The Hills

Preston Dickinson painted The Hills a few years after he returned to New York from France. He admired the work of the French modernist painters, especially Paul Cézanne, who transformed his subjects into simple shapes and planes of color. Dickinson composed this landscape from triangles and curves, and even the clouds reflect the shapes of the hills and buildings. The expressive brushstrokes and vibrant color evoke an energetic, windswept day in the countryside of New York.

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Naboer på Smithsonian American Art Museum

Om samme emne · Mountains

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Kilder

Grain Elevators, Omaha

Still Life

Plums on a Plate

Harlem River

Landscape

Long Island

Winter

High Bridge

Muskrat, before 1997

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, 1946

Fish Decoy, ca. 1940s

Half Dome and Moon, Yosemite Valley, 1960

Mount Williamson, Sierra Nevada, from Manzanar, California, 1944, printed 1960s

Clear Weather with a Southerly Wind, 1829 - 1833

Den store bølge ud for Kanagawa, 1830/33

Landscape with Sportsman and Dog, c. 1653

The Oxbow, 1836

The Rocky Mountains, Lander's Peak, 1863

Tahitian Shore [recto], c. 1900