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ART WIKI

Hvor du kan se kunst, og hvornår museet er åbent.

Samlinger: Art Institute of Chicago, Cooper Hewitt, Smithsonian Design Museum, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (44 museer), Paris Musées (12 museer), Joconde, det franske kulturministeriums museumsdatabase (495 museer) og the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 museer). Billederne tilhører deres rettighedshavere.

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Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation, Henry Holland, between 1783 and 1796Henry HollandDesign for Extending the Garden Front at Carlton House, Pall Mall, London: Elevationbetween 1783 and 1796Yale Center for British Art
Design for Stables: Plan and Elevation, Henry Holland, undatedHenry HollandDesign for Stables: Plan and ElevationundatedYale Center for British Art
The Card Party, Francis Hayman, between late 1720s to early 1730sFrancis HaymanThe Card Partybetween late 1720s to early 1730sYale Center for British Art
Untitled, William Baziotes, 1950/1959William BaziotesUntitled1950/1959National Gallery of Art
Battle Scene (Study for The 2nd Light Cavalry withstanding the onslaught of the Arabs), Auguste Raffet, n.d.Denis Auguste Marie RaffetBattle Scene (Study for The 2nd Light Cavalry withstanding the onslaught of the Arabs)n.d.Yale University Art Gallery
Al Shean c/o Ed Ruscha [envelope], H.C. Westermann, 1972H.C. WestermannAl Shean c/o Ed Ruscha [envelope]1972National Gallery of Art
Binsey Church, Oxford, Francis Grose, 1775Francis GroseBinsey Church, Oxford1775Yale Center for British Art
Pershore Abbey, Worcestershire, Francis Grose, 1791Francis GrosePershore Abbey, Worcestershire1791Yale Center for British Art
Portchester Castle, Hampshire, Francis Grose, undatedFrancis GrosePortchester Castle, HampshireundatedYale Center for British Art
Allegory of Poverty Hindering Wit, Cornelis Cort, 1565/1570Cornelis CortAllegory of Poverty Hindering Wit1565/1570National Gallery of Art
Wellingborough out of the Angel Window, Northamptonshire, Francis Grose, 1762Francis GroseWellingborough out of the Angel Window, Northamptonshire1762Yale Center for British Art
South Mimms Church, Hertfordshire, Francis Grose, 1787Francis GroseSouth Mimms Church, Hertfordshire1787Yale Center for British Art
Costume d'Égyptienne pour l'acte II de la tragédie en musique « Phaéton » (?), Berain, Jean I, Vers 1683Jean BérainCostume d'Égyptienne pour l'acte II de la tragédie en musique « Phaéton » (?)Vers 1683Louvre
Standing Figure of a Lady, Francis Hayman, undatedFrancis HaymanStanding Figure of a LadyundatedYale Center for British Art
3 Ideas and 7 Procedures (Theory of Arithmetic), Sheet #1. Proposal for MoMA Exhibition, Mel Bochner, 1971Mel Bochner3 Ideas and 7 Procedures (Theory of Arithmetic), Sheet #1. Proposal for MoMA Exhibition1971Museum of Modern Art
Harbor in Dordrecht, Albert Lebourg, 1895/1897Albert LebourgHarbor in Dordrecht1895/1897National Gallery of Art
Figures in Boats, Francis Hayman, undatedFrancis HaymanFigures in BoatsundatedYale Center for British Art
Untitled, Mel Bochner, 1972Mel BochnerUntitled1972Yale University Art Gallery
Binsey Church, Oxford, Francis Grose, 1775Francis GroseBinsey Church, Oxford1775Yale Center for British Art
Windsor Castle, John Glover, undatedJohn GloverWindsor CastleundatedYale Center for British Art
Greenwich, John Glover, undatedJohn GloverGreenwichundatedYale Center for British Art
100 Boots, Eleanor Antin, 1971Eleanor Antin100 Boots1971Museum of Modern Art
The Windmill, Wandsworth Surrey, Francis Grose, undatedFrancis GroseThe Windmill, Wandsworth SurreyundatedYale Center for British Art
Figure Studies [verso], Giovanni Battista CiprianiGiovanni Battista CiprianiFigure Studies [verso]National Gallery of Art
Thétis dans son char marin pour l'opéra Alceste, Berain, Jean I, Vers 1677/1678Jean BérainThétis dans son char marin pour l'opéra AlcesteVers 1677/1678Louvre
Naiads and Dolphins, Jean-Baptiste-Marie Pierre, 1762/1765Jean Baptiste Marie PierreNaiads and Dolphins1762/1765National Gallery of Art
St. Philip as a tutor, Jacques Stella, 1629Jacques StellaSt. Philip as a tutor1629Yale University Art Gallery
The stabbing of Paolo de Bernardis, preparatory study for an engraving by Christian Sas, Jacques Stella, 1623–25Jacques StellaThe stabbing of Paolo de Bernardis, preparatory study for an engraving by Christian Sas1623–25Yale University Art Gallery
`Hold Back, Sir!', Cecil Aldin, 1904Cecil Charles Windsor Aldin`Hold Back, Sir!'1904Yale Center for British Art
An Oak Tree, John Glover, c. 1795John GloverAn Oak Treec. 1795National Gallery of Art
Two Little Girls, John Glover, ca. 1810John GloverTwo Little Girlsca. 1810Yale Center for British Art
Al Shean c/o Ed Ruscha [letter], H.C. Westermann, 1972H.C. WestermannAl Shean c/o Ed Ruscha [letter]1972National Gallery of Art
Figure Studies [recto], Giovanni Battista CiprianiGiovanni Battista CiprianiFigure Studies [recto]National Gallery of Art
Untitled, William Baziotes, 1950/1959William BaziotesUntitled1950/1959National Gallery of Art
Untitled Notebook, Nancy Graves, 1970Nancy GravesUntitled Notebook1970Museum of Modern Art
Proposal to Control the Current Brush Invasion in the Western United States and Mexico or the Reintroduction of the Camel to Fill a Niche Left in the Pleistocene, Nancy Graves, 1969Nancy GravesProposal to Control the Current Brush Invasion in the Western United States and Mexico or the Reintroduction of the Camel to Fill a Niche Left in the Pleistocene1969Museum of Modern Art
Monstre « grotesque » jouant du hautbois dans « Thésée » (?), Berain, Jean I, Dernier tiers du XVIIe siècleJean BérainMonstre « grotesque » jouant du hautbois dans « Thésée » (?)Dernier tiers du XVIIe siècleLouvre
Continuous/Discontinuous Re-Placements, Mel Bochner, 1972Mel BochnerContinuous/Discontinuous Re-Placements1972Museum of Modern Art
Messengers Before an Emperor, Francis Hayman, undatedFrancis HaymanMessengers Before an EmperorundatedYale Center for British Art
Untitled [Working drawing], Mel Bochner, 1967Mel BochnerUntitled [Working drawing]1967Yale University Art Gallery
Untitled, William Baziotes, 1950/1959William BaziotesUntitled1950/1959National Gallery of Art
Untitled, William Baziotes, 1950/1959William BaziotesUntitled1950/1959National Gallery of Art
Untitled, William Baziotes, 1950/1959William BaziotesUntitled1950/1959National Gallery of Art
Untitled, William Baziotes, 1950/1959William BaziotesUntitled1950/1959National Gallery of Art
Angelica and Medoro, Giovanni Battista CiprianiGiovanni Battista CiprianiAngelica and MedoroNational Gallery of Art
An Elaborate Ceiling with Trellises and Seated Figures, Jean Bérain, c. 1700Jean BérainAn Elaborate Ceiling with Trellises and Seated Figuresc. 1700National Gallery of Art
Design for a Monument to the Memory of Michaelangelo, Giovanni Battista Cipriani, undatedGiovanni Battista CiprianiDesign for a Monument to the Memory of MichaelangeloundatedYale Center for British Art
Anaglyphic View, Moon Rocks, Stereoscopic Image of Lunar Surface, Nancy Graves, 1973Nancy GravesAnaglyphic View, Moon Rocks, Stereoscopic Image of Lunar Surface1973Museum of Modern Art
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