Peter Paul RubensFlandern, 1577–1640The Calydonian Boar Hunt
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>The boar was furiously twisting its body round and round, its jaws slavering with foam and fresh blood...the hero who had dealt the wound came up close to the animal and roused his foe to fury, before finally burying his shining spear in its shoulder. > >--Ovid, *Metamorphoses* Wrapped in a flowing red cape, the warrior Meleager thrusts his spear into the shoulder of a massive boar. The ferocious creature--seemingly undaunted by a pair of hounds latched onto its bristled hide--has turned to confront head-on its human adversary. Meleager's blow will prove to be fatal to the boar, but the beast has proven itself as a fearsome foe. Beneath its imposing hooves lie the disemboweled carcass of a hound and the prostrate corpse of the hunter Ancaeus.
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The story of the Calydonian boar hunt was told and retold during antiquity--most famously in Ovid's *Metamorphoses.* When King Oeneus of Calydon failed to honor the goddess Diana with offerings, she released a terrifying boar on his land. The king's son, Meleager, assembled a group of renowned warriors to slay the beast. Several of the huntsmen were killed or maimed before Meleager finally defeated the boar. He presented its head as a trophy to his beloved, the huntress Atalanta, who is seen behind Meleager, with bow in hand. Peter Paul Rubens created this painting a few years after an extended stay in Italy. He drew from ancient sarcophagi and statues he had seen there for the poses of many of the figures. For example, the boar seen in profile was taken directly from a well-known marble in Florence's Uffizi Gallery.
Rubens's appropriation of iconic images from antiquity was intended to resonate with learned viewers. For the figures on horseback, Rubens borrowed from his Renaissance predecessors, Leonardo da Vinci and Raphael. But Rubens's dynamic and inventive interpretation of the hunt was wholly his own. With this painting, he established the theme of the epic combat between man and animal, a subject to which he would return throughout his career.
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Imens i livet hos Peter Paul Rubens
Hele livetseptember 1609
Employed by: Albert VII, Archduke of Austria
3. oktober 1609
Married: Isabella Brant
8 October 1609
Marriage to Isabella Brant
The 32-year-old Rubens married the 18-year-old Isabella Brant, niece of his brother's wife and daughter of the humanist and city secretary Jan Brant; the marriage produced three children.
9 January 1610
Court Painter to the Archducal Couple
After being presented at court in August 1609, Rubens received his patent as court painter to Archduke Albert and the Infanta Isabella; at the same time he secured the right to remain working in Antwerp rather than Brussels, and to be paid a fee for each painting.
1611
Daughter born: Clara Serena Rubens
1611
Purchase of Land and Construction of a House and Studio
Rubens acquired a large plot on the Wapper and built a mansion for 10,000 florins with a studio and a gallery for his collection; the fitting-out lasted until 1616, and contemporaries called the house the most beautiful in the city.
