Woman Bathing, Mary Cassatt, 1890–91
Mary Cassatt, portrætMary CassattUSA, 1844–1926

Woman Bathing

1890–91 · Color aquatint and drypoint on off-white laid paper

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Hvor er »Woman Bathing« i dag? Art Institute of Chicago, Sal 184, Chicago. Ja, udstillet nu. Kontrolleret 29. september 2026.

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Mary Cassatt began a series of color prints in 1890 that demonstrate her close study of Japanese color woodblock prints. In Woman Bathing, Cassatt combined an intimate scene from daily life with dynamic formal elements—color, composition, pattern, and shape—inspired by similar choices in work by Japanese printmakers such as Utagawa Hiroshige. Here a woman stands over a wash basin, while the mirror catches part of her reflection. The multiple patterns—the green and pink stripes in her gown, the yellow and brown leaf decorations on the blue carpet, and the similar leaves on the jug—plus the blue-green wall and the curve of the woman’s exposed back infuse this quiet setting with a slightly off-kilter perspective.

Art Institute of ChicagoCC BY 4.0

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Imens i livet hos Mary Cassatt

Hele livet
  1. 1890s

    Mentor to young Americans

    The 1890s are the busiest and most creative period of Mary’s life: young American artists seek her advice and support, and she introduces Lucy A. Bacon to Camille Pissarro.

  2. 1891

    Colour prints inspired by Japanese woodcuts

    Mary exhibits a series of highly original colour drypoints and aquatints, among them “Woman Bathing” and “The Coiffure”, inspired by the Japanese masters shown in Paris the year before. She was drawn to the simplicity and clarity of Japanese design and its skilful use of blocks of colour.

  3. 1891

    Bertha Palmer commissions a mural

    Chicago socialite Bertha Palmer asks Mary to paint a 12 × 58 ft mural on “Modern Woman” for the Women’s Building at the World’s Columbian Exposition of 1893. Palmer thought Cassatt an American treasure and could think of no one better.

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