The Sower, Jean François Millet, 1851
Jean François Millet, portrætJean François MilletFrankrig, 1814–1875

The Sower

1851 · Print

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Rijksmuseum Amsterdam

Amsterdam, Holland

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RP-P-1953-499

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Imens i livet hos Jean François Millet

Hele livet
  1. 1849

    “Shepherdess Sitting at the Edge of the Forest”

    At the Salon of 1849 he exhibited “Shepherdess Sitting at the Edge of the Forest”, a very small oil painting that marked a turning away from earlier idealised pastoral subjects in favour of a more realistic and personal approach.

  2. 1849

    Son born: Jean-François Millet

  3. 1849

    The move to Barbizon

    In June 1849 Millet settled in Barbizon with Catherine and their children.

  4. 1850

    An arrangement with Alfred Sensier

    In 1850 Millet entered into an arrangement with Sensier, who provided the artist with materials and money in return for drawings and paintings, while Millet remained free to sell work to other buyers.

  5. 1850

    The Salon of 1850: “The Sower” and “Haymakers”

    At that year’s Salon he exhibited “Haymakers” and “The Sower”, his first major masterpiece and the earliest of the iconic trio of paintings that also included “The Gleaners” and “The Angelus”.

  6. 1853

    First official recognition: a Salon medal in 1853

    “Harvesters Resting” was the first work to garner him official recognition, a second-class medal at the Salon of 1853.

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