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ForsideKortKatalog
  1. Samling/
  2. Musée des beaux-arts de Valenciennes/
  3. Térésa
Térésa, William Adolphe Bouguereau, 1854
William-Adolphe Bouguereau, portrætWilliam-Adolphe BouguereauFrankrig, 1825–1905

Térésa

1854 · Painting · 41.9 × 32.2 cm

Må man se det?

Ukendt

MBV
Musée des beaux-arts de Valenciennes

Valenciennes, Frankrig

Ejeren er kendt; om værket er udstillet i dag, vides ikke.

Uændret siden
5. okt. 2026
Kilde
Museet
På kortetMuseets side

Oplysninger

1854 · 29 år gammel
18251905
Inventarnummer
P.46.1.475

Hvad det viser

Portrait (Teresa, femme, à mi-corps, modèle, Italien)

I kataloget

MalerierOlieFransk maleriRealisme1800-talletFrankrig

Kilder

  • Musée des beaux-arts de Valenciennes
  • Billede: Musée des beaux-arts de Valenciennes — © Claude Thériez; Ministère de la Culture (France), base Joconde

Imens i livet hos William-Adolphe Bouguereau

Hele livet
  1. 1851–1853 · Uddannelse

    French Academy in Rome

  2. 1851–1854

    Through Italy with Curzon: copies of Raphael, Titian, Assisi

    At the French Academy in Rome Bouguereau meets G. Boulanger and J. Lenepveu, but becomes closest friends with the landscape painter P. Curzon; together they make many journeys through Italy — Naples, Pompeii, Siena, Perugia, Assisi, Florence, Pisa, Milan, Ravenna. Bouguereau visits almost all the museums and private collections, copies ancient Roman monuments, makes a replica of the complete cycle of frescoes in the basilica of San Francesco in Assisi, and copies Raphael’s “Triumph of Galatea” and Titian’s “Triumph of Flora”.

  3. 1851–1854

    His tastes and the “discovery” of Giotto

    In Italy Bouguereau’s tastes take shape: he names Michelangelo, Raphael and Leonardo as his chief authorities, finds Botticelli too “nervous”, counts Correggio among the geniuses but denies that status to Mantegna, whom he finds “soulless”. In Padua and Assisi he immerses himself in Giotto and discovers in his gestures and faces a link between Proto-Renaissance painting and French gallant painting of the eighteenth century — a “discovery” that will shape his work for the rest of his life and shows in two paintings called “Idyll” (1850 and 1851), reminiscent of Rococo pastorals.

  4. after 1854

    After Rome: decorating churches and mansions

    On finishing his stay in Rome Bouguereau receives commissions to decorate churches — the life of Saint Louis for a chapel, the lives of Saints Peter and Paul and of John the Baptist for the Parisian church of Saint-Augustin — and the mansions of A. Bartholoni and E. Pereire, for the first of which he paints “Arion on a Sea Horse” and “Bacchante”. These works demonstrate his undoubted ability for monumental painting.

  5. April 1854

    Return to La Rochelle: “The Triumph of Martyrdom”

    In April 1854 Bouguereau leaves Rome and returns to La Rochelle. Before that, in Rome, he paints a number of large religious canvases, among them “The Triumph of Martyrdom” (1854), which draw the attention of the French secular and church authorities.

  6. 1856

    Marie-Nelly Monchablon: a secret liaison with a model

    In 1856 Bouguereau begins living with one of his models, the 19-year-old Marie-Nelly Monchablon: the couple keep their liaison secret and live together unmarried, and their first child, Henriette, is born in April 1857. They will marry only on 24 May 1866, and quietly, since many assumed they were already married (other accounts say he married as early as 1856).

Mere af William-Adolphe Bouguereau

Alle værker
Breton Brother and Sister, William Bouguereau, 1871

Breton Brother and Sister

1871 · Metropolitan Museum of Art

Young Mother Gazing at Her Child, William Bouguereau, 1871

Young Mother Gazing at Her Child

1871 · Metropolitan Museum of Art

Temptation, William-Adolphe Bouguereau, 1880

Temptation

1880 · Minneapolis Institute of Art

A Young Girl Defending Herself against Love, William-Adolphe Bouguereau, about 1880

A Young Girl Defending Herself against Love

about 1880 · J. Paul Getty Museum

Rest, William Adolphe Bouguereau, 1879

Rest

1879 · The Cleveland Museum of Art

The Bathers, William Adolphe Bouguereau, 1884

The Bathers

1884 · Art Institute of Chicago

Bacchante on a Panther, William Adolphe Bouguereau, 1855

Bacchante on a Panther

1855 · The Cleveland Museum of Art

Arion on a Sea Horse and Bacchante on a Panther (pair), William Adolphe Bouguereau, 1855

Arion on a Sea Horse and Bacchante on a Panther (pair)

1855 · The Cleveland Museum of Art

Fra samlingen: Musée des beaux-arts de Valenciennes

Museets side
Saint Jacques le Majeur et le magicien Hermogène ; Un prieuré antonin, Jérôme Bosch, 2e moitié 15e siècle

Hieronymus Bosch

Saint Jacques le Majeur et le magicien Hermogène ; Un prieuré antonin, 2e moitié 15e siècle

Le prophète Elie et l'Ange dans le désert, Petrus Paulus Rubens, 1627 vers

Peter Paul Rubens

Le prophète Elie et l'Ange dans le désert, 1627 vers

Le Martyre de saint Etienne ; Lapidation de saint Etienne ; Prédication de saint Etienne ; La Mise au tombeau de saint Etienne ; Annonciation ; Ange de l'Annonciation, Petrus Paulus Rubens, 1ère moitié 17e siècle

Peter Paul Rubens

Le Martyre de saint Etienne ; Lapidation de saint Etienne ; Prédication de saint Etienne ; La Mise au tombeau de saint Etienne ; Annonciation ; Ange de l'Annonciation, 1ère moitié 17e siècle

Le triomphe de l'Eucharistie, Petrus Paulus Rubens, 1ère moitié 17e siècle

Peter Paul Rubens

Le triomphe de l'Eucharistie, 1ère moitié 17e siècle

Paysage à l'arc-en-ciel, Petrus Paulus Rubens, 17e siècle

Peter Paul Rubens

Paysage à l'arc-en-ciel, 17e siècle

La Descente de Croix, Petrus Paulus Rubens, 17e siècle

Peter Paul Rubens

La Descente de Croix, 17e siècle

Chemin montant à Osny (Val d'oise), Camille Pissarro, 1883

Camille Jacob Pissarro

Chemin montant à Osny (Val d'oise), 1883

Pastorale, François Boucher, 18e siècle

Francois Boucher

Pastorale, 18e siècle