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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night, c. 1560The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Nightc. 1560The Cleveland Museum of Art
The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Night, c. 1560The king’s emissary being provided with gifts for his mission to Rum in order to seek the hand of the emperor’s daughter in marriage, from a Tuti-nama (Tales of a Parrot): Fiftieth Nightc. 1560The Cleveland Museum of Art
Head of a Beauty, c. 1750Head of a Beautyc. 1750The Cleveland Museum of Art
Lakshmi and Sarasvati, c. 1890Lakshmi and Sarasvatic. 1890The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 74 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 74 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Jomfru Maria i afmagt sammen med de tre Maria'er ved Kristi sarkofag, Puccio di Simone, 1348-1352Puccio di SimoneJomfru Maria i afmagt sammen med de tre Maria'er ved Kristi sarkofag1348-1352Sal 201BStatens Museum for Kunst
Death of the Virgin, Master of Heiligenkreuz, c. 1400Master of HeiligenkreuzDeath of the Virginc. 1400111 German and Austrian GothicThe Cleveland Museum of Art
Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso), Muhammad Rizavi Hindi, 1764Muhammad Rizavi HindiPosthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso)1764The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
A mendicant bowing before a holy man, from the Prince Salim Album, Basavana, c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900sBasavanaA mendicant bowing before a holy man, from the Prince Salim Albumc. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900sThe Cleveland Museum of Art
The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560The unfaithful wife explaining away the presence of the dough elephant, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560The Cleveland Museum of Art
The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutra, c. 1475–1500The Fourteen Dreams of Queen Trishala, folio 14 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Folio 22 from a Gandavyuha-sutra (Scripture of the Supreme Array): Samantabhadra spinning clouds of things (recto); Text (verso), 1000–1100sFolio 22 from a Gandavyuha-sutra (Scripture of the Supreme Array): Samantabhadra spinning clouds of things (recto); Text (verso)1000–1100sThe Cleveland Museum of Art
Text, Folio 34 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 34 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Folio 2, from a Kalpa-sutra: A Monk Preaching (recto); Text (verso), c. 1275Folio 2, from a Kalpa-sutra: A Monk Preaching (recto); Text (verso)c. 1275The Cleveland Museum of Art
Text, folio 54 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 54 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Bishop Saint from an Augustinian altarpiece, Venetian, 1450/75VenetianBishop Saint from an Augustinian altarpiece1450/75Sal 237Art Institute of Chicago
Mary and Joseph Travel to Bethlehem (folio 24 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Mary and Joseph Travel to Bethlehem (folio 24 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4The Cleveland Museum of Art
Kalighat Painting, c. 1890Kalighat Paintingc. 1890The Cleveland Museum of Art
Text, folio 52 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 52 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602), c. 1596–1597 or 1604Babur receives booty and Humayun’s salute after the victory over Sultan Ibrahim in 1526, from an Akbar-nama (Book of Akbar) of Abu’l Fazl (Indian, 1551–1602)c. 1596–1597 or 1604The Cleveland Museum of Art
Radha’s Confidante Brings Her to Krishna, based on poetry of Bihari (Indian, 1595–1663), c. 1790–1800Radha’s Confidante Brings Her to Krishna, based on poetry of Bihari (Indian, 1595–1663)c. 1790–1800The Cleveland Museum of Art
A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso), c. 1710A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso)c. 1710The Cleveland Museum of Art
Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (verso), c. 1610Text of Rustam and Suhrab, from the Shah-nama of Firdausi (Persian, c. 934–1020) (verso)c. 1610The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 157 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 157 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1517Page from Tales of a Parrot (Tuti-nama): text pagec. 1517The Cleveland Museum of Art
Text, Folio 74 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 74 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Saints Augustine and Peter, Workshop of Paolo Veneziano, c. 1350Workshop of Paolo VenezianoSaints Augustine and Peterc. 1350Sal 237Art Institute of Chicago
Shah Jahan, Hashim, c. 1630Mir HashimShah Jahanc. 1630The Cleveland Museum of Art
Radha and Krishna meet in the forest during a storm, c. 1770Radha and Krishna meet in the forest during a stormc. 1770The Cleveland Museum of Art
Text, folio 43 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 43 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
The Morning Toilette, 1810–25The Morning Toilette1810–25The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 92 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 92 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 40 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 40 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, folio 50 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 50 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 38 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 38 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Bishop Saint Enthroned, Allegretto Nuzi, 1360/70Allegretto NuziBishop Saint Enthroned1360/70Art Institute of Chicago
Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Purana, c. 1700–1725Krishna and Balarama touching the feet of Vasudeva and Devaki, from the “Vertical” Bhagavata Puranac. 1700–1725The Cleveland Museum of Art
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