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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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"I am my mother's joy," sketch for "Phillada Flouts Me," from Old Songs, Edwin Austin Abbey, ca. 1887Edwin Austin Abbey"I am my mother's joy," sketch for "Phillada Flouts Me," from Old Songsca. 1887Yale University Art Gallery
Figure Sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigure Sketchesn.d.Yale University Art Gallery
Sketch of a man in Revolutionary dress - unidentified illustration (to a play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a man in Revolutionary dress - unidentified illustration (to a play?)n.d.Yale University Art Gallery
Miranda and Ferdinand, illustration for Act V, Scene i, The Tempest, Edwin Austin Abbey, 1891Edwin Austin AbbeyMiranda and Ferdinand, illustration for Act V, Scene i, The Tempest1891Yale University Art Gallery
Baptista Protests, illustration for Act I, Scene i, Taming of the Shrew, Edwin Austin Abbey, 1892Edwin Austin AbbeyBaptista Protests, illustration for Act I, Scene i, Taming of the Shrew1892Yale University Art Gallery
The Duke: "If music be the food of love, play on," illustration for Act I, Scene i, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyThe Duke: "If music be the food of love, play on," illustration for Act I, Scene i, Twelfth Night1891Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Man in Rain, study for illustration to "A Love Song," from Old Songs, Edwin Austin Abbey, ca. 1887Edwin Austin AbbeyMan in Rain, study for illustration to "A Love Song," from Old Songsca. 1887Yale University Art Gallery
Peasant, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPeasant, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
"When every rood of ground maintain'd its man..." - from Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 13, Edwin Austin Abbey, 1890Edwin Austin Abbey"When every rood of ground maintain'd its man..." - from Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 131890Yale University Art Gallery
Hermione entreats Polixenes (study for .1122) - Act I, Scene II, The Winter's Tale, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyHermione entreats Polixenes (study for .1122) - Act I, Scene II, The Winter's Taleca. 1891Yale University Art Gallery
"Relax his ponderous strength and lean to hear," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"Relax his ponderous strength and lean to hear," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57ca. 1890sYale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Study for The Scarlet Letter (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Scarlet Letter (oil painting)n.d.Yale University Art Gallery
"Ho! Who's there?" - Act II, Scene ii, Cymbeline, Edwin Austin Abbey, 1903Edwin Austin Abbey"Ho! Who's there?" - Act II, Scene ii, Cymbeline1903Yale University Art Gallery
Sketch of an outdoor stairway (Italian pergola, for book illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of an outdoor stairway (Italian pergola, for book illustration)n.d.Yale University Art Gallery
Forest scene, Edwin Austin Abbey, n.d.Edwin Austin AbbeyForest scenen.d.Yale University Art Gallery
Helena: "Stay, though thou kill me, sweet Demetrius," illustration for Act II, Scene iii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyHelena: "Stay, though thou kill me, sweet Demetrius," illustration for Act II, Scene iii, A Midsummer Night's Dream1893Yale University Art Gallery
Architectural Study, Edwin Austin Abbey, ca. 1882Edwin Austin AbbeyArchitectural Studyca. 1882Yale University Art Gallery
Cartoon of figure walking at sunrise. study for "The Belated Traveler.", Edwin Austin Abbey, n.d.Edwin Austin AbbeyCartoon of figure walking at sunrise. study for "The Belated Traveler."n.d.Yale University Art Gallery
Two cartoons of a figure in hat and tails, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo cartoons of a figure in hat and tailsn.d.Yale University Art Gallery
"Oh, Ransome, Ransome, do no hide mine eyes" (preliminary sketch for 1937.1090) - Act IV, Scene I, All's Well That Ends Well, Edwin Austin Abbey, ca. 1891Edwin Austin Abbey"Oh, Ransome, Ransome, do no hide mine eyes" (preliminary sketch for 1937.1090) - Act IV, Scene I, All's Well That Ends Wellca. 1891Yale University Art Gallery
"But the long pomp, the midnight masquerade...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 79, Edwin Austin Abbey, 1890Edwin Austin Abbey"But the long pomp, the midnight masquerade...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 791890Yale University Art Gallery
Study of an Angel, for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an Angel, for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Duke Frederick: "Mistress, despatch you with your safest haste," illustration for Act I, Scene iii, As You Like It, Edwin Austin Abbey, 1890Edwin Austin AbbeyDuke Frederick: "Mistress, despatch you with your safest haste," illustration for Act I, Scene iii, As You Like It1890Yale University Art Gallery
Study of an angel (for stained glass? for a ceiling?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)n.d.Yale University Art Gallery
Interior Study of chimney piece, Edwin Austin Abbey, n.d.Edwin Austin AbbeyInterior Study of chimney piecen.d.Yale University Art Gallery
Study of a man in XVIIth c. Dutch costume - unidentified. Studies on reverse, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a man in XVIIth c. Dutch costume - unidentified. Studies on reversen.d.Yale University Art Gallery
Man in apron holding a gun, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan in apron holding a gunn.d.Yale University Art Gallery
Enter Tony, running in with a casket (III), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyEnter Tony, running in with a casket (III), illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Jaques: "'It is ten o'clock: Thus we may see,' quoth he, 'how the world wags.'", illustration for Act II, Scene vii, As You Like It, Edwin Austin Abbey, 1889Edwin Austin AbbeyJaques: "'It is ten o'clock: Thus we may see,' quoth he, 'how the world wags.'", illustration for Act II, Scene vii, As You Like It1889Yale University Art Gallery
Resurrection - Mary at the Tomb with Angels, Edwin Austin Abbey, n.d.Edwin Austin AbbeyResurrection - Mary at the Tomb with Angelsn.d.Yale University Art Gallery
La Pucelle (study for .1181) - Act III, Scene II, King Henry VI (Part I), Edwin Austin Abbey, ca. 1909Edwin Austin AbbeyLa Pucelle (study for .1181) - Act III, Scene II, King Henry VI (Part I)ca. 1909Yale University Art Gallery
The Vicar, from The Quiet Life, Edwin Austin Abbey, 1886Edwin Austin AbbeyThe Vicar, from The Quiet Life1886Yale University Art Gallery
Title page design, Scribner's Magazine, 1894, Edwin Austin Abbey, 1894Edwin Austin AbbeyTitle page design, Scribner's Magazine, 18941894Yale University Art Gallery
Doodles, Edwin Austin Abbey, n.d.Edwin Austin AbbeyDoodlesn.d.Yale University Art Gallery
Sketch of tubes of paint, Edwin Austin Abbey, 1890Edwin Austin AbbeySketch of tubes of paint1890Yale University Art Gallery
Sketch for The Noble Patron, Edwin Austin Abbey, 1888Edwin Austin AbbeySketch for The Noble Patron1888Yale University Art Gallery
Study for an unidentified Shakespearean play, possibly Falstaff, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for an unidentified Shakespearean play, possibly Falstaffn.d.Yale University Art Gallery
Figure Scene, study for "A Castle in Spain", Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigure Scene, study for "A Castle in Spain"n.d.Yale University Art Gallery
Sketch for "A Love Song," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine), Edwin Austin Abbey, ca. 1889Edwin Austin AbbeySketch for "A Love Song," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)ca. 1889Yale University Art Gallery
Studies of a man's head, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of a man's headn.d.Yale University Art Gallery
Sir Toby and his Companions, illustration for Act II, Scene iii, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeySir Toby and his Companions, illustration for Act II, Scene iii, Twelfth Night1891Yale University Art Gallery
Sketch of Headquarters of Sir William Erskine, Present Residence of W.S. Pelletreau, Southampton, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of Headquarters of Sir William Erskine, Present Residence of W.S. Pelletreau, Southamptonn.d.Yale University Art Gallery
Titania, illustration for Act II, Scene ii, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyTitania, illustration for Act II, Scene ii, A Midsummer Night's Dream1893Yale University Art Gallery
Sketch of women in an interior - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of women in an interior - unidentified illustrationn.d.Yale University Art Gallery
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1883Yale University Art Gallery
Woman and serpent on beach, sketch for The Lay of the Lobster, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyWoman and serpent on beach, sketch for The Lay of the Lobsterca. 1886Yale University Art Gallery
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