
CaravaggioItalien, 1571–1610The Fortune Teller
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Ukendt
Hvor er »The Fortune Teller« i dag? Samling: Musei Capitolini, Rom. Om det er udstillet i dag, er ukendt.
Rom, Italien
Ejeren er kendt; om værket er udstillet i dag, vides ikke.
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- Inv. PC 131
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- Wikidata
- Billede: Musei Capitolini — Caravaggio · Public domain · Wikimedia Commons
Imens i livet hos Caravaggio
Hele livet1592
Penniless in Rome, lodging with Pandolfo Pucci
The young artist arrived in Rome 'naked and extremely needy', with no fixed address or provision, and lodged with the miserly Pandolfo Pucci, known as 'Monsignor Insalata'. According to Bellori, he began by painting three heads a day for nominal pay for the minor painter Lorenzo Siciliano.
1592
Taken in by Antiveduto Grammatica
The homeless Caravaggio was taken in by the painter Antiveduto Grammatica, who would later become one of his followers.
1593
Roman fever: six months in hospital
Caravaggio fell ill with 'Roman fever' (malaria) and spent six months in hospital between life and death. Possibly under the impression of the illness he painted the 'Sick Bacchus', his first self-portrait.
1593
In the workshop of Cesari d'Arpino
Caravaggio joined the workshop of Cesari d'Arpino, who had him paint flowers and leaves on his frescoes; there the young provincial met influential patrons and artists, among them Jan Brueghel the Elder. In the same years, after yet another brawl, he landed in the Tor di Nona prison, where he met Giordano Bruno, and soon broke with d'Arpino.
autumn 1594
Under the patronage of Cardinal del Monte
Caravaggio began working on commissions for Cardinal Francesco del Monte and moved into his residence, the Madama, where he met Galileo Galilei, Tommaso Campanella, Giacomo della Porta and the poets Marino and Milesi. The period proved highly productive for him.
1595
Refused admission to the Academy of Saint Luke
Despite recommendations from Orazio Gentileschi, Grammatica and Prospero Orsi, Caravaggio was refused admission to the Academy of Saint Luke. His chief opponent was its president, Federico Zuccaro, who put the success of his pictures down to a mere 'touch of novelty' prized by rich patrons.
