The Vendor #3

1956 · Drawing and Watercolor

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Hvor er »The Vendor #3« i dag? Art Institute of Chicago, Sal 124B, Chicago. Ja, udstillet nu. Kontrolleret 29. september 2026.

Art Institute of Chicago

Chicago, USA

Sal124B

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Kontrolleret: for 11 dage siden
Uændret siden: 28. sep. 2026
Kilde: Museet

På kortet Museets side

Oplysninger

Inventarnummer: 2013.165

I kataloget

Tegninger & akvareller Tusch Efterkrigskunst 1900-tallet USA

Kilder

Art Institute of Chicago
Billede: Art Institute of Chicago — © the artist or rights holder

Alle værker

Essex and Hester (Red)

1958 · National Gallery of Art

The Persian Jacket

1952 · Ikke udstillet · Museum of Modern Art

Untitled from Folder (vol. 1, no. 1)

1953 · Ikke udstillet · National Gallery of Art

Untitled from Folder (vol. 1, no. 1)

1953 · Ikke udstillet · National Gallery of Art

Untitled from Folder (vol. 1, no. 1)

1953 · Ikke udstillet · National Gallery of Art

River Bathers

1953 · Ikke udstillet · Museum of Modern Art

Untitled from Folder, Vol. I, No. I

1953 · Ikke udstillet · Museum of Modern Art

Untitled from Folder, Vol. I, No. I

1953 · Ikke udstillet · Museum of Modern Art

I samme sal · Gallery 124B, Art Institute of Chicago

Museets side

Lee Krasner

Black and White, 1953

Gray Interior (aka Gray Morning), Romare Howard Bearden, 1969

Romare Bearden

Gray Interior (aka Gray Morning), 1969

Fayga Ostrower

5907, 1959

Richard Diebenkorn

Untitled (Berkeley), 1955

Esteban Vicente

Collage No. 7, 1952

Ellsworth Kelly

Study for "Cité": Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951

Anne Ryan

The Vendor #3

Ja, udstillet nu

Oplysninger

I kataloget

Kilder

Mere af Grace Hartigan

Essex and Hester (Red)

The Persian Jacket

Untitled from Folder (vol. 1, no. 1)

Untitled from Folder (vol. 1, no. 1)

Untitled from Folder (vol. 1, no. 1)

River Bathers

Untitled from Folder, Vol. I, No. I

Untitled from Folder, Vol. I, No. I

I samme sal · Gallery 124B, Art Institute of Chicago

Black and White, 1953

Gray Interior (aka Gray Morning), 1969

5907, 1959

Untitled (Berkeley), 1955

Collage No. 7, 1952

Study for "Cité": Brushstrokes Cut into Twenty Squares and Arranged by Chance, 1951

Untitled, 1948–54