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  1. Samling/
  2. National Gallery/
  3. Willows beside a Stream
Willows beside a Stream, J. M. W. Turner, 1805
Joseph Mallord William Turner, portrætJoseph Mallord William TurnerStorbritannien, 1775–1851

Willows beside a Stream

1805 · Painting · 116.2 × 86 cm

Må man se det?

Ukendt: museet holder tæt

National Gallery

London, Storbritannien

Ejeren er kendt. Om det er udstillet i dag, siger museet ikke, og at gætte har vi ikke lært.

Uændret siden
29. sep. 2026
Kilde
Museets egne samlingsdata
På kortetMuseets side

Oplysninger

1805 · 30 år gammel
17751851
Inventarnummer
NG2706

I kataloget

MalerierBritisk maleriKlassicismeRomantikken1800-tallet

Kilder

  • Wikidata · hentet for 8 dage siden
  • Billede: National Gallery — J. M. W. Turner · Public domain · Wikimedia Commons

Imens i livet hos Joseph Mallord William Turner

Hele livet
  1. 1802–1803

    Paris and the Swiss Alps in a year of peace

    In the only year without war in Europe between 1793 and 1814 (the Peace of Amiens, 1802–1803) a consortium of noblemen sponsored a visit to Paris, where he saw old master paintings in the Louvre, and then he toured the Swiss Alps; his Alpine sketches later let him represent “the sublime” in paintings such as “Snow Storm: Hannibal and his Army Crossing the Alps” (1812).

  2. 1804

    Opens his own gallery

    Distrustful of dealers, he opened his own gallery so that he could sell directly and group the pictures he wanted seen together, something he could not control at the Royal Academy exhibitions; his father left his barbershop to help in the gallery and studio. For over a decade the gallery was a regular feature of the London exhibition season.

  3. 1804

    His mother dies in Bethlem Hospital

    His mother, Mary Marshall, whose symptoms of mental disorder grew worse, had to be placed by his father in St Luke’s Hospital for Lunatics; she was later moved to Bethlem Hospital, commonly known as “bedlam”, where she died in 1804.

  4. summer 1805

    Summer 1805: along the Thames

    In the summer of 1805 he systematically sketched places along much of the Thames, from Oxford to the Thames Estuary; these intense months of observation so inspired him that for the next five or six years he presented many river-themed paintings in each of his annual gallery shows, based on his sketchbooks.

  5. 1806–1819

    Work on the “Liber Studiorum”

    For nearly twelve years he worked on about 70 mezzotints — the “Book of Studies”, inspired by Claude’s Liber Veritatis and meant as a manifesto of British landscape art; commercially it failed because of poor handling of sales and distribution, but it did elevate the prestige of landscape painting.

  6. 1807–1811

    A floating studio at Hammersmith

    Inspired by the Thames, he rented houses on or very near the river: in Isleworth (1804–1806) and in Hammersmith (1807–1811), where he converted a boat into a floating studio; fishing and boating were two of his favourite activities.

Mere af Joseph Mallord William Turner

Alle værker
Whalers, Joseph Mallord William Turner, ca. 1845

Whalers

ca. 1845 · Metropolitan Museum of Art

The Junction of the Thames and the Medway, Joseph Mallord William Turner, 1807

The Junction of the Thames and the Medway

1807 · National Gallery of Art

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811

Saltash with the Water Ferry, Cornwall

1811 · Metropolitan Museum of Art

Mortlake Terrace, Joseph Mallord William Turner, 1827

Mortlake Terrace

1827 · National Gallery of Art

Rotterdam Ferry-Boat, Joseph Mallord William Turner, 1833

Rotterdam Ferry-Boat

1833 · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Venice: The Dogana and San Giorgio Maggiore

1834 · National Gallery of Art

Keelmen Heaving in Coals by Moonlight, Joseph Mallord William Turner, 1835

Keelmen Heaving in Coals by Moonlight

1835 · National Gallery of Art

Venice, from the Porch of Madonna della Salute, Joseph Mallord William Turner, ca. 1835

Venice, from the Porch of Madonna della Salute

ca. 1835 · Metropolitan Museum of Art