The Fortune Teller, Caravaggio, 1594
Caravaggio, portrætCaravaggioItalien, 1571–1610

The Fortune Teller

1594 · Painting · 115 × 150 cm

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Ukendt

Hvor er »The Fortune Teller« i dag? Samling: Musei Capitolini, Rom. Om det er udstillet i dag, er ukendt.

Musei Capitolini

Rom, Italien

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

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Inv. PC 131

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  • Wikidata
  • Billede: Musei Capitolini — Caravaggio · Public domain · Wikimedia Commons

Imens i livet hos Caravaggio

Hele livet
  1. 1592

    Penniless in Rome, lodging with Pandolfo Pucci

    The young artist arrived in Rome 'naked and extremely needy', with no fixed address or provision, and lodged with the miserly Pandolfo Pucci, known as 'Monsignor Insalata'. According to Bellori, he began by painting three heads a day for nominal pay for the minor painter Lorenzo Siciliano.

  2. 1592

    Taken in by Antiveduto Grammatica

    The homeless Caravaggio was taken in by the painter Antiveduto Grammatica, who would later become one of his followers.

  3. 1593

    Roman fever: six months in hospital

    Caravaggio fell ill with 'Roman fever' (malaria) and spent six months in hospital between life and death. Possibly under the impression of the illness he painted the 'Sick Bacchus', his first self-portrait.

  4. 1593

    In the workshop of Cesari d'Arpino

    Caravaggio joined the workshop of Cesari d'Arpino, who had him paint flowers and leaves on his frescoes; there the young provincial met influential patrons and artists, among them Jan Brueghel the Elder. In the same years, after yet another brawl, he landed in the Tor di Nona prison, where he met Giordano Bruno, and soon broke with d'Arpino.

  5. autumn 1594

    Under the patronage of Cardinal del Monte

    Caravaggio began working on commissions for Cardinal Francesco del Monte and moved into his residence, the Madama, where he met Galileo Galilei, Tommaso Campanella, Giacomo della Porta and the poets Marino and Milesi. The period proved highly productive for him.

  6. 1595

    Refused admission to the Academy of Saint Luke

    Despite recommendations from Orazio Gentileschi, Grammatica and Prospero Orsi, Caravaggio was refused admission to the Academy of Saint Luke. His chief opponent was its president, Federico Zuccaro, who put the success of his pictures down to a mere 'touch of novelty' prized by rich patrons.

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