ART WIKI32.979 udstillet
KortSamlingKunstnereMuseerUdstillingerJournal
Log ind

ART WIKI

Hvor mesterværket hænger, og hvornår man bliver lukket ind.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

Afsnit

  • Kort
  • Søgning
  • Samling
  • Mesterværker
  • Udstillet nu
  • Kunstnere

Mere

  • Museer & gallerier
  • Udstillinger
  • Journal
  • Hvor data kommer fra
  • Privatliv & cookies
ForsideKortKatalog
  1. Samling/
  2. Victoria and Albert Museum/
  3. Valerio Belli
Valerio Belli, possibly Valerio Belli, ca. 1530-1540
Ppossibly Valerio Belli

Valerio Belli

ca. 1530-1540 · Relief · 54.1 × 45 cm

Om skulpturen

The name of the sculptor of this portrait of Valerio Belli is not known. It has been speculated that it is a self-portrait, but this is unlikely, as Belli is not known to have produced marble sculptures.

Belli (around 1468-1546) was a famous engraver of hardstones and gems, in particular rock crystal. He worked at the papal court in Rome under two successive popes and also in Vicenza, his native city. Among his masterpieces is a casket made for Pope Clement VII in 1537 and composed of 24 scenes from the life of Christ engraved on rock-crystal plaques.

Læs videre

The art of engraving gemstones, much admired since the early days of the Roman Empire, was revived in Europe during the Renaissance. Enthusiasts prized and collected cameos (in which the image stands proud of the surface) and intaglios (in which the image is hollowed out of the surface). These pieces sometimes served as symbols of power and were mounted in jewelled settings, and sometimes as small objects for private devotion or enjoyment.

Victoria and Albert Museum

Oplysninger

Inventarnummer
A.4-1932

I samme sal · Medieval & Renaissance, Room 62, The Foyle Foundation Gallery, Victoria and Albert Museum

Museets side

Må man se det?

Ja, det tager imod

Victoria and Albert Museum

London, Storbritannien

SalMedieval & Renaissance, Room 62, The Foyle Foundation Gallery

Udstillet for publikum. Hvem der står inde for det, står nedenfor.

Kontrolleret
for 13 dage siden
Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

I kataloget

SkulpturMarmorRenæssancen1500-talletVicenza (town)

Kilder

  • Victoria and Albert Museum
  • Billede: Victoria and Albert Museum — © Victoria and Albert Museum, London
Orpheus and Cerberus, Hendrick de Keyser, ca. 1610-1615

Hendrick de Keyser

Orpheus and Cerberus, ca. 1610-1615

The Emperor Rudolph II, Adriaen de Vries, 1609

Adriaen de Vries

The Emperor Rudolph II, 1609

A Pacing Horse, Antonio Susini, ca. 1600

Antonio Susini

A Pacing Horse, ca. 1600

Self-portrait, Alessandro Vittoria, workshop of Alessandro Vittoria, ca. 1600

workshop of Alessandro Vittoria

Self-portrait, Alessandro Vittoria, ca. 1600

A Pacing horse, workshop of Giambologna, ca. 1595-1600

workshop of Giambologna

A Pacing horse, ca. 1595-1600

Seated boy playing the bagpipes, after Giambologna, 1590-1610

after Giambologna

Seated boy playing the bagpipes, 1590-1610

Bust of a member of the Navagero family, Alessandro Vittoria, ca. 1590-1600

Alessandro Vittoria

Bust of a member of the Navagero family, ca. 1590-1600

A Lady aged 29 in 1582, 1582

A Lady aged 29 in 1582, 1582