The Descent from the Cross, Charles Le Brun, ca. 1642 - 1645
Charles Le Brun, portrætCharles Le BrunFrankrig, 1619–1690

The Descent from the Cross

ca. 1642 - 1645 · Oil painting · 78.7 × 63.5 cm

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Hvor er »The Descent from the Cross« i dag? Victoria and Albert Museum, Europe 1600-1815, Room 5, The Friends of the V&A Gallery, London. Ja, udstillet nu. Kontrolleret 25. september 2026.

Victoria and Albert Museum

London, Storbritannien

SalEurope 1600-1815, Room 5, The Friends of the V&A Gallery

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Om maleriet

Charles Le Brun (1619-1690) was born in Paris and soon achieved a great success becoming the court painter of Louis XIV. He trained with François Perrier (1594-1649) and then collaborated with Simon Vouet (1590-1649) during the mid 1630s. He made a decisive trip for his artistic development to Italy with Nicolas Poussin (1594-1665) in 1642 and returned to Paris only three years later. He then became quickly very successful and produced many history and religious paintings as well as designs for the royal palaces.

Læs videre

This painting is a fine example of Charles Le Brun’s Baroque style who dominated 17th-century French painting. It shows the Descent from the Cross of Christ’s body by Nicodemus and St John the Evangelist while a group of mourning women gathered around the feinted Virgin Mary. This austere composition is pervaded with dramatic intensity enhanced by touches of vivid colours against the dark background. This work, of which several versions are known, was particularly popular and inspired the next generation of artists.

Victoria and Albert Museum

Oplysninger

Inventarnummer
9103-1863

Hvad det viser

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Kilder

Imens i livet hos Charles Le Brun

Hele livet
  1. 1642

    He travels to Rome with Poussin

    In 1642 he sets out for Rome with Poussin; thanks to a scholarship from Chancellor Séguier he works there for four years under Poussin, studies ancient Roman sculpture, copies Raphael and meets local artists.

  2. 1642

    Teacher: Nicolas Poussin

  3. 1646

    He returns to Paris: new patrons, Fouquet

    In 1646 he returns to Paris and finds numerous patrons; the most important is Nicolas Fouquet, for whom he paints a large portrait of Anne of Austria.

Alle værker

I samme sal · Europe 1600-1815, Room 5, The Friends of the V&A Gallery, Victoria and Albert Museum

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Om samme emne · Soldiers

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