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Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

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Sindhu (Saindhava) Ragaputra of Shri Raga, from a Ragamala, c. 1680–90Sindhu (Saindhava) Ragaputra of Shri Raga, from a Ragamalac. 1680–90The Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)c. 1560The Cleveland Museum of Art
God Shiva in His Ferocious Aspect as Mahakala Dancing, c. 1700–1710God Shiva in His Ferocious Aspect as Mahakala Dancingc. 1700–1710The Cleveland Museum of Art
Text, Folio 152 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 152 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 57 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 57 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 183 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 183 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Shishupala arguing with Rukmini’s father, Bhishmaka, from a Rukmini Haran, Mola Ram, c. 1800Mola RamShishupala arguing with Rukmini’s father, Bhishmaka, from a Rukmini Haranc. 1800242B Indian PaintingThe Cleveland Museum of Art
Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Nightc. 1560The Cleveland Museum of Art
Todi Ragini, from a Ragamala Series, c. 1755Todi Ragini, from a Ragamala Seriesc. 1755The Cleveland Museum of Art
Leaf from a Kalighat album: Woman Playing Music (recto); Krishna Stroking Radha's Feet (verso), c. 1890Leaf from a Kalighat album: Woman Playing Music (recto); Krishna Stroking Radha's Feet (verso)c. 1890The Cleveland Museum of Art
Text, folio 11 (recto), from a Kalpa-sutra, c. 1475–1500Text, folio 11 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Tiered Court Scene, Chitarman II, c. 1735Chitarman IITiered Court Scenec. 1735The Cleveland Museum of Art
Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Night, c. 1560Khulasa, a vizier, sees the daughter of Khassa, another vizier, and covets her, from a Tuti-nama (Tales of a Parrot): Fifty-first Nightc. 1560The Cleveland Museum of Art
Leaf from a Kalighat album: Two Aspects of Kali, c. 1890Leaf from a Kalighat album: Two Aspects of Kalic. 1890The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, Folio 5 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 5 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Text, folio 165 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 165 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)The Cleveland Museum of Art
Text, Folio 15 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 15 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Sacrificial Fire, from the "Tula Ram" Bhagavata Purana, c. 1720Sacrificial Fire, from the "Tula Ram" Bhagavata Puranac. 1720The Cleveland Museum of Art
Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri, 1725–50Friends of Krishna, folio 163 from a Bhakti Ratnavali of Vishnu Puri1725–50The Cleveland Museum of Art
Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Nightc. 1560The Cleveland Museum of Art
Maharaja of Kotah Listening to Music and Watching Dancers, c. 1820Maharaja of Kotah Listening to Music and Watching Dancersc. 1820The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night, c. 1560Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Nightc. 1560The Cleveland Museum of Art
The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night, c. 1560The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Nightc. 1560The Cleveland Museum of Art
Text, folio 61 (recto), from a Kalpa-sutra, c. 1475–1500Text, folio 61 (recto), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46), Bichitr, probably 1619BichitrPortrait of Raja Jagat Singh of Nurpur (reigned 1618–46)probably 1619The Cleveland Museum of Art
The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Night, c. 1560The eldest brother explains the reason for his youthful appearance, from a Tuti-nama (Tales of a Parrot): Forty-ninth Nightc. 1560The Cleveland Museum of Art
Radha and Krishna's reconciliation, c. 1790–1800Radha and Krishna's reconciliationc. 1790–1800The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Kali on Shiva, from a Tantric Devi Series, c. 1810Kali on Shiva, from a Tantric Devi Seriesc. 1810The Cleveland Museum of Art
The merchant of Tirmiz takes the wise parrot and myna to ‘Ubaid, from a Tuti-nama (Tales of a Parrot): Forty-second Night, c. 1560The merchant of Tirmiz takes the wise parrot and myna to ‘Ubaid, from a Tuti-nama (Tales of a Parrot): Forty-second Nightc. 1560The Cleveland Museum of Art
Krishna reaching for the moon, c. 1820Krishna reaching for the moonc. 1820The Cleveland Museum of Art
Portrait of Maharaja Savant Singh with Consort, Bani Thani, Nihal Chand, mid-1700sNihal ChandPortrait of Maharaja Savant Singh with Consort, Bani Thanimid-1700sThe Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560The Cleveland Museum of Art
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night, Bihzad, c. 1560BihzadThe tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Nightc. 1560The Cleveland Museum of Art
Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Purana, c. 1640Abduction of Rukmini: Krishna Tied the Hands of Rukma, from a Bhagavata Puranac. 1640The Cleveland Museum of Art
A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto), c. 1710A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto)c. 1710The Cleveland Museum of Art
King Siddhartha's Morning Bath, Folio 22 (verso), from a Kalpa-sutra, c. 1475–1500King Siddhartha's Morning Bath, Folio 22 (verso), from a Kalpa-sutrac. 1475–1500The Cleveland Museum of Art
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