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  1. Samling/
  2. Art Institute of Chicago/
  3. The Mexican Major
The Mexican Major, Frederic Remington, 1889

The Mexican Major

1889 · Painting

Om maleriet

Frederic Remington was greatly impressed by the Mexican army, which he observed during a six-week visit to Mexico in 1889 in preparation for an article in Harper’s Weekly magazine. The Mexican Major is an elaborate, multifigural composition, designed to convey the professionalism, discipline, and “immensely picturesque” appearance of the officer and his regiment. Remington enjoyed the soldiers' ornate costumes, and he emphasized these through the use of rhythmic, flashing colors and the depiction of brilliant light. The line of horsemen stretches off into the far distance—a sign of honor, strength, and dignity.

Art Institute of Chicago · CC BY 4.0

Oplysninger

1889 · 28 år gammel
18611909
Inventarnummer
1982.804

Imens i livet hos Frederic Remington

Hele livet
  1. 1887

    Eighty-three illustrations for Theodore Roosevelt's book

    He receives a commission to do eighty-three illustrations for Theodore Roosevelt's book Ranch Life and the Hunting Trail, to be serialized in The Century Magazine. The 29-year-old Roosevelt had a Western adventure similar to Remington's, losing money on a ranch in North Dakota the previous year. The assignment gives Remington's career a big boost and forges a lifelong connection with Roosevelt.

  2. 1887–1889

    “Return of the Blackfoot War Party” at the National Academy

    His full-colour oil painting Return of the Blackfoot War Party is exhibited at the National Academy of Design, and the New York Herald comments that Remington will one day be listed among America's great painters. Not all critics admire him, but his work is deemed distinctive and modern.

  3. 1889

    A second-class medal at the Paris Exposition

    He wins a second-class medal at the Paris Exposition: the American committee chose him to represent American painting over Albert Bierstadt, whose majestic large-scale landscapes with tiny figures of pioneers and Indians were by then considered passé. His status as the new trendsetter in Western art is solidified.

  4. 1890

    At the scene of the Wounded Knee massacre

    He arrives on the scene just after the massacre at Wounded Knee on the Pine Ridge Indian Reservation in South Dakota, in which about 150 Sioux, mostly women and children, were killed. In his report, “The Sioux Outbreak in South Dakota”, he hails the Army's “heroic” actions toward the Indians.

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1890

First solo show at the American Art Galleries

Remington's first one-man show, twenty-one paintings at the American Art Galleries, is very well received. With success all but assured, he becomes established in society: his personality, his “pseudo-cowboy” manner of speaking and his “Wild West” reputation are strong social attractions. His biography falsely promoted some of the myths he encouraged about his Western experiences.

  • 1890

    Moves to New Rochelle: the house “Endion”

    He and his wife move to New Rochelle, New York, for more living space and studio facilities and in the hope of getting more exercise; the town is close to New York's publishers and galleries yet rural enough for horseback riding. Remington calls their substantial Gothic revival house at 301 Webster Avenue, on Lathers Hill, Endion, an Ojibwa word meaning “the place where I live”; their neighbours in the artists' colony include writers, actors and artists.

  • Frederic Remington, portrætFrederic RemingtonUSA, 1861–1909

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    MalerierOlieAmerikansk maleriImpressionisme1800-talletNew York

    Kilder

    • Art Institute of Chicago
    • Billede: Art Institute of Chicago — CC0
    The Broncho Buster, Frederic Remington, 1895, revised 1909, cast by November 1910

    The Broncho Buster

    1895, revised 1909, cast by November 1910 · Metropolitan Museum of Art

    A Reconnaissance, Frederic Remington, 1902

    A Reconnaissance

    1902 · Metropolitan Museum of Art

    The Mountain Man, Frederic Remington, 1903, cast by March 1907

    The Mountain Man

    1903, cast by March 1907 · Metropolitan Museum of Art

    On the Southern Plains, Frederic Remington, 1907

    On the Southern Plains

    1907 · Metropolitan Museum of Art

    The Bronco Buster, Frederic Remington, Modeled 1895, cast 1899

    The Bronco Buster

    Modeled 1895, cast 1899 · Art Institute of Chicago

    Bronco Buster, Frederic Remington, 1895 (cast 1918 or later)

    Bronco Buster

    1895 (cast 1918 or later) · Minneapolis Institute of Art

    On the Bridle Path, Central Park, New York, Frederic Remington, 1889

    On the Bridle Path, Central Park, New York

    1889 · Ikke udstillet · National Gallery of Art

    Off the Range (Coming Through the Rye), Frederic Remington, model 1902, cast 1903

    Off the Range (Coming Through the Rye)

    model 1902, cast 1903 · Ikke udstillet · National Gallery of Art

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    En søndag eftermiddag på øen La Grande Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Gade i Paris på en regnvejrsdag, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    To søstre, 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    The Basket of Apples, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    Nighthawks, 1942

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Art Institute of Chicago

    Unidentified Fashion Model, Andy Warhol, 1984

    Andy Warhol

    Unidentified Fashion Model, 1984

    Ikke udstillet · National Gallery of Art

    Elizabeth Saltzman and Unidentified Man, Andy Warhol, 1980-1985

    Andy Warhol

    Elizabeth Saltzman and Unidentified Man, 1980-1985

    Ikke udstillet · National Gallery of Art

    Women of Algiers, Eugène Delacroix, 1833

    Eugène Delacroix

    Women of Algiers, 1833

    Ikke udstillet · National Gallery of Art

    The Yuppie Project (17), Nikki S. Lee, 1998

    Nikki S. Lee

    The Yuppie Project (17), 1998

    Ikke udstillet · National Gallery of Art

    The Young Japanese (East Village) Project (13), Nikki S. Lee, 1997

    Nikki S. Lee

    The Young Japanese (East Village) Project (13), 1997

    Ikke udstillet · National Gallery of Art

    The Child's Bath, Mary Cassatt, 1893

    Mary Cassatt

    Barnets bad, 1893

    Art Institute of Chicago

    Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), Paul Gauguin, 1893

    Paul Gauguin

    Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893

    Art Institute of Chicago