Вакх и Ариадна, Jacopo Amigoni, first half of the 18th century
Jacopo Amigoni, portrætJacopo AmigoniItalien, 1682–1752

Вакх и Ариадна

first half of the 18th century · Painting · 105.6 × 135 cm

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Arkhangelskoye Estate Museum

Krasnogorsk, Rusland

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Imens i livet hos Jacopo Amigoni

Hele livet
  1. 1711

    Begins working in Germany

    In the same year he began working in Germany and collaborated with the Venetian painter Antonio Bellucci. Many offers of work at the time may have come from Giovanni Antonio Pellegrini, who was in Düsseldorf in 1713–1714.

  2. 1716–1728

    Works in Bavaria

    He worked extensively in the cities and monasteries of Bavaria, painting altarpieces for Würzburg Cathedral and pictures for the Munich Residence; in Munich the engraver Joseph Wagner became his pupil. Other accounts document him in Bavaria only from 1717 and have him back in Venice as early as 1726.

  3. 1729 or 1730

    Moves to London

    He settled in London, where he lived until 1739 apart from a trip to Paris. In portraiture he took an honoured place in the English tradition that followed Van Dyck and Peter Lely.

  4. 1734–1735

    Meets the singer Farinelli

    While he was decorating the Theatre Royal, Covent Garden, he met and befriended the celebrated castrato singer Farinelli. Other accounts place their meeting in London or on a trip to Paris in 1736.

  5. 1738

    Marries the singer Maria Antonia Marchesini

    In London he married the mezzo-soprano Maria Antonia Marchesini, known as “La Lucchesina”, who sang in Handel’s operas and oratorios.

  6. 1747

    Leaves for Madrid

    He left for Madrid: Giambattista Tiepolo was then the leading painter in Venice, and Farinelli, who held a court appointment in Spain, encouraged the move. He worked in Spain until the end of his life, mainly on commissions from King Ferdinand VI.

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