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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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Si Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaSi Marina bayló [sic], tome lo que halló (If Marion Will Dance, then She Has To Take the Consequences), plate 12 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Disparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaDisparate general (General Folly), plate 9 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Bien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaBien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Curarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCurarlos, y á otra (Get Them Well, and On to the Next), Plate 20 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Disparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1877Francisco de GoyaDisparate conocido (Well-Known Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1877Yale University Art Gallery
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejón), Plate 21 from La tauromaquia1876Yale University Art Gallery
Así sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaAsí sucedió. (This Is How It Happened.), pl. 47 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1876Yale University Art Gallery
Banderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1876Yale University Art Gallery
Disparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate general (General Folly), also known as Unas de gato y habito de beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaUn cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of his Assistants), Plate A from La tauromaquia (third edition)1876Yale University Art Gallery
Cruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), pl. 48 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Estan calientes (They Are Hot), pl. 13 from the series Los caprichos, Francisco Goya, 1797–1798, published 1799Francisco de GoyaEstan calientes (They Are Hot), pl. 13 from the series Los caprichos1797–1798, published 1799Yale University Art Gallery
No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaEl caballo raptor (The Horse Abductor), plate 10 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
De qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), Plate 59 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Capean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia1876Yale University Art Gallery
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1816Yale University Art Gallery
Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTodo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1876Yale University Art Gallery
Amarga presencia (Bitter To Be Present), pl. 13 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaAmarga presencia (Bitter To Be Present), pl. 13 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Que valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaQue valor! (What Courage!), pl. 7 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1876Yale University Art Gallery
Disparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Farándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaFarándula de charlatanes (Charlatans’ Show), Plate 75 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Esto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es peor (This is Worse), Plate 37 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Gracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaGracias á la almorta (Thanks to the Millet), Plate 51 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Un torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaUn torero monte sur les epaules dún chulo 'lanceado'un taureau (A Bullfigher, Mounted on the Shoulder of an Assistant, Spearing a Bull), Plate D from La tauromaquia (third edition)1876Yale University Art Gallery
Modo de volar (A Way of Flying), pl. 13 from the series Los proverbios, Francisco Goya, ca. 1816–1823, published 1864Francisco de GoyaModo de volar (A Way of Flying), pl. 13 from the series Los proverbiosca. 1816–1823, published 1864Yale University Art Gallery
Two Heads Are Better than One, pl. 11 from the series Los proverbios, Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaTwo Heads Are Better than One, pl. 11 from the series Los proverbiosca. 1816–19, published 1864Yale University Art Gallery
Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAsí sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Esto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEsto es peor. (This Is Worse), pl. 37 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Tampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaTampoco (Not [in This Case] Either), pl. 36 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Clamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaClamores en vano (Appeals Are in Vain), Plate 54 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War)., Francisco Goya, 1863Francisco de GoyaNo se puede saber por que [sic] (One Can’t Tell Why), Plate 35 from Los desastres de la guerra (The Disasters of War).1863Yale University Art Gallery
Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1816Yale University Art Gallery
No llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNo llegan á tiempo. (They Do not Arrive in Time.), pl. 52 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1816Yale University Art Gallery
Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1876Yale University Art Gallery
Se aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Bárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaBárbaros! (Barbarians!), pl. 38 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
El ciego de la guitarra (The Blind Guitarist), Francisco Goya, ca. 1778Francisco de GoyaEl ciego de la guitarra (The Blind Guitarist)ca. 1778Yale University Art Gallery
Ni mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos, Francisco Goya, 1797–98, published 1799Francisco de GoyaNi mas ni menos (Neither More nor Less), pl. 41 from the series Los caprichos1797–98, published 1799Yale University Art Gallery
Title Page for Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaTitle Page for Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
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