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Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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Impressionismen, 1860–1905

409.850 værker fra 654 museer3.481 udstillet nuRyd

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The Sorcerer, a man with a gun confronting a bird with the face of a man, José Guadalupe Posada, ca. 1900–1910José Guadalupe PosadaThe Sorcerer, a man with a gun confronting a bird with the face of a manca. 1900–1910Metropolitan Museum of Art
Profile of a man looking to the right, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaProfile of a man looking to the rightca. 1880–1910 (a later impression)Metropolitan Museum of Art
Firefighters putting out a fire in a house, firetruck in foreground, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaFirefighters putting out a fire in a house, firetruck in foregroundca. 1880–1910Metropolitan Museum of Art
Broadsheet relating to Saint  Anthony of Padua who is shown holding the Christ child flanked by a candelabra with flowers, José Guadalupe Posada, ca. 1900–1913José Guadalupe PosadaBroadsheet relating to Saint Anthony of Padua who is shown holding the Christ child flanked by a candelabra with flowersca. 1900–1913Metropolitan Museum of Art
General Manuel González on his deathbed, from a broadside entitled 'Arrival at the capital of the body of General Manuel González', José Guadalupe Posada, 1893José Guadalupe PosadaGeneral Manuel González on his deathbed, from a broadside entitled 'Arrival at the capital of the body of General Manuel González'1893Metropolitan Museum of Art
Three men wearing large hats and capes sitting at a table and talking, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaThree men wearing large hats and capes sitting at a table and talkingca. 1880–1910 (a later impression)Metropolitan Museum of Art
Cover for 'Muestras para Bordado', a woman embroidering, José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaCover for 'Muestras para Bordado', a woman embroideringca. 1890–1910Metropolitan Museum of Art
Broadsheet relating to the rabbit that does not like hay but only chocolate, a corrido (ballad) in the bottom section, José Guadalupe Posada, 1903José Guadalupe PosadaBroadsheet relating to the rabbit that does not like hay but only chocolate, a corrido (ballad) in the bottom section1903Metropolitan Museum of Art
A skeleton selling plucked chickens from a broadside entitled 'Una Calavera Chusca', José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA skeleton selling plucked chickens from a broadside entitled 'Una Calavera Chusca'ca. 1880–1910 (a later impression)Metropolitan Museum of Art
A woman riding on the back of a tiger, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA woman riding on the back of a tigerca. 1880–1910 (a later impression)Metropolitan Museum of Art
Broadsheet relating to people being tricked into working in tobacco fields, a man warning a crowd about harsh labor conditions, José Guadalupe Posada, 1903José Guadalupe PosadaBroadsheet relating to people being tricked into working in tobacco fields, a man warning a crowd about harsh labor conditions1903Metropolitan Museum of Art
Broadside relating to a news story about an apparition of a spirit, women sitting up in bed looking at a ghost, José Guadalupe Posada, ca. 1900–1913José Guadalupe PosadaBroadside relating to a news story about an apparition of a spirit, women sitting up in bed looking at a ghostca. 1900–1913Metropolitan Museum of Art
A group of people looking at Mexico City, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA group of people looking at Mexico Cityca. 1880–1910Metropolitan Museum of Art
A skull with a beard, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA skull with a beardca. 1880–1910 (a later impression)Metropolitan Museum of Art
A skeleton picking crops in a field while carrying a baby skeleton on its back, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA skeleton picking crops in a field while carrying a baby skeleton on its backca. 1880–1910 (a later impression)Metropolitan Museum of Art
The double murder in Puente de los Gallos, José Guadalupe Posada, ca. 1892José Guadalupe PosadaThe double murder in Puente de los Gallosca. 1892Metropolitan Museum of Art
A woman wrapped in a shawl, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA woman wrapped in a shawlca. 1880–1910Metropolitan Museum of Art
A man wearing bloomers and a hat looking through merchandise, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA man wearing bloomers and a hat looking through merchandiseca. 1880–1910 (a later impression)Metropolitan Museum of Art
Figures kneeling before the Virgin, José Guadalupe Posada, ca. 1900–1910José Guadalupe PosadaFigures kneeling before the Virginca. 1900–1910Metropolitan Museum of Art
Plate 4: The murder of a man by a knife thrown by a woman, José Guadalupe Posada, ca. 1892José Guadalupe PosadaPlate 4: The murder of a man by a knife thrown by a womanca. 1892Metropolitan Museum of Art
A man sitting on a bed being poked with a broom by someone under the bed, illustration for 'Por Finjir Espanto', José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA man sitting on a bed being poked with a broom by someone under the bed, illustration for 'Por Finjir Espanto'ca. 1880–1910 (a later impression)Metropolitan Museum of Art
A couple in a passionate embrace, illustration for 'Coleccion de Cartas Amorosas', José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA couple in a passionate embrace, illustration for 'Coleccion de Cartas Amorosas'ca. 1880–1910 (a later impression)Metropolitan Museum of Art
Broadside detailing a religious procession for Saint John and Saint Ana, multiple figures dancing and celebrating, José Guadalupe Posada, ca. 1900–1913José Guadalupe PosadaBroadside detailing a religious procession for Saint John and Saint Ana, multiple figures dancing and celebratingca. 1900–1913Metropolitan Museum of Art
Cover for 'Canciones Modernas para 1898: Los Parranderos', group of men holding a banner and singing, José Guadalupe Posada, ca. 1898José Guadalupe PosadaCover for 'Canciones Modernas para 1898: Los Parranderos', group of men holding a banner and singingca. 1898Metropolitan Museum of Art
Woman praying to the Virgin of Guadalupe as her husband rages, José Guadalupe Posada, ca. 1894José Guadalupe PosadaWoman praying to the Virgin of Guadalupe as her husband ragesca. 1894Metropolitan Museum of Art
Men fighting near a horse and carriage, José Guadalupe Posada, ca. 1896José Guadalupe PosadaMen fighting near a horse and carriageca. 1896Metropolitan Museum of Art
A woman and a man standing on a balcony looking up at a flying monster in the sky, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA woman and a man standing on a balcony looking up at a flying monster in the skyca. 1880–1910 (a later impression)Metropolitan Museum of Art
The arrival of the skeletons of the penitentiary (Posada); two skeleton angels in lower corners of verso (Manilla), José Guadalupe Posada, 1902José Guadalupe PosadaThe arrival of the skeletons of the penitentiary (Posada); two skeleton angels in lower corners of verso (Manilla)1902Metropolitan Museum of Art
A man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons', José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA man on horseback stabbing a monster with a lance, illustration from 'The King and His Three Sons'ca. 1880–1910 (a later impression)Metropolitan Museum of Art
Symbols of the Passion, José Guadalupe Posada, ca 1890–10José Guadalupe PosadaSymbols of the Passionca 1890–10Metropolitan Museum of Art
A profile of a man with a beard and a hat, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA profile of a man with a beard and a hatca. 1880–1910Metropolitan Museum of Art
Broadsheet relating to the sensational story of a jealous man named Ramón Palma, who required extreme measures from his female lovers to demonstrate their loyalty to him, José Guadalupe Posada, ca. 1891José Guadalupe PosadaBroadsheet relating to the sensational story of a jealous man named Ramón Palma, who required extreme measures from his female lovers to demonstrate their loyalty to himca. 1891Metropolitan Museum of Art
Front and back covers printed on the same sheet for a collection of love letters (number 1), José Guadalupe Posada, ca. 1900–1910José Guadalupe PosadaFront and back covers printed on the same sheet for a collection of love letters (number 1)ca. 1900–1910Metropolitan Museum of Art
Broadsheet with three love songs; a man singing and playing the guitar, José Guadalupe Posada, ca.1900–1920 (published)José Guadalupe PosadaBroadsheet with three love songs; a man singing and playing the guitarca.1900–1920 (published)Metropolitan Museum of Art
Caricature of three toreros (legs and torso/head), José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaCaricature of three toreros (legs and torso/head)ca. 1880–1910 (a later impression)Metropolitan Museum of Art
A broadsheet with a popular song  'La China' on the recto, on the verso the dance of 'Cuba Libre', José Guadalupe Posada, ca. 1900–1910José Guadalupe PosadaA broadsheet with a popular song 'La China' on the recto, on the verso the dance of 'Cuba Libre'ca. 1900–1910Metropolitan Museum of Art
A man with his toungue out jumping in the air while cards fall out of his pockets, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA man with his toungue out jumping in the air while cards fall out of his pocketsca. 1880–1910 (a later impression)Metropolitan Museum of Art
Skeleton firing a canon, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo., José Guadalupe Posada, ca. 1889–1895José Guadalupe PosadaSkeleton firing a canon, from a broadside entitled 'De este famoso hipodromo en la pista, no faltara ni un solo periodista', published by Antonio Vanegas Arroyo.ca. 1889–1895Metropolitan Museum of Art
Bullfight (Bull on left; 1 man on right), José Guadalupe Posada, ca 1890–1910José Guadalupe PosadaBullfight (Bull on left; 1 man on right)ca 1890–1910Metropolitan Museum of Art
A man executed by garroting in the town square at Mixalco, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA man executed by garroting in the town square at Mixalcoca. 1880–1910Metropolitan Museum of Art
Profile of a woman sitting in a chair with her head back and holding a flower, illustration for 'Morir Soñando,' published by Antonio Vanegas Arroyo, José Guadalupe Posada, ca. 1895 (a later impression)José Guadalupe PosadaProfile of a woman sitting in a chair with her head back and holding a flower, illustration for 'Morir Soñando,' published by Antonio Vanegas Arroyoca. 1895 (a later impression)Metropolitan Museum of Art
Cover for 'Oraculo Mignon', a witch brewing a potion in a cauldron, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaCover for 'Oraculo Mignon', a witch brewing a potion in a cauldronca. 1880–1910Metropolitan Museum of Art
A man holding up a piece of fabric with an image of the Virgin, illustration for 'Novena para los nueve dias de jornadas con el auto religioso la Virgin de Tepayac', José Guadalupe Posada, ca. 1898 (a later impression)José Guadalupe PosadaA man holding up a piece of fabric with an image of the Virgin, illustration for 'Novena para los nueve dias de jornadas con el auto religioso la Virgin de Tepayac'ca. 1898 (a later impression)Metropolitan Museum of Art
A man with a small foot emerging from his side, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA man with a small foot emerging from his sideca. 1880–1910Metropolitan Museum of Art
Profile of a woman wearing an evening gown, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaProfile of a woman wearing an evening gownca. 1880–1910Metropolitan Museum of Art
A drover and a mule standing on a road with a church in the background, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA drover and a mule standing on a road with a church in the backgroundca. 1880–1910Metropolitan Museum of Art
A woman looking over a man's shoulder at the letter in his hand, illustration for 'Coleccion de Cartas Amorosas Cuaderno No. 10,' published by Antonio Vanegas Arroyo, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA woman looking over a man's shoulder at the letter in his hand, illustration for 'Coleccion de Cartas Amorosas Cuaderno No. 10,' published by Antonio Vanegas Arroyoca. 1880–1910 (a later impression)Metropolitan Museum of Art
Broadsheet showing a blindfolded man being executed (no letterpress in bottom section), José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaBroadsheet showing a blindfolded man being executed (no letterpress in bottom section)ca. 1890–1910Metropolitan Museum of Art
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