Maerten de VosHolofernes before Nebuchadnezzar (Judith 2:4-13)Maerten de VosHolofernes before Nebuchadnezzar (Judith 2:4-13)
Sir David WilkieThe Manse, Cults, Fife: The Artist's Old Home
Edwin Austin AbbeyLady Macbeth, ActIII.scene iv, Macbeth
Edwin Austin AbbeyStudy for The Education of Isabella (oil painting)
Edwin Austin AbbeyFalstaff: "Bardolph, follow him; a tapster is a good trade" - Act I, Scene III, Merry Wives of Windsor
Edwin Austin AbbeyStudy of a man reading
Edwin Austin Abbey"And Bollingbroke hath seized the wasteful King...as we this garden" - Act III, Scene IV, King Richard II
Edwin Austin Abbey"Upon Tap" from Poetry of Robert Herrick
Edwin Austin AbbeyLeft profile of an old man
Edwin Austin AbbeyStudy for Miles Standish's Challenge
Edwin Austin Abbey"Permit me to lecture...," illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs
Edwin Austin AbbeyFirst Apparition: Macbeth! Macbeth! Macbeth! beware Macduff., Act IV, Scene 1, Macbeth
Sir David WilkieStudies for "The Bride at Her Toilet on the Day of Her Wedding"
Sir David WilkieStudies for "The Bride at Her Toilet on the Day of Her Wedding"
Edwin Austin AbbeyExeunt Hastings and Tony singing: "We're the Boys." (II), illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyTwo figures seated on a cart - (unidentified illustration)
Edwin Austin AbbeyStudy of a seated woman
Edwin Austin AbbeyHenry and Anne Boleyn. King Henry: "The fairest hand I ever touched. O beauty, till now I never knew thee" - Act I, Scene IV, King Henry VIII
Edwin Austin AbbeyWoman and boy - unidentified illustration
Edwin Austin AbbeySheet of sketches, heads and figures
Edwin Austin AbbeySketch for "The Vicar," from The Quiet Life
Edwin Austin AbbeyPetruchio, from Act I, Scene ii, Taming of the Shrew
Edwin Austin AbbeySketch of a lady, illustration for "Waiting for her Lover," from Old Songs
Sir David WilkieThe Manse, Cults, Fife: The Artist's Old Home
Edwin Austin AbbeyGloster: "So dear I lov'd the man, that I must weep. I took him for the plainest harmless creature..." - The Tower Wall - Act III, Scene V, King Richard III
Edwin Austin AbbeySheet of sketches of figures
Edwin Austin AbbeyCourt scene (Act II, Scene II, King Lear?)
Edwin Austin AbbeyStudy of a country woman
Edwin Austin AbbeyStudy of two men, woman, and a dog, from Love's Labour's Lost (?)
Edwin Austin AbbeyExuent Salarino and Salanio, from Act I, Scene i, Merchant of Venice
Edwin Austin AbbeyStudies of a woman
Edwin Austin AbbeyMan and boy in street - unidentified illustration
Edwin Austin AbbeyJessica: "Nay, but ask my opinion too of that," from Act III, Scene v, Merchant of Venice
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyStudy for Isabella (study for .1105?), from Measure for Measure
Sir David WilkieStudy for Nelson Sealing the Copenhagen Letter
Sir David WilkieThe Manse, Cults, Fife: The Artist's Old Home
Sir David WilkieStudies for "Frederick, Duke of York and Albany"
Edwin Austin AbbeyMan in Renaissance costume - (unidentified illustration for a Shakespeare play?)
Edwin Austin AbbeyStudy of Puck, for Midsummer Night's Dream
Edwin Austin AbbeyIllustration for The Quiet Life
Edwin Austin AbbeyWoman standing by a riverbank - unidentified illustration
Edwin Austin AbbeyOlivia and Viola, illustration for Act I, Scene v, Twelfth Night
Edwin Austin AbbeyMaria, Sir Andrew, and Toby, illustration for Act I, Scene iii, Twelfth Night
Edwin Austin AbbeyWoman at window - unidentified illustration
Edwin Austin AbbeyCleopatra: "Sooth, la, I'll Help: Thus it must be" - Act IV, Scene IV, Antony and Cleopatra
Edwin Austin AbbeySheet of studies both sides, pilgrims, etc.