ART WIKI33.040 udstillet
KortSamlingKunstnereMuseerUdstillingerJournal
Log ind

ART WIKI

Hvor mesterværket hænger, og hvornår man bliver lukket ind.

Samlinger: Art Institute of Chicago, Det Russiske Museum, Eremitagen, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pusjkinmuseet, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, The Cleveland Museum of Art, Tretjakovgalleriet, Victoria and Albert Museum, Whitney Museum of American Art, Ruslands statskatalog over museumsfonden (274 museer), Europeana (19 museer), Wikidata (6 museer), Paris Musées (12 museer) og Joconde, det franske kulturministeriums museumsdatabase (495 museer). Billederne tilhører deres rettighedshavere.

Afsnit

  • Kort
  • Søgning
  • Samling
  • Mesterværker
  • Udstillet nu
  • Kunstnere

Mere

  • Museer & gallerier
  • Udstillinger
  • Journal
  • Hvor data kommer fra
  • Privatliv & cookies
ForsideKortKatalog
  1. Samling/
  2. J. Paul Getty Museum/
  3. The Dream
The Dream, Aubrey Vincent Beardsley, 1896
Aubrey Beardsley, portrætAubrey BeardsleyStorbritannien, 1872–1898

The Dream

1896 · Drawing · 25.7 × 17.8 cm

Må man se det?

Tager ikke imod for tiden

JPG
J. Paul Getty Museum

Los Angeles, USA

Det hører til samlingen, men er ikke udstillet for tiden.

Kontrolleret
i går
Uændret siden
7. okt. 2026
Kilde
Museet
På kortetMuseets side

Om værket

>Twas he has summon'd to her silent Bed >The Morning Dream that hover'd o'er her Head. >A Youth more glitt'ring than a Birth-Night Beau.... Carrying a long baton tipped with a glittering star, an elegant suitor of the 1700s peers through an opening in the bed-curtains to spy on Belinda, the protagonist in Alexander Pope's poem, *The Rape of the Lock.* According to the passage from the poem, the suitor probably represents the "Morning Dream" sent to Belinda by her guardian to populate her fantasies. In his typically sensuous and inventive way, Aubrey Beardsley did not illustrate the passage literally; rather, he chose suggestive, fantastic imagery replete with allusions. Long, lacy bed-curtains embroidered with women's busts and feminine motifs, such as the peacock, symbolize Belinda. Beardsley's unique manner of drawing includes elaborate layering of patterns, such as the delicate dotting that resembles textile embroidery.

JPGJ. Paul Getty Museum

Oplysninger

1896 · 24 år gammel
18721898
Inventarnummer
99.GA.18

I kataloget

Tegninger & akvarellerPenImpressionisme1800-talletStorbritannien

Kilder

  • J. Paul Getty Museum
  • Billede: J. Paul Getty Museum — Open Content

Imens i livet hos Aubrey Beardsley

Hele livet
  1. 1894

    Art editor of The Yellow Book

    In 1894 Beardsley, together with the American writer Henry Harland, became art editor of The Yellow Book; for its first four issues he produced the covers and many illustrations.

  2. 1894–1896

    His health sharply declines

    Between 1894 and 1896, at the height of his success, his health sharply deteriorated. “I know my illness is incurable,” he wrote to Raffalovich, “but I am sure measures can be taken to slow its course.”

  3. 1895

    Wilde's arrest costs him The Yellow Book

    When Oscar Wilde was arrested in April 1895, a journalist mistakenly wrote that he had taken “the yellow book” to prison rather than simply a yellow-covered book. For Victorian England that was enough: Beardsley lost his place at the magazine and his livelihood.

  4. 31 March 1897

    Received into the Catholic Church

    On 31 March 1897 Beardsley was received into the Catholic Church. His close friends included both Anglican clergymen and Catholic priests, who acknowledged the sincerity and depth of his faith.

  5. 1897

    Moves to Menton

    By April 1897 his failing health prompted a move to the French Riviera, to Menton. There he was cared for by his mother and his sister Mabel, while his chief financial support came from the writer and patron Marc-André Raffalovich.

  6. 16 March 1898

    Death in Menton

    Beardsley died of tuberculosis at the Cosmopolitan Hotel in Menton, fully conscious, with his mother and sister at his side; he was twenty-five. The next day, after a requiem Mass in Menton Cathedral, he was buried in the Cimetière du Trabuquet.

Mere af Aubrey Beardsley

Alle værker
Caricature of J.M. Whistler, Aubrey Beardsley

Caricature of J.M. Whistler

Ikke udstillet · National Gallery of Art

Withered Spring, Aubrey Beardsley

Withered Spring

Ikke udstillet · National Gallery of Art

Tannhäuser, Aubrey Beardsley

Tannhäuser

Ikke udstillet · National Gallery of Art

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz, Aubrey Beardsley

Sitzende junge Frau vor einem Tisch mit einem Fötus unter einem Glassturz

Albertina

In einen Umhang gehüllter alter Mann, den Erdball gießend, Aubrey Beardsley

In einen Umhang gehüllter alter Mann, den Erdball gießend

Albertina

Zwei bacchantische Hexen mit ihren Opfern, Aubrey Beardsley

Zwei bacchantische Hexen mit ihren Opfern

Albertina

CHILDREN'S BOOKS., Aubrey Beardsley, 1894

CHILDREN'S BOOKS.

1894 · Albertina

Caprice. Verso: Masked Woman with a White Mouse, Aubrey Beardsley, 1894

Caprice. Verso: Masked Woman with a White Mouse

1894 · National Gallery

Naboer på J. Paul Getty Museum

Museets side
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Iriser, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

The Abduction of Europa, 1632