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  1. Samling/
  2. Smithsonian American Art Museum/
  3. Untitled (Memory Sculpture, High Buttoned Shoe)
Untitled (Memory Sculpture, High Buttoned Shoe), Unidentified, early 20th century

Unidentified

Untitled (Memory Sculpture, High Buttoned Shoe)

early 20th century · Sculpture · 39.1 × 31.4 cm

Må man se det?

Ukendt

Smithsonian American Art Museum

Washington, D.C., USA

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
25. sep. 2026
Kilde
Museet
På kortetMuseets side

Om skulpturen

Some memory jars may have come from African American traditions of decorating graves with objects owned by the deceased. The objects embedded in the surface of these bottles and jars provide clues about when they were made or who made them. For example, Jug with Finial includes a campaign button for William Jennings Bryan, a Democratic presidential candidate between 1896 and 1908, while High-Buttoned Shoe includes a row of teeth that may have belonged to the maker or a loved one.

Smithsonian American Art Museum

Oplysninger

Inventarnummer
1986.65.279

Hvad det viser

MemoryClothing and dressDress accessoriesShoesAllegory

I kataloget

SkulpturTræFolk Art

Kilder

  • Smithsonian American Art Museum
  • Billede: Smithsonian American Art Museum — CC0

Naboer på Smithsonian American Art Museum

Museets side
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940

Unidentified

Fish Decoy, ca. 1940

(Lobster on Black Background), Marsden Hartley, 1940-1941

Marsden Hartley

(Lobster on Black Background), 1940-1941

May Snow, Torvald Arnst Hoyer, 1937

Torvalt Arnt Hoyer

May Snow, 1937

San Diego Mission, Josephine Joy, ca. 1935-1939

Josephine Joy

San Diego Mission, ca. 1935-1939

Industry, Arthur Durston, 1934

Arthur Durston

Industry, 1934

Employment of Negroes in Agriculture, Earle Richardson, 1934

Earle Richardson

Employment of Negroes in Agriculture, 1934