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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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Screaming woman (study for .3439), sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyScreaming woman (study for .3439), sketch for The Lay of the Lobsterca. 1886Yale University Art Gallery
Benedick: "What, my dear Lady Disdain! are you yet living?", illustration for Act I, Scene i, Much Ado About Nothing, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyBenedick: "What, my dear Lady Disdain! are you yet living?", illustration for Act I, Scene i, Much Ado About Nothingca. 1890Yale University Art Gallery
Biron and the King, from Act IV, Scene iii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyBiron and the King, from Act IV, Scene iii, Love's Labour's Lost1891Yale University Art Gallery
Sketch for a greeting card: A Merry Xmas & a Happy New Year from M.G. and E.A. Abbey. Boy with loaded wheelbarrow, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: A Merry Xmas & a Happy New Year from M.G. and E.A. Abbey. Boy with loaded wheelbarrown.d.Yale University Art Gallery
"Marry a merry meeting...," sketch for "A Love Song," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin Abbey"Marry a merry meeting...," sketch for "A Love Song," from Old Songs1887Yale University Art Gallery
Mrs. Ford: "Why, what have you to do wither they bear it?" Act III, Scene iii, "The Merry Wives of Windsor", scene for Harper's Weekly, November 30, 1889, Edwin Austin Abbey, 1889Edwin Austin AbbeyMrs. Ford: "Why, what have you to do wither they bear it?" Act III, Scene iii, "The Merry Wives of Windsor", scene for Harper's Weekly, November 30, 18891889Yale University Art Gallery
Touchstone: "You do love this maid?", illustration for Act V, Scene i, As You Like It, Edwin Austin Abbey, 1889Edwin Austin AbbeyTouchstone: "You do love this maid?", illustration for Act V, Scene i, As You Like It1889Yale University Art Gallery
Puck, illustration for Act II, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyPuck, illustration for Act II, Scene ii, A Midsummer Night's Dreamca. 1893Yale University Art Gallery
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Yale University Art Gallery
Study for The Scarlet Letter (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Scarlet Letter (oil painting)n.d.Yale University Art Gallery
"S&E Higg Modes de Paris" - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin Abbey"S&E Higg Modes de Paris" - unidentified illustrationn.d.Yale University Art Gallery
Preliminary sketch for Merry Wives of Windsor, Edwin Austin Abbey, ca. 1888/9Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsorca. 1888/9Yale University Art Gallery
Study of bust of a woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of bust of a womann.d.Yale University Art Gallery
Study for "The Four Doctors of the Church", Domenico BeccafumiDomenico BeccafumiStudy for "The Four Doctors of the Church"National Gallery of Art
Sketch of a woman in an interior - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman in an interior - unidentified illustrationn.d.Yale University Art Gallery
Preliminary sketch for Act IV, Scene III, All's Well That Ends Well, Edwin Austin Abbey, ca. 1892Edwin Austin AbbeyPreliminary sketch for Act IV, Scene III, All's Well That Ends Wellca. 1892Yale University Art Gallery
An Ale House Room. Tom Twist spins the pewter platter, illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin AbbeyAn Ale House Room. Tom Twist spins the pewter platter, illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884Yale University Art Gallery
Cassius: "O look Titinius" Act V, scene iii, Julius Caesar, Edwin Austin Abbey, 1904Edwin Austin AbbeyCassius: "O look Titinius" Act V, scene iii, Julius Caesar1904Yale University Art Gallery
Christ and Mary Magdalene, Edwin Austin Abbey, ca. 1899Edwin Austin AbbeyChrist and Mary Magdaleneca. 1899Yale University Art Gallery
Shylock: "And for these courtesies I'll lend you thus much money," from Act I, Scene iii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyShylock: "And for these courtesies I'll lend you thus much money," from Act I, Scene iii, Merchant of Venice1888Yale University Art Gallery
Illustration for The Tile Club newspaper?, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration for The Tile Club newspaper?n.d.Yale University Art Gallery
Woman sitting in garden - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman sitting in garden - unidentified illustrationn.d.Yale University Art Gallery
Study of an XVIII century scene, possibly "The School for Scandal", Edwin Austin Abbey, ca. 1884Edwin Austin AbbeyStudy of an XVIII century scene, possibly "The School for Scandal"ca. 1884Yale University Art Gallery
Study for "Little Robert Reed", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for "Little Robert Reed"n.d.Yale University Art Gallery
Composition study for "A Pavane" (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyComposition study for "A Pavane" (oil painting)n.d.Yale University Art Gallery
Anatomical Studies, Domenico BeccafumiDomenico BeccafumiAnatomical StudiesNational Gallery of Art
The Daffodil song. Shepherd and fool, Edwin Austin Abbey, n.d.Edwin Austin AbbeyThe Daffodil song. Shepherd and fooln.d.Yale University Art Gallery
Study of two women at table - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of two women at table - unidentified illustrationn.d.Yale University Art Gallery
Sheet of studies of Revolutionary figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of Revolutionary figuresn.d.Yale University Art Gallery
Proteus and the Duke, from Act III, Scene i, Two Gentlemen of Verona, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyProteus and the Duke, from Act III, Scene i, Two Gentlemen of Veronaca. 1891Yale University Art Gallery
Mistress Quickly: "Marry, this is the short and the long of it; you have brought her into such a canaries, as 'tis wonderful" - Act II, Scene II, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyMistress Quickly: "Marry, this is the short and the long of it; you have brought her into such a canaries, as 'tis wonderful" - Act II, Scene II, Merry Wives of Windsor1889Yale University Art Gallery
Children with donkey (recto); Unidentified illustration of an organ grinder (verso), Edwin Austin Abbey, mid-19th to early 20th centuryEdwin Austin AbbeyChildren with donkey (recto); Unidentified illustration of an organ grinder (verso)mid-19th to early 20th centuryYale University Art Gallery
Preliminary drawing for "What hap had I to marry a shrew?," from Old Songs, Edwin Austin Abbey, 1888Edwin Austin AbbeyPreliminary drawing for "What hap had I to marry a shrew?," from Old Songs1888Yale University Art Gallery
Studies of heads and figures both sides of page, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of heads and figures both sides of pagen.d.Yale University Art Gallery
Study for an unidentified Shakespearean play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for an unidentified Shakespearean playn.d.Yale University Art Gallery
Launce and His Dog, from Act IV, Scene iv, Two Gentlemen of Verona, Edwin Austin Abbey, 1891Edwin Austin AbbeyLaunce and His Dog, from Act IV, Scene iv, Two Gentlemen of Verona1891Yale University Art Gallery
Sketch of four men in medieval dress at a table - unidentified illustration, possibly for "Love's Labours Lost", The King's Quandary., Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of four men in medieval dress at a table - unidentified illustration, possibly for "Love's Labours Lost", The King's Quandary.n.d.Yale University Art Gallery
Petruchio Banters Katharina, from Act II, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyPetruchio Banters Katharina, from Act II, Scene i, Taming of the Shrew1892Yale University Art Gallery
Sketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Mistress Ford: "Why this is the very same: the very hand, the very words. What doth he think of us?" - Act II, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyMistress Ford: "Why this is the very same: the very hand, the very words. What doth he think of us?" - Act II, Scene I, Merry Wives of Windsor1889Yale University Art Gallery
Group of people in an open cart - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGroup of people in an open cart - (unidentified illustration)n.d.Yale University Art Gallery
Sheet of sketches of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of headsn.d.Yale University Art Gallery
Lear with Cordelia dead in his arms, Act V, Scene iii, King Lear, Edwin Austin Abbey, 1902Edwin Austin AbbeyLear with Cordelia dead in his arms, Act V, Scene iii, King Lear1902Yale University Art Gallery
"In all the glaring impotence of dress" (another version of .1226) - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), Edwin Austin Abbey, 1890Edwin Austin Abbey"In all the glaring impotence of dress" (another version of .1226) - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)1890Yale University Art Gallery
Apemantus: "Hoy-day! what a sweep of vanity comes this way! They dance! They are mad women!" - Act I, Scene II, Timon of Athens, Edwin Austin Abbey, 1902Edwin Austin AbbeyApemantus: "Hoy-day! what a sweep of vanity comes this way! They dance! They are mad women!" - Act I, Scene II, Timon of Athens1902Yale University Art Gallery
The Reprimand, Edwin Austin Abbey, 1890Edwin Austin AbbeyThe Reprimand1890Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Stdy for Herrick's "A Bucolick, or Discourse of Neatherds.", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStdy for Herrick's "A Bucolick, or Discourse of Neatherds."n.d.Yale University Art Gallery
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