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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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114.143 værker fra 146 museer133 udstillet nuRyd alle

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  • Radering114.143
  • Litografi84.657
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Love Songs, Class III. Tailpiece, William Blake, 1783William BlakeLove Songs, Class III. Tailpiece1783Yale Center for British Art
Landscape with the Cannon, Albrecht Dürer, 1518Albrecht DürerLandscape with the Cannon1518The Cleveland Museum of Art
"To The Accuser who is The God of This World..." (Plate 19), William Blake, 1826William Blake"To The Accuser who is The God of This World..." (Plate 19)1826Yale Center for British Art
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Yale Center for British Art
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Yale Center for British Art
Canto V. Verse 43, William Blake, 1803William BlakeCanto V. Verse 431803Yale Center for British Art
London (Plate 39), William Blake, 1794William BlakeLondon (Plate 39)1794Yale Center for British Art
Christ on the Cross Between Saint John and Mary, Wenceslaus Hollar after Albrecht Dürer, 1642Albrecht DürerChrist on the Cross Between Saint John and Mary1642National Gallery of Art
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, ca. 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)ca. 1797Yale Center for British Art
Self-Portrait, Style of Lucas van Leyden after Albrecht Dürer, 1525Albrecht DürerSelf-Portrait1525National Gallery of Art
Introduction (Plate 3), William Blake, 1789William BlakeIntroduction (Plate 3)1789Yale Center for British Art
Albrecht Durer's Father, Wenceslaus Hollar after Albrecht Dürer, 1644Albrecht DürerAlbrecht Durer's Father1644National Gallery of Art
Untitled, Jackson Pollock, 1944–45, printed 1967Jackson PollockUntitled1944–45, printed 1967Yale University Art Gallery
'Its favours here are trials, not rewards' (Page 12), William Blake, 1797William Blake'Its favours here are trials, not rewards' (Page 12)1797Yale Center for British Art
Portrait of Guillaumin with a Hanging Man, Paul Cézanne, 1873Paul CézannePortrait of Guillaumin with a Hanging Man1873Museum of Modern Art
The Prodigal Son Driven from the Tavern, Theodoor van Thulden after Sir Peter Paul RubensPeter Paul RubensThe Prodigal Son Driven from the TavernNational Gallery of Art
'The thunder, if in that the Almighty dwells' (Page 80), William Blake, 1797William Blake'The thunder, if in that the Almighty dwells' (Page 80)1797Yale Center for British Art
Night the First. On Life, Death, and Immortality; Title Page, William Blake, ca. 1797William BlakeNight the First. On Life, Death, and Immortality; Title Pageca. 1797Yale Center for British Art
Landscape at Auvers, Paul Cézanne, 1873Paul CézanneLandscape at Auvers1873Yale University Art Gallery
The Painter Guilaumin, Paul Cézanne, 1873Paul CézanneThe Painter Guilaumin1873Yale University Art Gallery
Head of a Young Girl, Paul Cézanne, 1873Paul CézanneHead of a Young Girl1873Yale University Art Gallery
Paysage à Auvers, Paul Cézanne, 1873Paul CézannePaysage à Auvers1873Yale University Art Gallery
"Became a Space & an Allegory..." (Plate 85), William Blake, 1804 to 1820William Blake"Became a Space & an Allegory..." (Plate 85)1804 to 1820Yale Center for British Art
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99), William Blake, 1804 to 1820William Blake"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)1804 to 1820Yale Center for British Art
Head of a Man, Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Sandro Botticelli, 1785Sandro BotticelliHead of a Man1785National Gallery of Art
Saint Catherine in the Clouds, Sir Peter Paul Rubens, c. 1620Peter Paul RubensSaint Catherine in the Cloudsc. 1620National Gallery of Art
Christ on the Mount of Olives, Albrecht Dürer, 1515Albrecht DürerChrist on the Mount of Olives1515The Cleveland Museum of Art
Katharine Furlegerin, Wenceslaus Hollar after Albrecht Dürer, 1646Albrecht DürerKatharine Furlegerin1646National Gallery of Art
A Crouching Apostle (Saint Peter), Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer, 1785Albrecht DürerA Crouching Apostle (Saint Peter)1785National Gallery of Art
Three Lansquenets, Maria Catharina Prestel, after Albrecht Dürer, 1780Albrecht DürerThree Lansquenets1780National Gallery of Art
Albrecht Durer, Wenceslaus Hollar after Albrecht Dürer, 1645Albrecht DürerAlbrecht Durer1645National Gallery of Art
'Love, and love only, is the loan for love' (Page 37), William Blake, ca. 1797William Blake'Love, and love only, is the loan for love' (Page 37)ca. 1797Yale Center for British Art
Self-Portrait, Style of Lucas van Leyden after Albrecht Dürer, 1525Albrecht DürerSelf-Portrait1525National Gallery of Art
Night the Third. Narcissa; Title Page, William Blake, ca. 1797William BlakeNight the Third. Narcissa; Title Pageca. 1797Yale Center for British Art
The Great Cannon, Hieronymus Hopfer after Albrecht DürerAlbrecht DürerThe Great CannonNational Gallery of Art
"I have heard Jerusalems groans..." (Plate 82), William Blake, 1804 to 1820William Blake"I have heard Jerusalems groans..." (Plate 82)1804 to 1820Yale Center for British Art
Bortførelsen på en enhjørning, Albrecht Dürer, 1516Albrecht DürerBortførelsen på en enhjørning1516The Cleveland Museum of Art
Bust of a Girl, Paul Cezanne, 1873Paul CézanneBust of a Girl1873National Gallery of Art
The Prodigal Son among the Swine, Theodoor van Thulden after Sir Peter Paul RubensPeter Paul RubensThe Prodigal Son among the SwineNational Gallery of Art
Guillaumin, Paul Cézanne, 1873Paul CézanneGuillaumin1873Yale University Art Gallery
Landscape at Auvers, Paul Cézanne, 1873Paul CézanneLandscape at Auvers1873Yale University Art Gallery
Tete de Femme, Paul Cézanne, 1873Paul CézanneTete de Femme1873Yale University Art Gallery
Chapter IV, "Ages on ages roll'd over him..." (Plate 9), William Blake, 1794William BlakeChapter IV, "Ages on ages roll'd over him..." (Plate 9)1794Yale Center for British Art
'The thunder, if in that the Almighty dwells' (Page 80), William Blake, 1797William Blake'The thunder, if in that the Almighty dwells' (Page 80)1797Yale Center for British Art
Night (Plate 16), William Blake, 1789William BlakeNight (Plate 16)1789Yale Center for British Art
My Pretty Rose Tree (Plate 47), William Blake, 1794William BlakeMy Pretty Rose Tree (Plate 47)1794Yale Center for British Art
Head of a Girl, Paul Cézanne, 1873Paul CézanneHead of a Girl1873Yale University Art Gallery
"In living creations appear'd..." (Plate 6), William Blake, 1794William Blake"In living creations appear'd..." (Plate 6)1794Yale Center for British Art
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