ART WIKI37.723 udstillet
KortSamlingKunstnereMuseerUdstillingerJournal
Log ind

ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

Afsnit

  • Kort
  • Søgning
  • Samling
  • Mesterværker
  • Stjålet og forsvundet
  • Indlejr et værks status
  • Udstillet nu
  • Kunstnere

Mere

  • Museer & gallerier
  • Udstillinger
  • Journal
  • Hvor data kommer fra
  • Privatliv & cookies
  • Om os
  • Vilkår for brug
ForsideKortKatalog

Katalog

Radering

114.143 værker fra 146 museer133 udstillet nuRyd alle

/
Teknik
  • Alle
  • Radering114.143
  • Litografi84.657
  • Kobberstik55.555
  • Træsnit49.710
  • Koldnål9.100
  • Serigrafi8.458
  • Akvatinte7.310
  • Fotomekanisk tryk6.899
  • Mezzotinte6.372
  • Linoleumssnit2.652
Fable XXVIII. The Persian, the Sun, and the Cloud, William Blake, 1793William BlakeFable XXVIII. The Persian, the Sun, and the Cloud1793Yale Center for British Art
"Jehovah stood among the Druids..." (Plate 63), William Blake, 1804 to 1820William Blake"Jehovah stood among the Druids..." (Plate 63)1804 to 1820Yale Center for British Art
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71), William Blake, 1804 to 1820William Blake"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)1804 to 1820Yale Center for British Art
Drinking Songs, Headpiece, William Blake, 1783William BlakeDrinking Songs, Headpiece1783Yale Center for British Art
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, ca. 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)ca. 1797Yale Center for British Art
'Emblem of that which shall awake the dead' (Page 19), William Blake, ca. 1797William Blake'Emblem of that which shall awake the dead' (Page 19)ca. 1797Yale Center for British Art
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57), William Blake, 1804 to 1820William Blake"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)1804 to 1820Yale Center for British Art
VI.  "The desires & perceptions of man untaught..." (Plate 8), William Blake, ca. 1788William BlakeVI. "The desires & perceptions of man untaught..." (Plate 8)ca. 1788Yale Center for British Art
Caius Julius Cæsar, William Blake, 1821William BlakeCaius Julius Cæsar1821Yale Center for British Art
'Swift on his downy pinion flies from woe' (Page 1), William Blake, ca. 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)ca. 1797Yale Center for British Art
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)1797Yale Center for British Art
"But when the morn arose, her lamentation renewd..." (Plate 8), William Blake, 1793William Blake"But when the morn arose, her lamentation renewd..." (Plate 8)1793Yale Center for British Art
Urizen (Plate 14), William Blake, 1794William BlakeUrizen (Plate 14)1794Yale Center for British Art
"Rose up against me thundering..." (Plate 8), William Blake, 1804 to 1820William Blake"Rose up against me thundering..." (Plate 8)1804 to 1820Yale Center for British Art
Fable I. The Dog and the Fox, William Blake, 1793William BlakeFable I. The Dog and the Fox1793Yale Center for British Art
May-Day in London, William Blake, 1784William BlakeMay-Day in London1784Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2b)1794Yale Center for British Art
'That touch, with charm celestial heals the soul' (Page 90), William Blake, 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)1797Yale Center for British Art
"And Rahab Babylon the Great..." (Plate 75), William Blake, 1804 to 1820William Blake"And Rahab Babylon the Great..." (Plate 75)1804 to 1820Yale Center for British Art
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)1797Yale Center for British Art
The Whirlwind of Lovers (Plate 1), William Blake, 1827William BlakeThe Whirlwind of Lovers (Plate 1)1827Yale Center for British Art
"It is easier to forgive an enemy..." (Plate 91), William Blake, 1804 to 1820William Blake"It is easier to forgive an enemy..." (Plate 91)1804 to 1820Yale Center for British Art
'His hand the good man fastens on the skies' (Page 86), William Blake, ca. 1797William Blake'His hand the good man fastens on the skies' (Page 86)ca. 1797Yale Center for British Art
Songs of Experience, Title Page (Plate 33), William Blake, 1794William BlakeSongs of Experience, Title Page (Plate 33)1794Yale Center for British Art
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, ca. 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)ca. 1797Yale Center for British Art
"Corruptability appears upon thy limbs..." (Plate 83), William Blake, 1804 to 1820William Blake"Corruptability appears upon thy limbs..." (Plate 83)1804 to 1820Yale Center for British Art
The Christian Triumph; Title Page, William Blake, 1797William BlakeThe Christian Triumph; Title Page1797Yale Center for British Art
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Yale Center for British Art
Gymnastics for Youth, Frontispiece, William Blake, 1800William BlakeGymnastics for Youth, Frontispiece1800Yale Center for British Art
'We censure nature for a span too short' (Page 23), William Blake, 1797William Blake'We censure nature for a span too short' (Page 23)1797Yale Center for British Art
'The thunder if in that the Almighty dwells' (Page 80), William Blake, ca. 1797William Blake'The thunder if in that the Almighty dwells' (Page 80)ca. 1797Yale Center for British Art
A Cradle Song (Plate 26), William Blake, 1789William BlakeA Cradle Song (Plate 26)1789Yale Center for British Art
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10), William Blake, ca. 1788William BlakeI. "Mans perceptions are not bounded by organs of perception..." (Plate 10)ca. 1788Yale Center for British Art
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89), William Blake, 1804 to 1820William Blake"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)1804 to 1820Yale Center for British Art
The Fly (Plate 48), William Blake, 1794William BlakeThe Fly (Plate 48)1794Yale Center for British Art
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)1797Yale Center for British Art
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3), William Blake, 1794William BlakeChapter I, "Lo, a shadow of horror is risen..." (Plate 3)1794Yale Center for British Art
'Trembling each gulp, lest death should snatch the bowl' (Page 57), William Blake, ca. 1797William Blake'Trembling each gulp, lest death should snatch the bowl' (Page 57)ca. 1797Yale Center for British Art
'We censure nature for a span too short' (Page 23), William Blake, ca. 1797William Blake'We censure nature for a span too short' (Page 23)ca. 1797Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake, 1797William Blake'Behold him, when past by; what then is seen' (Page 25)1797Yale Center for British Art
There is No Natural Religion, William Blake, ca. 1788William BlakeThere is No Natural Religionca. 1788Yale Center for British Art
The Little Boy Lost (Plate 20), William Blake, 1789William BlakeThe Little Boy Lost (Plate 20)1789Yale Center for British Art
'His hand the good man fastens on the skies' (Page 86), William Blake, 1797William Blake'His hand the good man fastens on the skies' (Page 86)1797Yale Center for British Art
Publius Virgilius Maro, William Blake, 1821William BlakePublius Virgilius Maro1821Yale Center for British Art
'As if the sun could envy, check'd his beam' (Page 49), William Blake, 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)1797Yale Center for British Art
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)1804 to 1820Yale Center for British Art
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5), William Blake, 1789William BlakeII. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)1789Yale Center for British Art
"His western heaven with rocky clouds..." (Plate 31), William Blake, 1804 to 1820William Blake"His western heaven with rocky clouds..." (Plate 31)1804 to 1820Yale Center for British Art
43