ART WIKI 37.865 udstillet

Kort Samling Kunstnere Museer Udstillinger Journal

ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

Afsnit

Kort
Søgning
Samling
Mesterværker
Stjålet og forsvundet
Indlejr et værks status
Udstillet nu
Kunstnere

Mere

Museer & gallerier
Udstillinger
Journal
Hvor data kommer fra
Privatliv & cookies
Om os
Vilkår for brug

Forside Kort Katalog

Katalog

Efterkrigskunst, 1945–1975

223.220 værker fra 458 museer1.980 udstillet nu Ryd

/

Á toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróÁ toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Woman and Bird in Front of the Moon (Femme et oiseau devant la lune), Joan Miró, 1947

Joan MiróWoman and Bird in Front of the Moon (Femme et oiseau devant la lune)1947Museum of Modern Art

Untitled from Flight, Joan Miró, 1966, published 1971

Joan MiróUntitled from Flight1966, published 1971Museum of Modern Art

Plate (folio 27 verso) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971

Joan MiróPlate (folio 27 verso) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Museum of Modern Art

Plate (page 37) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróPlate (page 37) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

In-text plate (page 97) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 97) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Rebecca Ginsberg, Buba, wife of Pincus, laundry-man later tobacco store owner, my paternal grandmother (b. Russia near Kaminetz-Podolska May 1869–d. July 1962) visiting her elder son Louis’ house, here 84 years old at table for Seder preparations. She’d attended Adult Education English classes in Newark 14 years earlier, written patriotic essay declaring “God Blast America!” Younger son Uncle Abe & daughters Aunt Rose, Clara & H.S. teacher Hannah were her children. Dining room 428 East 34th Street, Paterson New Jersey April 1953., Allen Ginsberg, 1953, printed later

Allen GinsbergRebecca Ginsberg, Buba, wife of Pincus, laundry-man later tobacco store owner, my paternal grandmother (b. Russia near Kaminetz-Podolska May 1869–d. July 1962) visiting her elder son Louis’ house, here 84 years old at table for Seder preparations. She’d attended Adult Education English classes in Newark 14 years earlier, written patriotic essay declaring “God Blast America!” Younger son Uncle Abe & daughters Aunt Rose, Clara & H.S. teacher Hannah were her children. Dining room 428 East 34th Street, Paterson New Jersey April 1953.1953, printed laterNational Gallery of Art

In-text plate (page 74) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 74) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Louis Marker, Jacksonville Florida. Bill Burroughs friend from Mexico City. I visited December 1953., Allen Ginsberg, 1953, printed later

Allen GinsbergLouis Marker, Jacksonville Florida. Bill Burroughs friend from Mexico City. I visited December 1953.1953, printed laterNational Gallery of Art

In-text plate (page 93) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 93) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

William Burroughs, kitchen table, burlap bag of Yage brought back from Amazonas, 206 E. 7 St. NY. 1953. That's the bedroom standing closet through door behind his shoulder-- we slept there, time of _Yage Letters_ & _Queer_ mss., Allen Ginsberg, 1953, printed later

Allen GinsbergWilliam Burroughs, kitchen table, burlap bag of Yage brought back from Amazonas, 206 E. 7 St. NY. 1953. That's the bedroom standing closet through door behind his shoulder-- we slept there, time of _Yage Letters_ & _Queer_ mss.1953, printed laterNational Gallery of Art

Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., Allen Ginsberg, 1953, printed 1990

Allen GinsbergDonald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953.1953, printed 1990National Gallery of Art

Title page from Album 13, Joan Miró, 1948

Joan MiróTitle page from Album 131948Museum of Modern Art

Lafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank., Allen Ginsberg, 1956, printed 1995

Allen GinsbergLafcadio, 17, and Peter Orlovsky, 22, at door their apartment 5 Turner Terrace, S.F. 1956, Lafcadio looking for a job was cutting school, Peter was worried. These were new-built cheap rent veteran's apartments on Potrero Hill dominated by a giant gas tank.1956, printed 1995National Gallery of Art

Monument, Joan Miró, Gallifa, 1956

Joan MiróMonumentGallifa, 1956Museum of Modern Art

Neal Cassady New York 1964 on visit with Ken Kesey's bus., Allen Ginsberg, 1964, printed later

Allen GinsbergNeal Cassady New York 1964 on visit with Ken Kesey's bus.1964, printed laterNational Gallery of Art

Carl Solomon in his Prince Street apartment several years after we were locked up together in residence on Sixth Floor ward, New York State Psychiatric Institute. He got shock treatments, introduced me to Jean Genet’s _Miracle of the Rose_ and Antonin Artaud’s _Van Gogh, The Man Suicided by Society_ translations, I stayed eight months, weekends off. Afterwards, working mid-town at his uncle’s Ace Books publications, he gave Kerouac small advance on first _On the Road_ sketches (scroll later rejected), saw Jaime DeAngulo’s classic _Indian Tales_ first hard-back through press, & edited William Burroughs’ _Junkie_ paperback first edition. New York, 1953., Allen Ginsberg, 1953, printed 1995

Allen GinsbergCarl Solomon in his Prince Street apartment several years after we were locked up together in residence on Sixth Floor ward, New York State Psychiatric Institute. He got shock treatments, introduced me to Jean Genet’s _Miracle of the Rose_ and Antonin Artaud’s _Van Gogh, The Man Suicided by Society_ translations, I stayed eight months, weekends off. Afterwards, working mid-town at his uncle’s Ace Books publications, he gave Kerouac small advance on first _On the Road_ sketches (scroll later rejected), saw Jaime DeAngulo’s classic _Indian Tales_ first hard-back through press, & edited William Burroughs’ _Junkie_ paperback first edition. New York, 1953.1953, printed 1995National Gallery of Art

Double page plate (between pages 60 and 61) from King Roi (Ubu Roi), Joan Miró, 1966

Joan MiróDouble page plate (between pages 60 and 61) from King Roi (Ubu Roi)1966Museum of Modern Art

In-text plate (page 85) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 85) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Young Girl, Joan Miró, 1948

Joan MiróYoung Girl1948Museum of Modern Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen GinsbergWise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_....1957, printed 1995National Gallery of Art

Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), Joan Miró, 1957

Joan MiróPlate IX from The Ring of Dawn Suite (Suite la bague d'aurore)1957Museum of Modern Art

Beclouded Person, Joan Miró, 1955

Joan MiróBeclouded Person1955Museum of Modern Art

Colophon page from Album 13, Joan Miró, 1948

Joan MiróColophon page from Album 131948Museum of Modern Art

Gregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters., Allen Ginsberg, 1961, printed later

Allen GinsbergGregory Corso on Boulevard Pasteur Tangier 1961. Psilocybin Days. Arab & French Posters.1961, printed laterNational Gallery of Art

One of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier, Allen Ginsberg, 1961, printed later

Allen GinsbergOne of the most beautiful stranger's faces I ever saw. Lance Hendrickson, Tangier1961, printed laterNational Gallery of Art

In-text plate (page 24) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 24) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

In-text plate (page 16) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 16) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971

Joan MiróLe Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Museum of Modern Art

Frontispiece from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróFrontispiece from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

In-text plate (folio 25 verso) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 25 verso) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (page 64) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróIn-text plate (page 64) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Headpiece (colophon) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróHeadpiece (colophon) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Tailpiece (page 58) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróTailpiece (page 58) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Frontispiece from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróFrontispiece from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Peter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier, Allen Ginsberg, 1961, printed later

Allen GinsbergPeter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier1961, printed laterNational Gallery of Art

Untitled, Joan Miró, 1947

Joan MiróUntitled1947Museum of Modern Art

Moonbird, Joan Miró, 1966

Joan MiróMoonbird1966MoMA, 1. etage, Sculpture GardenMuseum of Modern Art

Plate (folio 29) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers), Joan Miró, 1971

Joan MiróPlate (folio 29) from Le Lézard aux plumes d'or (The Lizard with Golden Feathers)1971Museum of Modern Art

Plate (page 11) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróPlate (page 11) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Plate (page 99) from Parler seul (Speaking Alone), Joan Miró, 1948–50, published 1950

Joan MiróPlate (page 99) from Parler seul (Speaking Alone)1948–50, published 1950Museum of Modern Art

Double page plate (between pages 28 and 29) from King Ubu (Ubu Roi), Joan Miró, 1966

Joan MiróDouble page plate (between pages 28 and 29) from King Ubu (Ubu Roi)1966Museum of Modern Art

I met Lance Hendrickson by accident Tangier 1961 & took his picture, Allen Ginsberg, 1961, printed later

Allen GinsbergI met Lance Hendrickson by accident Tangier 1961 & took his picture1961, printed laterNational Gallery of Art

Variant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head), Joan Miró, 1947–49, published 1949

Joan MiróVariant of plate (page 45) from Le Désespéranto (Desesperanto): Volume III from L'Antitête (The Anti-Head)1947–49, published 1949Museum of Modern Art

Untitled, Joan Miró, 1947, published 1952–53

Joan MiróUntitled1947, published 1952–53Museum of Modern Art

In-text plate (folio 18) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 18) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

In-text plate (folio 31) from À toute épreuve (Proof Against All), Joan Miró, 1947–58, published 1958

Joan MiróIn-text plate (folio 31) from À toute épreuve (Proof Against All)1947–58, published 1958Museum of Modern Art

Plate 7 from Album 13, Joan Miró, 1948

Joan MiróPlate 7 from Album 131948Museum of Modern Art

49

Sideaf 200