Berthe MorisotFrankrig, 1841–1895Young Girl with Hat
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Imens i livet hos Berthe Morisot
Hele livet1887–1895
Squaring and tracing paper: the synthesis of her last years
Morisot starts to use squaring and tracing paper to transcribe her drawings exactly onto the canvas, which lets her build compositions with more complicated interaction between figures. Her late works are distinctive for their synthesis of the Impressionist touch with broad strokes and light reflections and the graphic approach of clear lines.
1890
“No man has ever treated a woman as an equal”
In 1890 Morisot writes in a notebook about her struggle to be taken seriously as an artist: she does not think there has ever been a man who treated a woman as an equal, and that is all she would have asked for, since she knows she is worth as much as they are.
1892
Her husband Eugène Manet dies
In 1892 Morisot's husband, the painter Eugène Manet (1833–1892), dies.
1892
The first solo exhibition
In 1892, after almost two decades of showing in group exhibitions, Morisot's first solo exhibition is held.
1894
Geffroy calls her one of the “grandes dames”
In 1894 the critic Gustave Geffroy describes Morisot as one of the “three great ladies” of Impressionism, alongside Marie Bracquemond and Mary Cassatt.
