitan Museum of Art
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