Edwin Austin AbbeyScreaming woman (study for .3439), sketch for The Lay of the Lobster
Edwin Austin AbbeyScreaming woman (study for .3439), sketch for The Lay of the Lobster
Edwin Austin AbbeyBenedick: "What, my dear Lady Disdain! are you yet living?", illustration for Act I, Scene i, Much Ado About Nothing
Edwin Austin AbbeyBiron and the King, from Act IV, Scene iii, Love's Labour's Lost
Edwin Austin AbbeySketch for a greeting card: A Merry Xmas & a Happy New Year from M.G. and E.A. Abbey. Boy with loaded wheelbarrow
Edwin Austin Abbey"Marry a merry meeting...," sketch for "A Love Song," from Old Songs
Edwin Austin AbbeyMrs. Ford: "Why, what have you to do wither they bear it?" Act III, Scene iii, "The Merry Wives of Windsor", scene for Harper's Weekly, November 30, 1889
Edwin Austin AbbeyTouchstone: "You do love this maid?", illustration for Act V, Scene i, As You Like It
Edwin Austin AbbeyPuck, illustration for Act II, Scene ii, A Midsummer Night's Dream
Edwin Austin AbbeySheet of sketches
Edwin Austin AbbeyStudy for The Scarlet Letter (oil painting)
Edwin Austin Abbey"S&E Higg Modes de Paris" - unidentified illustration
Edwin Austin AbbeyPreliminary sketch for Merry Wives of Windsor
Edwin Austin AbbeyStudy of bust of a woman
Domenico BeccafumiStudy for "The Four Doctors of the Church"
Edwin Austin AbbeySketch of a woman in an interior - unidentified illustration
Edwin Austin AbbeyPreliminary sketch for Act IV, Scene III, All's Well That Ends Well
Edwin Austin AbbeyAn Ale House Room. Tom Twist spins the pewter platter, illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyCassius: "O look Titinius" Act V, scene iii, Julius Caesar
Edwin Austin AbbeyChrist and Mary Magdalene
Edwin Austin AbbeyShylock: "And for these courtesies I'll lend you thus much money," from Act I, Scene iii, Merchant of Venice
Edwin Austin AbbeyIllustration for The Tile Club newspaper?
Edwin Austin AbbeyWoman sitting in garden - unidentified illustration
Edwin Austin AbbeyStudy of an XVIII century scene, possibly "The School for Scandal"
Edwin Austin AbbeyStudy for "Little Robert Reed"
Edwin Austin AbbeyComposition study for "A Pavane" (oil painting)
Domenico BeccafumiAnatomical Studies
Edwin Austin AbbeyThe Daffodil song. Shepherd and fool
Edwin Austin AbbeyStudy of two women at table - unidentified illustration
Edwin Austin AbbeySheet of studies of Revolutionary figures
Edwin Austin AbbeyProteus and the Duke, from Act III, Scene i, Two Gentlemen of Verona
Edwin Austin AbbeyMistress Quickly: "Marry, this is the short and the long of it; you have brought her into such a canaries, as 'tis wonderful" - Act II, Scene II, Merry Wives of Windsor
Edwin Austin AbbeyChildren with donkey (recto); Unidentified illustration of an organ grinder (verso)
Edwin Austin AbbeyPreliminary drawing for "What hap had I to marry a shrew?," from Old Songs
Edwin Austin AbbeyStudies of heads and figures both sides of page
Edwin Austin AbbeyStudy for an unidentified Shakespearean play
Edwin Austin AbbeyLaunce and His Dog, from Act IV, Scene iv, Two Gentlemen of Verona
Edwin Austin AbbeySketch of four men in medieval dress at a table - unidentified illustration, possibly for "Love's Labours Lost", The King's Quandary.
Edwin Austin AbbeyPetruchio Banters Katharina, from Act II, Scene i, Taming of the Shrew
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyMistress Ford: "Why this is the very same: the very hand, the very words. What doth he think of us?" - Act II, Scene I, Merry Wives of Windsor
Edwin Austin AbbeyGroup of people in an open cart - (unidentified illustration)
Edwin Austin AbbeySheet of sketches of heads
Edwin Austin AbbeyLear with Cordelia dead in his arms, Act V, Scene iii, King Lear
Edwin Austin Abbey"In all the glaring impotence of dress" (another version of .1226) - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902)
Edwin Austin AbbeyApemantus: "Hoy-day! what a sweep of vanity comes this way! They dance! They are mad women!" - Act I, Scene II, Timon of Athens
Edwin Austin AbbeyThe Reprimand
Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyStdy for Herrick's "A Bucolick, or Discourse of Neatherds."